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Art Subject: Cutlery
Surrealist Lovers - Signed Facsimile, Ltd /450
By M.C. Escher
Located in Paris, IDF
M.C. ESCHER (1898-1972)
Surrealist Lovers, 2008
Facsimile after the original woodcut from 1935
Signed in the plate
Numbered / 450 copies (the number you can see can be different)
On...
Category
20th Century Modern Landscape Prints
Materials
Color
Calder, Composition, A Bestiary (after)
Located in Southampton, NY
Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...
Category
1950s Surrealist Figurative Prints
Materials
Lithograph
$956 Sale Price
20% Off
Soutine, Nature morte à la pipe, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1966
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Soutine, I, Collect...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Chaim Soutine, Still Life with Turkey, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes.
Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier.
Artwork Details:
Artist: After Chaim Soutine (1899–1943)
Title: Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy
Medium: Lithograph on velin d'Arches paper
Dimensions: 20 x 26 inches
Inscription: Signed in the plate and unnumbered as issued
Date: 1966
Publisher: Fernand Mourlot, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966
Notes:
Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966.
About the Publication:
Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century.
About the Artist:
Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category
1960s Modern Still-life Prints
Materials
Lithograph
$716 Sale Price
20% Off
Soutine, Nature morte à la dinde, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1966
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Soutine, I, Collect...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition, Rubber Stamp Portfolio, Richard Artschwager
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin de Rives BFK paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publishe...
Category
1970s Minimalist Still-life Prints
Materials
Printer's Ink
$5,996 Sale Price
20% Off
Still Life with a Pipe and a Pichet - Original wooodcut, Handsigned
Located in Paris, IDF
Demetrios Galanis
Still Life with a Pipe and a Pichet, 1926
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the...
Category
1920s Modern Landscape Prints
Materials
Woodcut
The Dinner, Surrealist Aquatint Etching by Susan Hall
By Susan Hall
Located in Long Island City, NY
The Dinner
Susan Hall, American (1943)
Date: 1978
Aquatint Etching, signed and numbered in pencil
Edition of 78
Image Size: 28 x 21.5 inches
Size: 35 in. x 28 in. (88.9 cm x 71.12 cm)
Category
1970s Landscape Prints
Materials
Etching, Aquatint
Windmill Antilles, Surrealist Lithograph by Howard Kanovitz
Located in Long Island City, NY
Artist: Howard Kanovitz, American (1929 - 2009)
Title: Windmill Antilles
Year: 1980
Medium: Lithograph, Signed and Numbered in Pencil
Edition: 175
Paper Size: 32.5 x 24 inches (82.55...
Category
1980s Surrealist Landscape Prints
Materials
Lithograph
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