Woodcut Landscape Prints

Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

Breton Peasant is a woodcut print realized by Paul Emile Colin (1867-1949). Good condition on a little paper, included a cream colored cardboard pass...

La Vendemmia is an original woodcut print by Giuseppe Mainini in the early 20th century. The artwork depicts a harvest scene in garnet red colors. Good conditions.

Celebratory Parade is an original Woodcut print realized in mid 19th century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print. This wonderful modern a...

The Living Kite is an original Woodcut print realized in the late 19th century after Utagawa Kunisada. Good condition except for some damaged paper on the edge and Beautiful colore...

La Jolla - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...

"Lago di Ninfea" is an original woodcut print on ivory-colored paper, realized by Angelo Rossini. The state of preservation of the artwork is very good. The signature of the Artist...

La Casetta del Cipresso (translated "House by the Cypress")is an original woodcut print realized by Cesare Vincenti in the early 20th century. Good conditions. The artwork is depic...

Blossom Time in Tokyo Color woodcut, 1914 Signed by the artist in pencil on the image (see photo) Signed in the block with the artist red stamp and her initials (see photo) Condition...

Knowledge is an Original woodcut print realized by Georges Zevort (1883-1959). The artwork is in good condition included a white cardboard passpartout (50x35 cm). Signature stamped.

Le Jardin De Montmagny by Maurice Utrillo. it is one of 12 signed limited edition wood engravings from the portfolio "Estampes" by Robert Rey, 1950. Edited by L'Image Litteraire, N...

Remo Wolf, Pair of Ex Libris Gianni Mantero is an original woodcut print by Armando Baldinelli in the early 20th Century. Good conditions. The art...

The Sea-Eight Scenic Spots in Kanazawa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa H...

Ex Libris Jarmil Chladek is an original Contemporary Artwork realized in the 1960s. Original Colored woodcut print on paper. Hand-signed by the artist on the lower right corner in...

Vecchio Campo Santo (Old Cemetery) is an original woodcut print realized by Rafaele Angelo Oppio in the early 20th century. Good conditions. The artwork is depicted through strong ...

Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878. Passepartout is included. Publisher Eiraku Toshiro. Sheet dimensions: 24 x 26 cm. Good conditions. Signs of age and wear. Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji. Landscape from "Fugaku hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849) in the Second half of the XIX Century. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...

Landscape n Full Moon - Eight Scenic Spots in Kanazawa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese ...

Fleet Street, London Soft ground etching & aquatint, c. 1936 Signed in pencil by the artist (see photo) Condition: Very good condition with brown paper tape along the edges of the la...

Ex Libris Vibeke Kongstad is an original Contemporary Artwork realized in the 1960s. Original B/W woodcut print on paper. Hand-signed by the artist on the lower right corner in pe...

French Landscape is a modern artwork realized by Andre Roland Brudieux. Original woodcut on paper. Hand-signed on the lower right. Numbere...

"Landscape" is an original xilograph on ivory-colored paper, realized by Angelo Rossini. The state of preservation of the artwork is very good. The signature of the Artist, on the ...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Original Woodcut print Chuban yokoe. Red...

In The Port is an original woodcut print realized by Unknown Artist of the early 20th Century. In very good conditions. The artwork represents a port through delicate and precise s...

Piazza d'Armi is a very rare xylograph realized by Arturo Martini, one of the 20th-century masters in this technique. Title and signature printed on the lower margin. Passepartout included : 45 x 55 cm Image Dimensions : 22.5 x 29 cm Arturo Martini (1889-1947) was an Italian sculptor. He studied ceramics in Faenza and sculpture in Treviso. His copious artistic production is characterized by immediate plasticity, halcyon inventiveness, and thorough mastery of all technical processes: stone, bronze, terracotta...

Kuwana Station is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1920s. Original woodcut print oban yokoe. After the famous Tokaido series, ...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi, First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim'' Steimatzky Gallery, Jerusalem 1936 Artists: Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh Group Exhibition Group Exhibition Katz Art Gallery, Tel Aviv 1939 Artists: Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...

View of the Palace of Onnay in Japan is a woodcut on creamy-colored paper realized by Ernest Breton in 1843. Signed on the plate, titled on the lower. Good conditions. The artwork...

The station Yui on the coast and Mount Fuji is an original modern artwork realized after Utagawa Hiroshige, in the early 20th Century. Woodcuc Print format Oban Yokoe. Frame is inc...

Shimada is an original modern artwork realized after Utagawa Hiroshige, in the Late 19th Century. Original Woodcut print from the series "53 Stations of t...

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

Landscape is a reprint of a woodblock realized after Shuko Yishi (1564- ?) The State of preservation is very good. Included a passepartout: 50 x 32.5 cm The artwork represents a p...

Ex Libris Nagy Jozsef is a Contemporary Artwork realized in the Early 20th Century. Original B/W woodcut print on paper. Original Ex Libris paper. Hand-signed by the artist on th...

The Head is an original Woodcut from "Old King", realized by Ebba Holm in 1925. Good conditions. The artwork is depicted through perfect hatching in a well-balanced composition.

Raoul Dufy, French (1877 - 1953) - Crows in Field, Year: 1912, Medium: Woodcut on laid paper, signed in pencil, Image Size: 1.5 x 3.5 inches, Size: 7.25 x 5.5 in. (18.42 x 13.97 cm...

