Etching Prints and Multiples

Jean Sariano, Algerian/American (1943 - ) - Good Night, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Size: 31 in. x 22 in. (78....

Etching and  burin on paper on laid paper. Image dimension: 54.748.5 cm. Ninth plate from "Le Carceri d'Invenzione" (imaginary Prisons). Excellent impression in the second state o...

Sterkur by Sarah Duncan [2021] limited_edition Etching on Paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.1cm Sold Unfr...

Drypoint, aquatint and heliogravure, 1965. Signed by the artist and dated in pencil, lower right margin. Numbered 42/150 in pencil, lower left margin. Printed by Robbe, Paris. Pub...

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

ARTIST: Salvador Dali TITLE: Don Quichotte et l'oursin MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 4/145 MEASUREMENTS: 19" x 25.5" YEAR: 1963 FRAMED: ...

Carborundum Etching, artist signed edition 10/30, 60"h x 40" new black wood frame under plexiglass. Pierre Marie Brisson French b. 1955 - one of the most talented contemporary art...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes Le Phenix MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISHER: Art et ...

Victor Pasmore British, 1908-1998 Images on the Wall B (Lynton G72b), 1992 etching with aquatint 56.5 x 49.5 cm 22 1/4 x 19 1/2 in signed with initials and dated in pencil, printer’s...

Drypoint, etching on Japanese paper, edited in 1969. Limited edition of 29 copies, numbered EA in lower left corner. Hand-signed by artist in pencil in the lower right margin. Plate...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

Jim Dine (b. 1935) was one of the original artists who defined Pop Art in the 1960s and redirected American art away from abstraction by including depictions of objects and items fro...

Artist: Richard Haas, American (1936 - ) Title: Dallas Skyline Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: SPI 2 Im...

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...

Artist: Anna Maria Bartolini, Italian (1934 - 2013) Title: Nel Mare del Non Dormito Sonno Year: 1986 Medium: Portfolio with 2 Etchings, signed and numbered and Poem by Mario Luzi, si...

ARTIST: Salvador Dali TITLE: Les Rois Mages L'Incantation MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: XLIX/C MEASUREMENTS: 15" x 11" YEAR...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur Jean Miotte, 1926 - 2016 Miotte came of artistic age i...

Salvador Dali Pastorale, from Historia de Don Quixote de la Mancha, 1980 Etching and aquatint on Arches paper Hand signed and blind stamp lower right  Numbered HC 3/65 lower left...

Grooms, Red (American, born 1937). FALL OF JERICHO. Etching, 1971. Edition of 100. Signed, titled, and numbered 92/100, all in pencil. 8 3/4 x 8 3/4 inches (plate), 12 3/8 x 12 3/8 i...

Alive and Alien In Jerusalem Etching, signed in pencil, numbered 5/5, sheet 6 1/2" x 18 3/4" From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael...

Artist: Gilou Brillant (1935- ) Title: Untitled 23 Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 x 14.5 in. (55.88 x 36.83 cm) Frame Size: 29 x 21....

Etchings of this quality are worth collecting. Paula Crane is a featured artist at the Phoenix Airport. This work of art would be suitable for decorating a home or office. This etchi...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Glass Tower II from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching o...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Etching hand watercolored realized by the italian Artist Benito Trolese. Hand signed. Not numbered. Excellent condition.

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 20 Image Size: ...

Morning city 2005, paper, etching, 14x16 cm, 40/100 JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987...

Artist: Richard Fishman, American Title: Untitled Year: 1982 Medium: Etching, signed and numbered in pencil Edition: 22 Image Size: 36 x 24 inches Size: 42.5 x 31 in. (107.95 x 78.74...

Etching realized by Fausto Maria Franchi in 2013. Edition of 55/200. Hand signed and numbered in pencil. Excellent condition.

