Etching Prints and Multiples

Etching and drypoint on laid paper realized by Chagall in 1922/23, and belonging to the suite "Ma Vie" Hand signed and numbered. Edition of 78/110 prints. State II/II. Published by...

This etching is hand-signed and numbered from an edition of 30 and comes beautifully framed. Serra, known as a large-scale sculptor, is considered one of the most important conceptu...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

Salvador DALI L'arrivée d'Iseult ("The arrival of Iseult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching is part o...

Consulat à vieis an original artwork realized by Jean Baptiste Réville in early 19th. Century . Etching on paper. Titled and signed on plate on the right corner. Good conditions. ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XXV Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

Etching on Montval paper, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 in and edition of 200. Hand signed in pencil. Very good condit...

Le Chapeau Epingle or La fille de Berthe Morisot et sa Cousine (1e planche) Etching with drypoint, 1904 Signed in the plate (see photo) This is the first etched version of "Pinning the Hat" Depicts Julie Manet and her cousin Jeanne. Exceptional impression printed with burr and selective inking with plate tone. Very rare. Published in 1910 in the first edition of Druet, "Manet annd the French Impressionists" A lifetime impression, printed prior to 1912. The etching comes with the original Herman Wunderlich & Co. (Kennedy Galleries label), which dates this impression to 1912 when Wunderlich changes names to Kennedy Galleries. Very rare image in an early lifetime impression. Printed with plate tone With pencil inscription stating first printing in French (see photo) Condition: very good No issue as seen from the front Soft horizontal creases visible from reverse Provenance: Kennedy Galleries, NY Reference: Stella 4, prior to Druet edition Delteil 4, published state Pierre-Auguste Renoir was a famous French painter whose paintings are some of the most popular, well-recognized, and frequently reproduced images in the history of art. His work presents a vision of a forgotten world, full of sparkling color and light. He once said: “Why shouldn’t art be pretty? There are enough unpleasant things in the world.” Born at Limoges on February 25, 1841, Renoir died at Cagnes-sur-Mer on December 17, 1919. When he was 13, Renoir entered a Paris porcelain painter’s workshop as an apprentice and developed a fine brush technique and facility with color. At 21, he attended courses at the École des Beaux-Arts and subsequently at Glyre’s. He made friends with Cezanne, Pissarro, Sisley, Monet, Bazille, and Diaz. In 1873, the artists Durand Ruel, Caillebotte, and Duret took an interest in his work. Renoir was involved in “The Society of Painters, Engravers and Sculptors,” which was founded in 1874, and witnessed the birth of Impressionism. From there, Renoir was immersed and able to spend time with his fellow artists of the day. He did not take up original printmaking until he was 50 years old, first with two small soft-ground etchings after his painting, “The Rustic Ball,” followed by an etching of Venus for the frontispiece of Mallarme’s Pages. Most of his engravings were done after his own pictures. In 1892, he did his first lithograph – a portrait of his son Pierre. In 1894, he met Ambroise Vollard, who played an important part in the production of Renoir’s and Cezanne’s lithographs...

LIONEL (Lionel PEROTTE, called) Abstract : Yellow Original Etching Handsigned Numbered /99 copies On vellum 57 x 45 cm ( c. 22.4 x 17.7 Inches ) Excellent condition

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Breathing Pneumatic Armchair MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chica...

April Gornik Tropical Drift, 1998 Exquisite color direct gravure with spitbite aquatint on Somerset Satin white paper Pencil signed, dated, titled and numbered 11/40 by April Gornik ...

Abstract composition is a etching and embossing realized by Hans Richter. Monogrammed in the lower part.  50 x 35 cm. No frame. Numbered. Edition, 48/99

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Descente de Croix Aux Flambeaux (B280), Year: 1878 (of original 1654), Medium: Heliogravure, Size: 8.25 ...

Luigi Lucioni, American (1900 - 1988) - Stony Pasture, Year: 1943, Medium: Etching, signed in pencil, Image Size: 7.75 x 11 inches, Frame Size: 15.75 x 18.5 inches

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Les Gitanos is a black and White etching realized by Edouard Manet in 1862.  Titled in the lower. Second state and lifetime impression realized by Société des Aquafortistes, with f...

