Items Similar to San Fernando Valley Sunset I Modern Etching w/ Aquatint by Tom Salvatore Fricano
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Tom FricanoSan Fernando Valley Sunset I Modern Etching w/ Aquatint by Tom Salvatore Fricano1970-1979
1970-1979
$575
£434.84
€498.08
CA$805.71
A$879.57
CHF 463.10
MX$10,536.20
NOK 5,922.92
SEK 5,407.73
DKK 3,720.79
About the Item
Tom Salvatore Fricano, American (1930 - ) - San Fernando Valley Sunset I, Medium: Etching with Aquatint, signed, titled and numbered in pencil, Edition: 4/7, Image Size: 18 x 26.5 inches, Size: 20.5 x 29 in. (52.07 x 73.66 cm)
- Creator:
- Creation Year:1970-1979
- Dimensions:Height: 20.5 in (52.07 cm)Width: 29 in (73.66 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:Seller: RO855551stDibs: LU46617353502
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1979
1stDibs seller since 2014
3,213 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Long Island City, NY
- Return Policy
More From This Seller
View AllCalvaire de Pierre, Modern Etching and Aquatint by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Mountain Ridge, Modern Etching and Aquatint by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Canyon Stream, Signed Etching by Harvey Kidder
By Harvey Kidder
Located in Long Island City, NY
Canyon Stream by Harvey Kidder, American (1918–2001)
Date: circa 1985
Aquatint Etching, Signed and Numbered in Pencil
Edition of 150
Size: 25 in. x 35.5 in. (63.5 cm x 90.17 cm)
Category
1980s American Modern Landscape Prints
Materials
Etching, Aquatint
Stone Valley, Modern Aquatint by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Stone Valley, Year: circa 1965, Medium: Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: TP, Image Size: 8 x 7.75 inches...
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Bridge, Abstract Aquatint Etching by Lawrence Heyman
Located in Long Island City, NY
Lawrence Heyman, American (1932)
Date: circa 1965
Etching with Aquatint, signed and numbered in pencil
Edition of 5/100
Image Size: 15.5 x 19.5 inches
...
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Central Park, Modern Aquatint Etching by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Central Park, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 4/10, Image Size: 8 x 9.5 inches, Size: 19 in. x 22 in...
Category
1980s Modern Landscape Prints
Materials
Etching, Aquatint
You May Also Like
The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
Set of Three Etchings by Bertram Buchanan /// English Modern Land City Sky Scape
Located in Saint Augustine, FL
Artist: Bertram George Buchanan (English, 1873-1962)
Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level"
*Each work is signed by Buchanan in pencil lower right
Circa ...
Category
1920s Modern Landscape Prints
Materials
Laid Paper, Mezzotint, Etching, Aquatint, Intaglio
American Modernist Sacsahuaman Landscape Aquatint Etching Philip Pearlstein
By Philip Pearlstein
Located in Surfside, FL
Philip Pearlstein (American, 1924-)
Large Sacsahuaman Landscape Etching Aquatint, 1979
From the series Ruins and Landscapes.
Sugar-lift, aquatint and roulette on ivory wove paper.
Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft).
The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar.
In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection.
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...
Category
1970s American Modern Landscape Prints
Materials
Paper, Aquatint
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Landscape Prints
Materials
Aquatint
$500 Sale Price
39% Off
Charing Cross - The Statue of Charles I.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint













