Etching Prints and Multiples

Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Depiction of the Salish Sea from Skyline Divide, Washington, highlighting the type of seascapes for which McMillan is so well known. Signed in pencil from ...

This artwork titled "Le reve" 1960 is an original colors carborundum etching with embossing on thick wove paper by noted French artist Max Papart, 1911-1994. It is hand signed and n...

Artist: Salvador Dali Title: Fantasmes de la plaine d'Ampurdam from begonia Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

This artwork is an original color etching with aquatint by artist Georges Braque (French, 1882-1963). Titled Vase De Fleurs Jaune, created in 1958, hand signed in pencil by the artis...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...

Etching and drypoint on paper. Beautiful proof of 2nd state on 2, probably from the second Cadart edition of 1874. Signed in the plate on top right. Two holes in the center on top...

ARTIST: Salvador Dali TITLE: Christ MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 62/125 MEASUREMENTS: 25.5" x 19.75" YEAR: 1964 FRAMED: No CONDITION: Excellent RE...

Georges Braque Vase de Fleurs Jaunes (Vase of Yellow Flowers) Aquatint in colors on BFK Rives paper Hand signed and signed in plate, numbered 190/300 from an edition of 300. Blind st...

Screen Print on Magnani-Pescia paper 310 gr/m2, paper size 68cm x 48cm, work size 51cmx40 cm . Good condition, no defects. Gian Paolo Berto was born and raised in the limited but fe...

Tere Metta (Mexico, ) 'Untitled', 2002 etching, aquatint on paper Guarro Biblos 250g. 14.4 x 18 in. (36.5 x 45.5 cm.) ID: MET-102 Unframed

Conrad Marca-Relli - Composition XIV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 51/75 Size: 56 x 76 cm Condition: In very good conditions and...

suite of 4 etchings, in original portfolio each print measures 22 x 15 inches Martin Mull is an actor, musician, and artist whose visual work is noted for its combination of Pop Art...

Delteil 5, Stella 5 Etching in Black Ink, c. 1892 Third State of Three, Plate is bevelled First Edition, Signed in the Plate As Published in Loys Delteil’s Le Peintre Graveur Ill...

Francisco Goya Cruel Lastima Etching 1810-1815. In good condition some minor wear to the frame. Measures 36x32

Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50 Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s only state. Signed and dated below image 6.5 x 4.75 inc 16.5 x 11.5 cm Bartsch 28 ii/ii, Hollstein 28, Hind 159, Bjorklund-Barnard 38-D, Usticke 28 Provenance From the collection of the Print Department of the Szefmuveszeti Museum (Musee des Beaux Arts), Budapest, with their collection stamp( Lugt 2000) From the collection of Wilhelm Theodor Moll (Lugt 1819a): Collector's stamp as belonging to Wilhelm Theodor Moll (Lugt 1819a). Wilhelm Theodor Moll was a German collector, dealer, and connoisseur of old master prints. His collection included works by artists such as Rembrandt van Rijn, Dürer, and other major printmakers. His collector's mark is frequently encountered on impressions from distinguished nineteenth-century collections and is catalogued in the well-known collector's marks reference by Frits Lugt.Significance of the Stamp If this is indeed the Lugt 1819a mark, it can add an important layer of provenance to the etching: Demonstrates that the print passed through a recognized nineteenth-century collection. May help establish ownership history prior to modern sales records. Can support authenticity and collecting interest, particularly for Old Master prints. Collectors of Rembrandt prints often place considerable value on documented provenance through notable collections. Prov. Pasquale Iannetti Gallery, San Francisco, circa 1982 Private collection, Utah, USA Acquired by the present owner, General Investment Group LLC, June 2026. Publication Daniel Daulby, A Descriptive Catalogue of the Works of Rembrandt (Liverpool, 1796), p. 15, no. 29.M. le chev. de Claussin, Catalogue raisonné de toutes les estampes qui forment l’œuvre de Rembrandt (Paris, 1824), p. 22, no. 34.Thomas Wilson, A Descriptive Catalogue of the Prints of Rembrandt (London, 1836), p. 46, no. 35.Charles Blanc, L’œuvre de Rembrandt (Paris, 1880), pp. 55-57, no. 1.Woldemar von Seidlitz, Die Radierungen Rembrandts (Leipzig, 1922), pp. 40-41 (ill.).Arthur M. Hind, A Catalogue of Rembrandt’s Etchings, 2 vols. (London, 1923), I:83, II:pl. 159.Ludwig Münz, Rembrandt’s Etchings , 2 vols. (London, 1952), I:pl. 197, II:87, no. 177.George Biörklund, Rembrandt’s Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.G. W. Nowell-Usticke, Rembrandt’s Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.Christopher White and Karel G. Boon, Rembrandt’s Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).James N. Wood and Sally Ruth May...

