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Etching Prints and Multiples

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Medium: Etching
In Space, Signed Abstract Etching by Hoi Lebadang
Located in Long Island City, NY
An Abstract etching by the artist Lebadang. The Minimalist composition uses only green, orange, and black to create a stark contrast of shapes. This piece is signed and numbered in p...
Category

1970s Abstract Etching Prints and Multiples

Materials

Etching

Jèsus sera en Agonie jusqu'à la fin du Monde; from Folio Miserere, 1922
Located in Soquel, CA
Jèsus sera en Agonie jusqu'à la fin du Monde; from Folio Miserere, 1922 Aquatint of Jesus' crucifixion by Georges Rouault (French, 1871-1958). Jesus is depicted with his head lowere...
Category

1920s Modern Etching Prints and Multiples

Materials

Aquatint

Wien
Located in San Francisco, CA
This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
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Early 20th Century Realist Etching Prints and Multiples

Materials

Etching

Landscape - Original Etching by Adam Pérelle - 18th Century
By Adam Perelle
Located in Roma, IT
Landscape is an etching realized by Adam Pérelle in 18th Century. Good conditions. Signed on Plate. The artwork is depicted through confident strokes.
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18th Century Modern Etching Prints and Multiples

Materials

Etching

The Boy Hidden in a Fish, 1969 - David Hockney Print, Edition of 400
Located in Kingsclere, GB
David Hockney is an English painter, printmaker, photographer, designer and dog-lover. Perhaps the most popular and versatile British artist of the 20th century, Hockney made appa...
Category

1960s Etching Prints and Multiples

Materials

Etching, Aquatint

Art Deco, Woman with a Rose - Original etching
Located in Paris, IDF
Georges LEPAPE Art Deco, Woman with a Rose Original etching and stencil Printed signature in the plate On vellum 16 x 22 cm (c. 6.5 x 9 in) Excellent condition
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Early 20th Century Art Deco Etching Prints and Multiples

Materials

Etching

George Cruikshank’s Table Book - Rare Book Illustrated by G. Cruikshank - 1845
Located in Roma, IT
George Cruikshank’s Table Book is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) and written by Various Authors in 1845. Published by Punch Office, London. Original First Edition. Format: in 8°. The book includes 284 pages with Twelve full page Etchings (hundred in text half page). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
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1840s Modern Etching Prints and Multiples

Materials

Paper, Etching

The Gate of Hundred Sorrows
Located in Fairlawn, OH
The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...
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Early 1900s English School Etching Prints and Multiples

Materials

Etching

Uccellini Imbalsamati (Embalmed Birds) - Etching by Luigi Bartolini - 1943
Located in Roma, IT
Image dimensions: 22.5 x 34.7 cm. Uccellini imbalsamati is an original artwork realized by the Italian artist and poet Luigi Bartolini in 1943. Original etching on paper.  Signed ...
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1940s Etching Prints and Multiples

Materials

Etching

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Located in Saint Augustine, FL
Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...
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1930s Cubist Etching Prints and Multiples

Materials

Etching, Intaglio, Laid Paper

French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...
Category

1930s Modern Etching Prints and Multiples

Materials

Drypoint, Etching

Henry Moore, "Fantasy", original etching
Located in Chatsworth, CA
This piece is an original etching created by Henry Moore in 1967. This piece is hand signed in pencil and numbered from the edition of 50 on Japon paper. There are also two proofs on...
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1960s Surrealist Etching Prints and Multiples

Materials

Etching

“La Femme aux Figues”
Located in Southampton, NY
Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...
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1970s Academic Etching Prints and Multiples

Materials

Archival Paper, Etching

Henry Moore, signed in pencil, soft ground etching of a girl
Located in Petworth, West Sussex
Henry Moore (British, 1898-1986) Head of a girl Softground etching signed in pencil `Moore’ (lower right) Conceived in 1983 by the Printmaking Department Trust Fund Appeal, The Roya...
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20th Century Modern Etching Prints and Multiples