La Louisiane au Temps des Français is a hand-colored woodcut print on creamy-colored paper. In good conditions except for some minor foxing lower right. Hand-signed, illegible. T...

Born in Budapest in 1907, he had a humble upbringing and a passion for the arts. Shortly after the Hungarian Revolution broke out in 1956, Domján was invited to showcase his work in New York; given both the circumstances and opportunities, he readily accepted. Eventually, with his wife and children, he settled in Tuxedo Park. Here, he established the Domján Studio and where lived until his passing in 1992. In his early years, and during the Great Depression, Domján toured Europe with the desire to be engulfed by art. Previously, much of his time had been consumed with the work of both an engine fitter and foundry worker. After testing the waters of over 20 different professions, he discovered his passion in the arts. Later, during his European tour, he earned his way by selling a variety of works including both paintings and sketches. Post-depression, he returned to Hungry where he studied seven years at the Budapest Academy of Arts. Having spent an earlier portion of his life as a painter, Domján created his first woodcut in 1947 by using oil paint as opposed to printer’s ink. The result was stunning. This technique, becoming his signature style, would later set him apart from others within the trade. To create his pieces, Domján applied rich color, layer by layer, and lays claim to having “succeeded in bringing to the world something that had not existed before.” Ultimately, each print became three dimensional and gave the appearance of a painting. His technique has gained him international merit as well as the honor of receiving China’s “Master of the Color Wooodcut” award, a recognition given only once every century. The inspiration behind many of Domján’s woodcuts, coupled with his love of nature, is derived from Hungary’s brilliant folklore. The intricacy of his design is certainly his prominent element; however, their subtle coloring and abstract images contribute to his unique style. For the 59th Anniversary of composer Béla Bartók’s opera, Duke Bluebeard’s Castle, Domján used the opera’s profound imagery to create a series of woodcuts. The work included an ominous castle, coiled snakes, smirking masks, elusive zodiac symbols, and the story’s forbidden key. In doing so, Domján was able to weave traditional folklore components into a fantastic piece of modernized art. His work is not only expressive of Hungarian folklore...

The Mirror is an original Woodcut from ""quaderni dell'Eroica", realized by Giorgio Wenter Marini in 1926. Good conditions. The artwork is depi...

Florenz is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Lette...

The River through Threes is a woodcut print on paper realized after a photograph by M. Renaud artist in the 20th century. Signed on the plate and Monogrammed. With another artwork ...

House on The River is an original xylograph realized during the first half of 20th Century by an anonymous artist. Monogram of the artist PP printed on the lower left margin, The ...

Childhood Memory is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original B/W woodcut on cardboard. Excellent conditions. Lojze Spacal...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

Colpire is an original woodcut print by Attilio Giuliani in the early 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition

HIROSHIGE UTAGAWA I, Edo 1797 - 1858 The Suruga District in Edo (Tôto Suruga-chô), from the series Thirty-six Views of Mount Fuji (Fuji sanjûrokkei) Nishiki-e. Color woodcut, signed...

Trieste: l'Androne degli Orti is an original woodcut print by Alberto Zanverdiani in the early 20th Century. Good conditions. The artwork is depicted through stong strokes in a wel...

Boats in Porto San Giorgio is an original woodcut print realized by Attilio Giuliani in 1924. Signed and dated on plate. The artwork depicts a scene from the habour of Porto San Gio...

L'Abbeveratoio (translated: The Watering Place) is an original woodcut print realized by Carlo Zuccarini in the early 20th century. Good conditions. The artwork is depicted through...

The Celebration is an original woodcut print realized by an Anonymous artist in the early 20th century. The artwork is a composition of figures in sem...

Port de la Nouvelle-Orléans s a beautiful black and white xylograph on paper, realized by François Pannemaker, after a drawing from a photograph by E. de Berard, as the caption under the image suggests and the signature under the print on sides " E. de Berard / Pannemaker=Ligny". Realized in 1865, this original print offers us a wonderful and historical view on the lively New Orleans port...

Ex Libris Pokomskij is an original Contemporary Artwork realized in the 1940s Original woodcut print on ivory-colored paper. Sigled in pencil on the lower margin. The work is g...

Ex Libris Casimiro de Souza is an original Contemporary Artwork realized in the 1960s Original B/W woodcut print on paper. The work is glued on cardboard. Total dimensions: 21 x...

Ex Libris Jarmil Chladek is an original Contemporary Artwork realized in the 1970s. Original Colored Woodcut Print on paper. Hand-signed by the artist on the lower right corner in...

Ex Libris Konyve is a Contemporary Artwork realized in the Early 20th Century Original B/W woodcut print on ivory-colored paper. Hand-signed by the artist on the lower right corn...

Ex Libris Rodrigues is an original Contemporary Artwork realized in the early 20th Century. Original B/W woodcut print on paper. The work is glued on cardboard. Total dimensions...

Ex Libris KRCMY is an original Modern Artwork realized in 1934. Original Ex Libris paper. Hand-signed and dated by the artist on the lower right corner in pencil. Original Colored ...

Figures is an original woodcut realized by Ernesto Romagnoli in 1963. No signature, in very good conditions. The artwork is after Mino Maccari.

Karst Village is a Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original B/W woodcut on cardboard. Excellent condition...