BATIK

The Drugs Don't Work I - Oversize signed limited edition - Pop Art - Twiggy

2020

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options...

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Paper size 44 x 35”, Image size 40 x 30" Limited Edition of 10 + 2AP’s - £1,950 This is edition number 7/10 Herrmann's classic black and white photo of the four Beatles with Georg...

Paper size 44&x 35”, Image size 40 x 26.5" Limited Edition of 10 + 2AP’s - £2,500 (only 6 remaining in this size) As part of Herrmann's collection of Abbey Road photos of the Beatl...

Amazing portrait of supermodel Kate Moss with blonde quiff and white feather boa in front of a light grey background. Rankin unites spontaneity and perfection in a unique and excitin...

This is a wonderful work of his Paper Magazine shoot 2016. Albert Watson is a veteran of international fine art-, fashion- and commercial photography, a non-conformist intellectual a...

Art Edition (No. 101–200) with the signed print Jerry Hall and Jacques Henri Lartigue, Nice, France, 1983 and the book Eighties in a clamshell box, also signed by David Bailey. Inkje...

Art Edition “Patti Smith” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait Patti Smith, New Orleans, 1978. For over 50 years, Annie Leibovitz has been creati...

Art Edition “David Byrne” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait David Byrne, Los Angeles, 1986. For over 50 years, Annie Leibovitz has been creating a body of work that is unequaled in breadth and influence. From the viscerally immediate reportage made for Rolling Stone magazine in the 1970s and extending through the more stylized portraiture of her work for Vanity Fair and Vogue, her pictures make up what is essentially a family album of our time. In 2014, in close collaboration with Annie, TASCHEN published a SUMO edition of her work: over 200 photographs, many of them famous (the naked John Lennon entwined in a last embrace with Yoko Ono, Patti Smith on fire) and some rarely, if ever, seen before. In 2022, to accommodate a wider audience, this volume was recreated as an unlimited XXL edition. The XXL volume is now available as an Art Edition in four different versions, each accompanied by a signed, numbered and framed dye-sublimation ChromaLuxe aluminum print. David Byrne, Los Angeles, 1986 is included in an edition of 275 copies. In 1986, David Byrne wrote, directed and starred in his only feature film, True Stories. It was a quirky view of life in small-town rural Texas. Several of his collaborators on the project were from the downtown New York performing-arts world. Music was an integral element in the film and much of it was supplied by Byrne’s band, the Talking Heads...