Mezzotint engraving realizd by  William Greatbach after the celebrated painting by John Martin. A dramatic nineteenth-century mezzotint depicting the biblical scene of Belshazzar’s ...

Landscape is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Signature on the lower left corner. George Henri Tribout (Paris, 1...

George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...

A young female angel contemplating thorny rose.Signed, titled and numbered from the edition of 10. While the images have some resemblance to traditional Japanese Ukiyo-e prints, thei...

Camel Study is an original old master artwork realized by Stefano Della bella in 1640 ca. Black and white etching. The plate is from the suite "Têtes de différents animaux". Includ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Medium: mezzotint and aquatint Year: 2014 Edition: 30, signed in pencil. Image Size: 12 x 15.75 inches Signed, titled and numbered by the artist. The illusions and reflections in Si...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Still life with eleven objetcs in a sphere (Original Italian title: Natura morta in un tondo) is an etching realized by Giorgio Morandi (1890-1964) in 1942. Hand numbered Edition 5...

Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition ACPI © 1999 John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...

Donald Judd Untitled, 1980 Signed "Judd" in pencil lower right margin and numbered Aquatint on etching paper Image 24 1/4 x 29 1/4 inches Sheet 29 1/8 x 34 inches Edition 29/150 Pro...

This artwork titled "Laquais" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. I...

-Pedro Friedeberg signed digital giclee print featuring a fantastical architectural scene inspired by “Mickey”. Includes whimsical figures, optical art elements, and surreal details....

Auguste RODIN (1840–1917) (after) Mercury, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 ...

London: Boydell, 1810. Aquatint with engraving printed in sepia on cream wove paper with a partial 1805 watermark, 6 x 9 1/2 (153 x 242 mm); sheet 10 3/8 x 14 1/8 inches (264 x 360 ...

This original etching and aquatint with carborundum is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered 44 in pencil from the edition of 50, at the lower left image. There were also a small number of hors commerce impressions. It was printed in a limited edition of 50 signed and numbered impressions by Morsang, Paris and published by Maeght Éditeur, Paris in the same year. The paper bears the Maeght watermark in the right margin. Note: The name Galatea is most likely inspired by the Ancient Greek sea nymph of the same name. She was one of 50 nereids, female spirits of the sea and daughters of the ‘Old man of the Sea...

Convento di S.Pietro in Montorio is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vas...

ARTIST: Salvador Dali TITLE: Flora Dalinae Viola Cogitans/Self Portrait Pansy MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 7/200 MEASUREMENTS: 29.9" x 22.3" YEAR: 1968 ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Dressed in The Nude in The Surrealist Fashion MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMB...

Pablo Picasso (1881-1973) - La Grande Corrida Etching conceived in 1934, printed in 1939. The edition of 50 on Montval paper. Unsigned and unnumbered, as issued. Dimensions of w...

L’Etreinte is an artwork realized by Pablo Picasso in 1963. Etching and Aquatint on BFK Rives-Velin paper. Hand Signed lower right. Numbered on the lower margin. Edition of 14/50....

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

Date: 1974 Etching, Aquatint, and Intaglio on Guarro paper, signed and numbered in pencil Edition of 21/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Frame Size: 26 x 34 inches Publisher: E...

Pablo PICASSO Carmen, The Small Moon, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog ra...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...

DOEL REED (1894 - 1958) HARVESTERS, c. 1954 Aquatint in sepia. Signed and numbered in pencil, Image 11 1/2 x 17 ¾". Sheet with deckle edges 13 ¾ x19 3/8”. In good condition save ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chase,...

Salvador Dalí Henry IV, from the Shakespeare II Suite, 1970 Signed lower right, numbered lower left, inscribed on the reverse Color etching and drypoint on B.F.K. Rives vellum paper ...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

Ex Libris  -  Giorgio Balbi - Better to Have Love is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32. Third state of three, with the revisions to the sitter's facial expression and the dar...

Medium: original etching. This impression on cream laid paper was printed by Lienard and published in Paris by L'Art in 1879. The plate size is 7 3/4 x 11 3/4 inches (200 x 300 mm). ...

ARTIST: Salvador Dali TITLE: Don Quixote MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 80/100 MEASUREMENTS: 30" x 22" YEAR: 1966 FRAMED: No CONDITION:...

Artist: Salvador Dali Title: Don Juan: Le Banquet Medium: Hand-colored drypoint etching on Japon paper Date: 1970 Edition: LXXXIV/C Frame Size: 30 1/4" x 24 1/2" Sheet Size: 25 3/4" ...

Henry CLEWS (1876–1937) Detail of the Entrance Vault, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stam...

Salvador Dali (1904-1989) - Zebulun Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerland. R...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...