Etching Prints and Multiples

This untitled abstract work by artist Fred Karl Dahmen, published in 1971, is a compelling example of his exploration of form and space. The composition features dark forms set again...

Original engraving #5 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

ARTIST: Salvador Dali TITLE: Don Quixote MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 80/100 MEASUREMENTS: 30" x 22" YEAR: 1966 FRAMED: No CONDITION:...

Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385. This beautiful etching is dedicated to Michel Lessens, the talented assist...

Medium: original etching. Printed in 1910 by K. K. Hof and the Staatsdruckerei of Vienna. Plate size: 8 1/2 x 11 inches (225 x 280mm). Sheet size: 11 x 15 1/2 inches. A nice, dark im...

Carte de voeux pour Aime Maeght or Femme et Ange (Woman and Angel) Etching with woodcut, 1963 Initialed in the plate lwoer left of image (see photo) Edition: Unknown Published by Ai...

Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...

This exquisite etching by Marc Chagall (1887–1985), titled La table chargee de victuailles (The Table Laden with Food), originates from the celebrated folio Nicolas Gogol, Les Ames m...

Mel Chin, American (1951 - ) - Self-Portrait (Bison and Hare), Year: 1996, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 25, Image Size: 11 x 21.5 ...

This artwork titled "Paisence" c.1960, is an original colors etching and aquatint on Wove paper by noted Belgian artist Rene Marcel Carcan, 1927-1993. It is hand signed, titled and n...

This artwork titled "Vienna Opera House" c.1930 is a colors etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the...

Henri LE SIDANER (1862-1939) The Pink Tablecloth, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting). Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque Cali...

This artwork, Untitled #1 is an original color aquatint on Wove paper by noted Mexican artist Luis Lopez Loza, b.1939. It is hand signed and numbered 4/50 i...

Les Gitanos is a black and White etching realized by Edouard Manet in 1862.  Titled in the lower. Second state and lifetime impression realized by Société des Aquafortistes, with f...

Yovani Bauta (Cuba, 1957) 'Untitled 1 (retrato)', 2003 engraving on paper Guarro Biblos 250g. 16.2 x 13 in. (41 x 33 cm.) Edition of 15 ID: BAU-315 Unframed

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

Edouard MANET Spain : Women at Prado, 1865 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : - Catalog raisonne Guerin #46 ...

Subir y Balar is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Ver...

Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...

Salvador Dali (Spanish, 1904-1989), "Tulipa Crudeliter Basiantes" [Tulips Cruelly Kissing], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals (Surrealist Fl...

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

Pierre Alechinsky (1927) - Autour de chute Etching and aquatint from 1979. The edition of 23/60. Dimensions of work: 60 x 98 cm. Hand signed. Another example of this etching wit...

Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...

Etching on paper. Early 19th Century impression of this celebrated view by Piranesi. This architectural etching depicts the monumental Piazza and Basilica of San Giovanni in Lateran...

ARTIST: Salvador Dali TITLE: La Petite Chouette 2 MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 12" x 18" YEAR: 1968 FRAMED: No CONDI...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Les Offres d'Amour, Year: 1873, Medium: Heliogravure, Image Size: 6 x 5.25 inches, Size: 6.5 x 5.75 in. (16.51 x 14....

Etching on laid paper Signed in plate lower left: Bracquemond Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

Salvador Dali: 1904-1989. One of the most famous artist of the 20th century. A master surrealist, whose auction prices are well into the millions. This image of a nude on a rhinocero...

Daniel Hernández Morillo Period Colored Framed Etching Beautiful 19th-century colour etching Blechinger and Leykauf Vienna Printers. The image shows a painting entitled ‘Mélodie d'Am...

Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft s...

Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 9 1/4 x 6 1/4 inches (237 x 1...

Color aquatint, spitbite aquatint, flatbite and softground etching with white gold leaf. Paper Size: 28” x 54” Image Size: 24” x 50” Edition of 35

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Medium: original etching. Printed in 1946 at the atelier Lacouriere on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and ...

Jack Sonenberg (Canadian/American, 1925-2012), "Dimensions VI (C)", Color aquatint , full margins , numbered edition signed in pencil lower right, titled in pencil lower left, n...

Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid p...

Robert Savoie, Canadian (1939 - ) - Montezuma, Year: 1975, Medium: Etching on BFK Rives, signed, numbered, titled and dated in pencil, Edition: 43/60, Image Size: 17.5 x 17.75 inch...

Abstract figures is a contemporary artwork realized by Leo Guida in1970s Mixed colored etching on paper. Hand signed, numbered on the lower margin. Edition of 6/8 Includes frame: ...

Marie LAURENCIN Young Girl with Guitar, 1945 Original etching Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 8,6 inch) REFERENCES : Catalogue raisonné Marchess...

Group of Horses with Sun by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: circa 1970 Medium: Etching with Relief, signed in pencil Edition: EA Size: 25.5 x 38.5 in. (64.77 x 9...

Artist: Mel Chin, American (1951- )
Title: The Language of Birds
Year: 1996
Medium: Etching with Aquatint and Lithograph on black German Etching paper, signed, titled,...

Abstract Composition is an original etching and aquatint realized in the 1960s Century by Marcel Fiorini (1922-2008). Good Conditions. The artwork is depicted through soft strokes ...

Pedro Friedeberg signed lithograph featuring a fantastical architectural scene inspired by “Struwwelpeter.” includes whimsical figures, optical art elements, and surreal details. fra...

Composition is a beautiful etching aquatint and drypoint on paper, realized by the artist Isaac Celnikier. Titled, numbered and signed in pencil on the lower margin. Edition of 40 ...

Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

This artwork titled "Arch of Septimius, Rome" 1923, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by t...

This piece titled "Wish I Was the Moon VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 mea...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonne Gu...

Pablo PICASSO (after) Portrait of Roby, c. 1950 Restrike etching Printed signature in the plate On Japan paper 33 x 25 cm (c. 13 x 10 in) REFERENCE : Catalog raisonne Bloch #680 Fr...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

Camel Study is an original old master artwork realized by Stefano Della bella in 1640 ca. Black and white etching. The plate is from the suite "Têtes de différents animaux". Includ...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

Framed 18.5 x 20.5 in Etching on Ingres D'arches off-white laid paper, signed and dated Third and final state Posthumous Impression, 1998