Spanish Steps is an artwork realized by Giuseppe Malandrino in the 1970s. Black and white Etching on paper. Hand-signed and numbered in the lower margin. Edition of 199. Excellen...

Black Mythological Scene with Centaur, ca 1970's. Etching on wove paper, plate measures 17.5 x 21.5 inches on a sheet 22 x 26 inches. Unsigned and unattributed. This is an examp...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Biological Garden MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chicago/Alan Ri...

Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 8 x 5 inches (200 x 127 mm...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Salvador Dali - Flung out like a Fag-end by the Big- - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Rives vellum ...

Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...

Georges Braque (1882-1963) - Pichet et oiseau Etching from 1955. The edition of 74/300. Dimensions of work: 41.5 x 51 cm. Hand signed. Reference: Vallier 1005. The work is in G...

Robert Indiana created the iconic “LOVE” print initially for the Museum of Modern Art’s Christmas card in 1965. This variation features the Spanish word for love, “Amor”. The etchin...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Black Earth Year: circa 1979 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 75, AP Image Size: 20 ...

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Le Lapin Domestique is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardb...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...

Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Han...

Ribera is an abstract drypoint and aquatint by Christian Bozon, dominated by a dense field of saturated blue framed by rough, irregular edges of ochre and pale cream. The composition...

SZL Monograph (lower left) stands for Sidney Z. Lucas, founder of the Paris Etching Society Signed in pencil lower right "Martin"

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

Julian Trevelyan 1910-1988 Ewes, 1978 etching and aquatint 64.9 x 52.2 cm 25 1/2 x 20 1/2 in with Estate stamp, numbering and title by Mary Fedden, edition of 50 + 5 AP Julian Treve...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

Gondoliers in Venice is an original etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 32/50. Numbered and firmed by the artist in the lower margin. Good ...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

Etching on paper published by S. Merigot, London, in 1796. A finely executed late eighteenth-century topographical engraving depicting the celebrated Temple of Bacchus at Baalbek, L...

Salvador Dali (1904-1989) - Quevedos Visioner, Planche VI Etching from 1975. The edition of 295/300. Dimensions of work: 66 x 50 cm. Hand signed. Publisher: Galerie Börjeson, Ma...

Novembre is an original print in etching technique on ivory paper, realized by Marcel Roux, an engraver and sculptor, after J.F. Millet (French Painter, 18...

Donald Shaw MacLaughlan Chicago : Animated Avenue, c. 1931 Original etching Printed signature in the plate On vellum 38 x 50 cm (c. 15 x 20 in) Very good condition, light defects a...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Arnulf Rainer (Austrian, born 1929) Hinterkopf, 1997 Medium: Etching on wove paper Dimensions: 65 x 50 cm Edition of 35: Hand-signed and numbered in pencil Condition: Excellent

A finely detailed etching by Joseph Mallord William Turner (1775-1851) from his *Liber Studiorum* series. Turner designed and etched the plate himself, and the sepia gradations of to...

Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

Etching with stencil and gilding on paper, edited in 1971. Limited edition, numbered in lower left corner 80/250 Signed in pencil by artist in lower right corner. Paper size: 55.5 x...

Antonio Diaz Cortes (Mexico, 1935) 'Primavera/otoño', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-106 Unframed

4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

This Manolo Valdes etching with unique color collage is the 34th edition of 50.

Image dimensions: 14.7 x 10 cm. Green Composition is an original mixed colored etching realized by Nino Cordio in 1995. Hand signed and dated on the lower right margin. Numbered on the lower left margin. Ed. 57/65. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

This artwork titled "Paisence" c.1960, is an original colors etching and aquatint on Wove paper by noted Belgian artist Rene Marcel Carcan, 1927-1993. It is hand signed, titled and n...

Medium: original etching. Printed in Paris by Lacourière and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

Salvador Dali (Spanish, 1904-1989), "Lilium Aurancacium et Labra Barocantia" [Orange Lily and Baroque Lips], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Flora...