Materials

Etching

New York Map of Days, Illustration New York Map, Blue Art, NYC, Geography print
Located in Deddington, GB
New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...
Category

2010s Contemporary Etching Prints and Multiples

Materials

Paper, Etching

Composition, Heart of Darkness, Sean Scully
Located in Southampton, NY
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
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1990s Contemporary Etching Prints and Multiples

Materials

Etching

French Avant Garde Bold Abstract Geometric Aquatint Etching Op Art Kinetic
Located in Surfside, FL
Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by t...
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1960s Abstract Geometric Etching Prints and Multiples

Materials

Etching, Aquatint

In the Cabaret - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche In the cabaret Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition
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Early 20th Century Modern Etching Prints and Multiples

Materials

Etching

Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country)
Located in Fairlawn, OH
Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country -Spring) Etching, 1889 Signed "Julius Rolshoven" in pencil...
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1880s Barbizon School Etching Prints and Multiples

Materials

Etching

Session VI, paper/etching, 63/75, 11x12 cm, 1988
Located in Riga, LV
Session VI, paper/etching, 63/75, 11x12 cm, 1988
Category

1980s Symbolist Etching Prints and Multiples

Materials

Paper, Etching

Blue Rythms (Agerup 188) after the 1966 painting, Peinture.
Located in Fairlawn, OH
Blue Ruthms (Agerup 188) after the 1966 painting, Peinture. Etching with aquatint, 1968 Signed, dated and numbered in pencil (see photos) Edition: 95 (74/95) Plate: 17 1/2 x 21 1/2" ...
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1960s Abstract Etching Prints and Multiples

Materials

Aquatint

"Juges" from the suite "Les Fleurs du Mal""
Located in San Francisco, CA
This artwork titled "Juges" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958....
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Mid-20th Century Expressionist Etching Prints and Multiples

Materials

Aquatint

Self Portrait in a Velvet Cap with Plume, Etching on Somerset paper
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait in a Velvet Cap with Plume, Year: Of Original 1638, Medium: Etching on Somerset paper, Image Size: 5 x...
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Late 18th Century Etching Prints and Multiples

Materials

Etching

untitled (horseman)
Located in Palm Springs, CA
This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...
Category

1980s Contemporary Etching Prints and Multiples

Materials

Etching

"Paysans portant du foin" original etching
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's...
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Early 1900s Impressionist Etching Prints and Multiples

Materials

Etching

Munchen, Antique Map from "Civitates Orbis Terrarum" - 1572-1617
Located in Roma, IT
Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria. From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...
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16th Century Etching Prints and Multiples

Materials

Etching

Paris : Saint Michel Bridge - Original Etching (Duthuit-Matisse #108)
Located in Paris, IDF
Henri MATISSE (1869-1964) Paris : Saint Michel Bridge, 1927 Original etching Printed signature in the plate Limited to 225 copies On BFK Rives vellum 25 x 33 cm (c. 9.8 x 12.9 in)...
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1920s Modern Etching Prints and Multiples

Materials

Etching

Jim Dine Red Design for Satin Heart "The Picture of Dorian Grey" bleeding heart
Located in New York, NY
This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...
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1960s Pop Art Etching Prints and Multiples

Materials

Etching

Child with a Tray (Pear and Bottle) - Original Etching (Guerin #15)
Located in Paris, IDF
Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonne Gu...
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1860s Impressionist Etching Prints and Multiples

Materials

Etching

Nocturno, Surrealist Aquatint Etching by Rufino Tamayo
Located in Long Island City, NY
Nocturno Rufino Tamayo, Mexican (1899–1991) Date: 1975 Aquatint Etching, signed and numbered in pencil Edition of 36/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Printer: Ediciones Poligra...
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1970s Surrealist Etching Prints and Multiples

Materials

Etching, Aquatint

Guillaumin au pendu (Guillaumin with Hanged Man)
Located in Washington, DC
Artist: Paul Cezanne Title: Guillaumin au pendu (Guillaumin with Hanged Man) Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition...
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Early 1900s Modern Etching Prints and Multiples

