Etching Prints and Multiples

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...

Georges Braque, French (1882 - 1963) - Hestia, Medium: Etching, Size: 12.25 x 9 in. (31.12 x 22.86 cm), Reference: Vallier Pg 298, Provenance: From the collection of the late Larry ...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Artist: Francesco Bartolozzi (Italian, 1727-1815) Titles: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartol...

Etching on paper realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Highly detailed figurative landscape lithograph of a street in London with a towering cathedral, old buildings, and figures walking the street below by E. Mary Shelley (English, late...

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting). Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque Cali...

Etching realized by Thomas Rowlandson as frontispiece of "The English Dance of Death". Printed by J. Diggins and published by R. Ackermann's Repository of Arts. Hand-colored etching...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

The Rough Collie 1887 Etching

Genre: Other Subject: Portrait Medium: Aquatint Eching Print Surface: Paper Country: United States Dimensions w/Frame: 30" x 22" The artist Bernard Stern illustrates the figure of a...

An ex libris print featuring the fantasy figure of an alchemist in her laboratory working with imaginary creatures looking on. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Etching on paper. A lively etching from Jacques Callot’s celebrated series Balli di Sfessania, depicting two grotesque comic figures engaged in an exaggerated dance or mock duel. Id...

Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited edition of 90. Master Etcher of Italian Landscape and Soul Federica Galli (1932–2009) stand...

Available individually ($2500), and as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...

Artist: Jacques Villon, After, French (1875 - 1963) Title: Composition Year: 1927 (printed circa 1965) Medium: Aquatint Etching, Signed and dated '27' in the plate Image: 19 x 13.5 i...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 4 1/2 x...

La lealtad - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 17 from of...

The memories, notes and photographs that Rolf Weijburg takes with him from his distant travels are the sources of inspiration for his work. The etchings ...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...

Henry Moore (British, 1898-1986) Head of a girl Softground etching signed in pencil `Moore’ (lower right) Conceived in 1983 by the Printmaking Department Trust Fund Appeal, The Roya...

Esto si que es léer is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching on paper. The etching is pa...

David Shrigley Do Not Underestimate My Thirst, 2023 Etching on 250gsm Somerset Paper 38 x 28 cm - paper size Edition 14 of 20 hand-signed, numbered and dated

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

This artwork titled "Nymphenberg Palace, Munich, Germany" c.1950, is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed and numbered ...

Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...

In this bright and colorful contemporary paper sculpture, a fantastical flower form in light orange with dark burgundy, magenta and light brown in the center is composed of hand-colo...

Etching on paper realized by Alberto Gallerati. Artist proof. Hand signed in pencil. Excellent condition.

Marx Brothers "Animal Crackers" Movie Comedy Groucho, Harpo, Chico, Zeppo Caricature Al Hirschfeld (1903-2003) Marx Brothers in "Animal Crackers" Sight: 12 x 15 1/2 inches Paper Si...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with trees on a different grounds with the most trees being in the background. The artwo...

Jacqueline De Butler, French (1928 - ) - Green and Yellow Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and num...

Salvador Dali (1904-1989) - Portrait de Marguerite (Portrait of Marguerite) Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand si...

Isca Greenfield-Sanders The Wildwood Etchings (set of 3) Direct to plate photogravure and aquatint. Edition 35

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten"...

Etching realized by Chagall in 1929, and printed by Tériade in 1952. It belongs to the Series "Les Fables de La Fontaine". Edition of 200. Hand signed and numbered in pencil. Pri...

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

Medium: original etching and drypoint. This pair of drypoints was printed in Paris in 1917 and published by Gazette des Beaux Arts. Plate sizes: 3 1/2 x 2 1/4 inches (89 x 58 mm) and...

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "Femme au Boa" Crauzat 61 Etching, Drypoint and Aquatint, c. 1900 Signed in pencil, lower right From the edition of 13 total impressions Image Size: 8 5/8” x 5 ½” The Parisian woman of Paris...

Jean Arp, French (1886 - 1966) - La Cathedrale est Un Coeur, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.5 x 8.25...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Black and white etching on wire rod paper, representing the Greek myth of Glaucus. Wonderful plate with very fresh impression and an elegant line, from the volume “Le Temple des Mus...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos 1 Suite MEDIUM: 6 color Etchings & Aquatints with embossing SIGNED: Each piece is Hand Signed PUBLISHER: Levine & Levine EDITI...

Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...

ARTIST: Salvador Dali TITLE: Visions de Quevedo Mother and Child MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: EGI/Kean-Paul Loup/Borjeson EDITION NUMBER: EA MEASUREMENTS: 19...

Jim McCormick, American - Parget in Chaos, Year: 1969, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: 20, Image Size: 17.75 x 14.75 inches, Size:...

Vienna: Robert Kasimir, 1935. Color etching and aquatint on Robert Kasimir watermarked white wove paper, 11 3/8 x 13 3/4 inches (288 x 350 mm); sheet 19 x 21 inches (483 x 534 mm), f...

Artist: Pablo Picasso Title: Head of a Man in Broken Lines (Plate XXXIV) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

A finely detailed etching by Claudio Gellee, better known as Claude Lorrain (1600-1682). This print is a later restrike of a seventeenth-century original, and depicts the myth of Mer...

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...

James Abbott McNeill Whistler (American, 1834-1903) Little Court, 1880-1 Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow), 4 3/4 x 6 3/4 ...

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...