Etching Prints and Multiples

Richard Wagner Etching, c. 1880 Signed in the plate (see photo) Edition: c. 200 impressions Condition: mint Image/Plate size: 6 5/8 x 4 3/4 inches Sheet size: 14 3/8 x 10 7/8 inches ...

Peter Doig (born 1959 in Edinburgh) Pelican (from Black Palms), 2004 Medium: Etching on Zerkall paper Medium: 53.5 × 38 cm (21 1/10 × 15 in) Publisher: Griffelkunst-Vereinigung, Hamb...

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Created by Alex Katz in 2018, Laura 3 is a two-color original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, from the edition...

Summer. Paper, etching, 10/50., 31x41 cm Josif Elgurt (1924-2007) Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has lived in Riga ...

Artist: Anna Maria Bartolini, Italian (1934 - 2013) Title: Nel Mare del Non Dormito Sonno Year: 1986 Medium: Portfolio with 2 Etchings, signed and numbered and Poem by Mario Luzi, si...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Highly important German Expressionist etching by Emil Nolde (1867-1956), Hamburg, Reiherstiegdock, 1910. This is a very rare signed and titled etching of Hamburg, Reiherstiegdock, is...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed...

Color etching with full margins. Signed by the artist and numbered 147/250 in pencil in lower right and left margins respectively. Printed and published by DeFrancony, Paris. Ca...

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Hans BELLMER (1902-1975) Fantastic Creature Original etching, 1973 Handsigned in pencil by the artist On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Portfolio "Les Mys...

English Title: "The Famous Ercole’s undertaking in “Esperidi” Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...

Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left and numbered lower right 28/35 [also with the signature and d...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Etching / aquatint (brown tone), signed and dated 1978, edition of 10. This intriguing graphic work by Mariangelo Zappitelli is conceived like a sequence of small illustrated frames...

Medium: original etching. This original Max Liebermann etching was published in Paris in 1901 by Gazette des Beaux-Arts (reference number Sanchez & Seydoux 1901-13). A good impre...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Pierre-Auguste Renoir (French, 1841-1919) "La danse à la campagne" Conceived 1883 Soft ground Etching on paper Image: 8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate) Sheet size : 1...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Artist: Richard Haas, American (1936 - ) Title: Dallas Skyline Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: SPI 2 Im...

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 4/150 lower left. Sheet size: 29.875 x 22.12...

Etching realized by Fausto Maria Franchi in 2013. Edition of 55/200. Hand signed and numbered in pencil. Excellent condition.

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: The Workshop L’atelier, 1927 Technique: Original Hand Signed and Numbered Etching on Wove Paper Paper size: 47...

Etching realized by Fausto Maria Franchi in 1996. Edition of 68/100. Hand signed and numbered in pencil. Excellent condition.

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent...

Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...

Fountain of the Turtles is an artwork realized by Giuseppe Malandrino. Print in etching technique on paper. Hand-signed by the artist in pencil on the lower right corner. Edition ...

Color etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed, dated and numbered in Arabic numerals by the artist in pencil on lower margin. Edit...

Etching on paper realized by Giovanni Battista Piazzetta (1862-1754). Engraved by Franz Xaver Jungwirth (1720-1790). Published by Johann Christian Leopold. Good condition

Color etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed, dated and numbered in Arabic numerals by the artist in pencil on lower margin. Edit...

Etching on paper realized in 1971. Hand signed and numbered in pencil. Table from the Series: "Superissima, Cinque Ritratti di Donna di Oggi". Edition of 15 in roman numbers. Exc...

Heath Land, Heath Pond and Heath View Diptych Overall image size cm : H28 x W32 Overall sheet size cm : H52 x W52 Phil Greenwood Heath Land Limited Ed...

Héliogravure with manual adjustments of etching and drypoint on paper. Table from the Series "Les Diaboliques". Signed in the plate. An exceptionally clean, velvety impression of ...

Charlie Davies From the depths Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping...

Medium: original etching and and aquatint with drypoint. Catalogue reference: Delteil 97. Executed in 1891, this lovely impression is from the edition on cream wove paper published i...

Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

Alive and Alien In Jerusalem Etching, signed in pencil, numbered 5/5, sheet 6 1/2" x 18 3/4" From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael...

ARTIST: Salvador Dali TITLE: Vaisseau Fantome MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 92/200 MEASUREMENTS: 17.5" x 22.5" YEAR: 19...

Medium: mezzotint. Engraved by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed in 1924 on chine-collé paper (china paper mounted...

Artist: Gilou Brillant (1935- ) Title: Untitled 23 Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 x 14.5 in. (55.88 x 36.83 cm) Frame Size: 29 x 21....

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 20 Image Size: ...

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Possibly one of ...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Glass Tower II from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching o...

Moongazers [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Ple...

Salvador Dali - The Woman of the Shoe - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : ...

Sterkur by Sarah Duncan [2021] limited_edition Etching on Paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.1cm Sold Unfr...

Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...

Bust of a young woman in profile Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Paul César Helleu (17 December 1859 – 23 March 1927) was a French oil painte...

Aquatint and etching in colors with engraving and carborundum on Guarro paper. Hand signed lower right by Joan Miro. Hand numbered 44/50 lower left. Sheet size: 34 x 27.75 inches....

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...