Materials

Etching

"Promenade" original etching
Located in Henderson, NV
Medium: original etching. A rich impression in sepia on wove paper, printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 11 x 7 3/4 inches (27...
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Early 1900s Etching Prints and Multiples

Materials

Etching

Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...
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2010s Realist Etching Prints and Multiples

Materials

Emulsion, Watercolor, Etching, Lithograph, Paper

Le Marocchine - Etching by Luigi Bartolini - 1944
Located in Roma, IT
Image dimensions: 17.4 x 23.5 cm. Le marocchine (Maurina e sua sorella) is an original artwork realized by Luigi Bartolini in 1944. Original etching and China ink on paper. Titled, dated and signed on plate on the lower central: "Maurina 1944 14 giugno L. Bartolini". Titled, dated, numbered and hand-signed in pencil at the bottom: "Le marocchine 1944 Es. 9/30 Luigi Bartolini". Excellent conditions. Other titles of the work: Maurina; Maurina e sua sorella; Le marocchine (Ragazze da marocchini). The work is also present in the book Arthur Rimbaud, Une saison en enfer - De Luigi, Rome, 1943. Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...
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1940s Etching Prints and Multiples

Materials

Etching

Central Park Zoo, New York City, Limited Edition Hand Colored Etching
Located in Los Angeles, CA
This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...
Category

1970s Modern Etching Prints and Multiples

Materials

Etching, Ink, Watercolor

Calibrate, 16 color Etching/Aquatint/Engraving/Lithograph, Signed 12/30, Framed
Located in New York, NY
Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered 12/30 dated on the fro...
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1980s Abstract Etching Prints and Multiples

Materials

Etching, Aquatint, Lithograph

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
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1790s Northern Renaissance Etching Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Dark House
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Etching Prints and Multiples

Materials

Etching

Dark House
Dark House
$217 Sale Price
56% Off
Red Rose - Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Red Rose is an original contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching Hand-signed on the lower right. Numbered on the lower left. Edition 6/50. Giac...
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1970s Contemporary Etching Prints and Multiples

Materials

Etching

Le Banquet (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
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1930s Cubist Etching Prints and Multiples

Materials

Etching

Peintre et Modele
Located in Fairlawn, OH
Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...
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1960s Modern Etching Prints and Multiples

Materials

Aquatint

"Baudelaire de profil en chapeau" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Harris 59. This etching was executed by Manet in 1862, but only a few were printed before the copper plate was canceled. This impressio...
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1920s Etching Prints and Multiples

Materials

Etching

Carmen, Portrait of Woman - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, Portrait of a Woman, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Cata...
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1940s Modern Etching Prints and Multiples

Materials

Etching

Two Faces, Etching by Henri Matisse
Located in Long Island City, NY
Henri Matisse, French (1869 - 1954) - Two Faces, Year: 1948, Medium: Etching on Arches, Image Size: 11 x 13.75 inches, Size: 13 x 19.75 in. (33.02 x 50.17 cm), Provenance: From the ...
Category

1940s Modern Etching Prints and Multiples

Materials

Etching

The Framers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Framers is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...
Category

Late 19th Century Modern Etching Prints and Multiples

Materials

Engraving, Etching

La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...
Category

Early 1900s Art Nouveau Etching Prints and Multiples

Materials

Etching

Renoir, "La Danse à la Campagne" etching c.1890
Located in Chatsworth, CA
Pierre-Auguste Renoir (1841-1919) "La Danse à la Campagne" (The Country Dance) Soft-ground etching in black ink, 2nd plate circa 1890 Stamp signature, as issued Image size: 8 5/8 x ...
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1890s Impressionist Etching Prints and Multiples

Materials

Etching

Les Anatomes, Plate F - Etching by Man Ray - 1970
Located in Roma, IT
Les Anatomes, Plate F is a contemporary artwork realized by Man Ray in 1970 Mixed colored etching Hand signed and numbered in pencil. Edition 26/100 Ref. Anselmino 70F Includes ...
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1970s Surrealist Etching Prints and Multiples