ARTIST: Salvador Dali TITLE: La Venus Aux Fourrures Woman with Crutch MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 25/145 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: No CONDITION: Excellent AUTHENTICITY: This piece has been certified by The Salvador Dali Archives. The Salvador Dali Archives, located in New York, is a private repository of information about Salvador Dali, established with the approval of the artist by Albert Field over 50 years ago. The Archives, under the direction of Albert Field's successor, Frank Hunter, is able to provide an Authentication Service to owners of Dali prints and other Dali works. The Salvador Dali Archives is used by major Auction Houses, Art Dealers and Collectors to Authenticate works by Salvador Dali. REFERENCE: The Official Catalog of The Works of Salvador Dali by Albert Field page 40...

Etching realized by Fausto Maria Franchi in 1996. Edition of 68/100. Hand signed and numbered in pencil. Excellent condition.

Image Size: 9" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

This original etching is hand signed in pencil by the artist "Jacques Villon", at the lower right margin. It is also signed and dated in the plate in the lower right composition “Jac...

Artist: Louisa Chase Title: Untitled (Feet) Year: 1990 Medium: Etching and Chine Colle, Signed and numbered in pencil Edition: 30 Paper Size: 50.5 x 35 in. (128.27 x 88.9 cm)

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

Philip Pearlstein (American, 1924-2022) Stonehenge Landscape Sugar Lift Aquatint Etching with Roulette on Rives BFK Paper, 1979 Series: Ruins and Landscapes Printer: Orlando Condesso Printer: Nancy Brokopp Medium: Sugar-lift aquatint with roulette Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...

Henri Matisse Nadia au visage rond 1948 Aquatint on Marais wove paper, Edition of 25 Paper Size: 60.2 x 46.4 cms (23 3/4 x 18 1/4 ins) Image Size: 44.4 x 34.7 cms (17 1/2 x 13 5/8 in...

Artist: Hans Bellmer Title: Femme au Chapeau D'Oiseau Medium: Etching on Japon Paper Signed: Hand Signed by Hans Bellmer Edition Number: 46/100 Measurements: Paper: 15" x 22" ...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

Salvador Dali (1904-1989) - Apotheosis Etching from 1974. Dimensions of work: 56 x 38 cm. Hand signed. Publisher: Leblanc. Referencja: R. Michler, L.W. Lopsinger, Salvador Dal...

The rare, complete portfolio of twelve etchings and aquatints on laid paper, in its original editorial soft cover. Published by Theo Stroefer's Kunstverlag, Nurenberg, in 1881. Max...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1er...

Paris: c1860. Etching on wove paper 6 1/4 x 3 1/8 inches (160 x 80 mm); sheet 12 x 8 1/2 inches (305 x 216 mm), full margins. In good condition minor losses at the extreme lower corn...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

Monson, Jim American, 1943- ). ICARUS. Etching in two colors, 1972. Monson 30. Edition of 30, signed,titled and numbered "6/30," all in pencil. Pritned on BFK Rives paper. There wer...

ARTIST: Salvador Dali TITLE: Place St. Pierre MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Graphiques Internationales EDITION NUMBER: 244/350 MEASUREMENTS: 15.5" x ...

GEOGRAPHY, WEST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

Julian Trevelyan 1910-1988 Thames Ditton, 1969 etching and aquatint 41 x 55 cm 16 1/8 x 21 5/8 in signed, titled and inscribed in pencil, aside from the edition of 75 Julian Trevely...

Man RAY (1890–1976) Anatoms, A Silhouette in Balance, 1970 Original aquatint engraving Signed in pencil Numbered /25 copies On Lana vellum, 66 x 51 cm (25.98 x 20 in) INFORMATION :...

Emil Orlik (1870-1932), Market in Grodek, etching and aquatint, 1898, signed in pencil lower right, in very good condition, trimmed just outside of the platemark and so with a small ...

Medium: Limited Edition Print. Paper: Velin Arches 300 g.

Óbuda was a city in Hungary that was merged with Buda and Pest on 17 November 1873; it now forms part of District III-Obuda-Békásmegyer of Budapest. The name means Old Buda in Hungar...

ARTIST: Salvador Dali TITLE: Diane de Poitiers MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXVI/C MEASUREMENTS: 20" x 25.5" YEAR: 1973 FRAMED: No CONDITION: Excellen...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Etching and embossing realized by Fausto Maria Franchi in 2002. Edition of 62/200. Hand signed and numbered in pencil. Excellent condition.

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...