Etching Prints and Multiples

Artist: John Baldessari Title: Cavalry Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 29 3/4 x 22 inches (75.56 x 55.88 cm) Edition: 35; signed, numbered and da...

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

Le Buste, from the Series "Faust" (La Nuit de Walpurgis), is an artwork realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Ed...

Salvador Dali (1904-1989) - Apotheosis Etching from 1974. Dimensions of work: 56 x 38 cm. Hand signed. Publisher: Leblanc. Referencja: R. Michler, L.W. Lopsinger, Salvador Dal...

This artwork titled "Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)". c1930 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13 x 16.5 inches, framed size is 23.75 x 27 inches. Custom framed in a wooden ornate gold frame, white beige matting and green color fillet. It is in excellent condition, the artwork is very slightly toned around the plate mark, barely visible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

An ex libris print featuring the fantasy figure of an alchemist in her laboratory working with imaginary creatures looking on. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Spectators is an original etching artwork realized by Victor Mignot (1872-1944). The state of preservation is very good. The artwork represents, men and women spectators while wa...

A finely detailed etching by Italian artist A. Montrone, depicting the tranquil gardens of the Villa Medici in Rome, with a panoramic view of the Eternal City and the iconic dome of ...

Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some foxing and folding ...

Caricature etching by American artist Charles Bragg. A jury of different caricatures sits unamused before a smiling attorney. The Defense Rests Charles Bragg, American (1931–2017) ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Spectacles with Holograms & Computers for Seeing Imagined Objects MEDIUM: Etching SIGNED: Hand Signed by Salvado...

Galilée is an etching on paper, realized in 1955 by the French artist Pierre-Yves Trémois (Paris, 1921). From Edition of 140 copies of the Suite "Cynégétique", including 31 origin...

Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulai...

Paul JOUVE Elephant of Siva Temple Original etching Printed signature in the plate On vellum 103 x 75 cm (c. 41 x 30in) Posthumous edition by Chalcographie du Louvre, authenticated ...

Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...

Etching and drypoint realized by Domenico Gnoli in 1960s. Signed in the plate. Hand signed and titled in pencil. Edition of 3/6. Very good condition except for some staing in the...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it. In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's. In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving. Dimensions without Frame: H 14.5 in x W 16.5 in. Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...

An original drypoint etching by the listed artist Rowland Langmaid (1897-1956). The artwork depicts a view of St Paul's Cathedral from across the river. Signed in pencil to the lower...

Monotype (etching and pastel) realized by Sandro Chia in 1981. Hand signed and dated in pastel lower right. Excellent condition, it includes a contemporary gilded wooden frame.

Penwortham Church is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edit...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Letter S is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

William Anderson Sherwood (American, 1875-1951) New York Stock Exchange, Early 20th century Etching and aquatint Sight: 16 1/4 x 13 in. Frame...

4 prints: Moon Rising 1, Moon Rising 2, Moon Rising 3, Moon Rising 4 Softground etching with chine colle Image size: 6.75 x 6 in. Paper size: 13.5 x 10 in. Frame size: 15.5 x 12.25 i...

Letter B is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Bicycle Shop by Julian Trevelyan, 1937 Additional information: Medium: etching with hand colouring 28.5 x 38.5 cm 11 1/4 x 15 1/8 in signed, titled, dated and numbered 19/25 in penc...

Letter C is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

This artwork titled "London Tower Bridge" 1924 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 12.15 x 17.25 inches, framed size is 21 x 26 inches. Custom framed in a wooden gold frame, with beige matting and gold color bevel. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Antiquities of Herculaneum  - Letter of the Alphabet C,  from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century. Good ...

Charles Bragg, American (1931 - 2017) - Open House, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 7 x 10, Size: 11.5 x 15 in....

This artwork "Kramer the Framer (The Frame Shop)" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, and numbered 43/150 in pencil by...

Il Ressemble à Ernest is an Original Etching and Drypoint realized by Willette (Adolphe Leon). Good condition on a yellowed paper. signed on plate on the lower left corner and titl...

An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

Hand signed, dated and numbered. Edition of 80 prints. Good conditions. Image Dimensions: 15x20 cm.

Title: Rueckenakt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.6 on 25.0 × 19.9 inches COA provided Claude Garache is a French artist. He has worked in pa...

Roberto Matta, Chilean (1911 - 2002) - Droites Liberees II, Year: 1971, Medium: Etching and Aquatint on Japon, signed and numbered in pencil, Edition: 73/100, Image Size: 8.5 x 6...

Horse is a drypoint and etching, realized by Enotrio Pugliese in the 1970s. Limited edition of 2/8 prints, numbered and Hand-signed by the artist on the lower. Good conditions. En...

The Passage is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes.

Armenian Bishop is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right mar...

Hans-Georg Rauch, German (1939 - 1993) - Nieve, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 25 in. (50.8 cm x 63.5 cm)

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...

Le Basset A Jambes Droites is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et partic...

Image of a young woman, eyes closed, with a crystal ball. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony rel...

Gallo Gallina (1798-1874) Plate 77, Greek Statue and Coins Hand colored aquatint and engraving, 1820-1830 Engraved signature in the plate (see photo) From: Le Costume Ancien et Moder...

Ducks is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart...

La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...

Marie LAURENCIN Young Girl with Pearl Necklace Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed i...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Etching on paper. Hand signed lower right by Al Hirschfeld. Hand numbered 91/160 lower left. Sheet size: 18.875 x 15 inches. Plate size: 12.75 x 10.5 inches. Frame size: 21.25 x...

Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.

Artist: Hans Bellmer, German (1902 - 1975) Title: Les Milles en Feu Year: 1970 Medium: Etching, signed in pencil Image Size: 12 x 15 inches Paper Size: 20 x 26 inches

Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762. Image dimensions: 41.5x56 cm Very precoius and rare lifetime spec...

Untitled is an artwork realized by Johnny Friedlaender 1970s. Etching on wove paper. Signed and numbered. Edition of 135 copies. Good conditons

Esto sí que es leer is an original etching realized by the great Spanish artist Francisco Goya and published for the first time in 1799. Etching on wove paper....

Corrida is an original etching on paper realized by Gian Paolo Berto, in 1975 Good conditions . Hand-dated 1975. Sheet dimension:48 x 63 cm. The a...

Salvador Dali (1904-1989) - Le Téléphone (The Telephone) Drypoint etching with stencil from 1975. The edition 165/450 on Arches paper. Dimensions of sheet: 75 x 56 cm Dimensions ...

Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...