Materials

Etching

Aristophane, Impressionist Etching after Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Aristophane, Medium: Etching on BFK Rives, Image Size: 6.5 x 4.5 inches, Size: 11 x 9 in. (27.94 x 22.86 cm), Printer: Bracquemond, Description...
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1880s Impressionist Etching Prints and Multiples

Materials

Etching

Spiaggia di Nettuno, Impressionist Etching by Renzo Vespignani
Located in Long Island City, NY
Renzo Vespignani, Italian (1924 - 2001) - Spiaggia di Nettuno, Year: circa 1970, Medium: Etching, signed and numbered in pencil, Edition: AP, Image Size: 4.5 x 10.75 inches, Size: 1...
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1970s Impressionist Etching Prints and Multiples

Materials

Etching

Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm
Located in Soquel, CA
Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...
Category

1920s American Impressionist Etching Prints and Multiples

Materials

Laid Paper, Etching

Paris : Parisian Club - Original Etching, 1927 (Juffermans #JE4)
Located in Paris, IDF
Kees VAN DONGEN (1877-1968) Paris : Parisian Club, 1927 Original etching Unsigned Limited to 225 copies On BFK Rives vellum 33 x 25 cm (c. 12.9 x 9.8 in) REFERENCE : Catalogue ra...
Category

1920s Modern Etching Prints and Multiples

Materials

Etching

Conchita, Art Nouveau Etching by Louis Icart 1929
Located in Long Island City, NY
Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...
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1920s Art Nouveau Etching Prints and Multiples

Materials

Etching

Doctor in Physic, University of Oxford 1813 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Etching Prints and Multiples

Materials

Aquatint

Pablo Picasso, "Untitled" from 23 novembre 1966 II, etching
Located in Chatsworth, CA
An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...
Category

1960s Modern Etching Prints and Multiples

Materials

Etching

Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...
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Early 1900s Impressionist Etching Prints and Multiples

Materials

Laid Paper, Etching, Intaglio

Hydrangeas, Art Nouveau Color Etching by Louis Icart
Located in Long Island City, NY
Louis Icart, French (1888 - 1950) - Hydrangeas, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20 inches, Frame Size: 24.5 x 28.5 inches, Reference: Figur...
Category

1920s Art Nouveau Etching Prints and Multiples

Materials

Etching

Salvador dali 'Passiflora lauigera - 1968' Lithograph/Etching, Signed & numbered
Located in Pembroke Pines, FL
Artist: Salvador Dali Title: Passiflora laurigera (Le vine, Passionflower) Portfolio: 1968 Flora Dalinae Medium: Photolithograph, etching, and pochoir in colors on BFK Rives Date: 19...
Category

1960s Surrealist Etching Prints and Multiples

Materials

Etching, Photographic Film, Lithograph

Unpackaging II - Spanish Surrealism
Located in London, GB
This original etching and aquatint is hand signed in pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil from the edition of 30, at the lower lef...
Category

1970s Etching Prints and Multiples

Materials

Etching, Aquatint

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Etching Prints and Multiples

Materials

Engraving, Etching

Find Etchings and Other Prints on 1stDibs

Has the art-collecting bug bitten you? If not, maybe you’re merely looking to warm your space with art. Etchings and other types of fine art prints can help add interest to any room in your home while supporting your effort to tie an interior design together.

First invented in the 1500s, etching is a way of incising lines in a metal plate by first drawing on an acid-resistant coating, or ground, to reveal the metal beneath. The plate is then submerged in acid, which “bites” the lines into the metal plate. The ground is then removed and the plate inked for pressing. Etched lines tend to reveal the movement of the artist’s hand more than a technique like engraving, since the image is created on a softer ground.

“People often ask me what types of prints they should collect — etchings or woodcuts or linocuts or silkscreens or lithographs or whatever,” explains Ryan Cross, associate director of Boston’s Barbara Krakow Gallery. “But it’s really more how the artist used those processes and what he or she was trying to express through the medium.”

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