Post-Impressionist Prints and Multiples

This is a Limited Austrian Edition, signed on plate, with its dry stemp seal from Official Klimt Villa, published by Austria-Klimt Villa Gallery in 2012 ( seal in the picture); Gicle...

This authorised Lithography " Portrait of a Young man" by Van Gogh was published in Munich, Germany by Franz Hanfstaengl in 60s. It is in mint condit...

This exquisite lithograph after Henri Matisse (1869–1954), titled Coeur d’amour epris (Heart of Love Enamored), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 23, originate...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

This exquisite lithograph after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and ...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Medium: lithograph. Printed in 1939 and published in Paris by Teriade for the art revue Verve (volume 1, number 4). Image size: 6 1/4 x 5 1/2 inches (160 x 140 mm). Sheet size: 14 x ...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle D.A. (Miss D.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite lithograph by Henri Matisse (1869–1954), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 21–22, originates from the 1948 issue pub...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original....

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu, deuxieme etude (Nude, Second Study), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite linocut after Henri Matisse (1869–1954), titled Teeny (Teeny), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1959. Teeny reflects Matisses continuing exploration of distilled form, graphic clarity, and expressive contour during his late career. Executed as a linocut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Teeny (Teeny) Medium: Linocut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1959 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Matisse, Henri, et al. Henri Matisse: Catalogue Raisonne de Loeuvre Grave Etabli Avec La Collaboration de Francoise Garnaud. C. Duthuit, 1983, illustration 723 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1959 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1959 issue, XXIe Annee, No. 13, presented a remarkable selection of original prints that showcased the vitality of European modernism at mid century. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse linocut...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches...

Artist: Henri Matisse Medium: Etching Title: Portrait of Mlle. Marguerite Matisse Portfolio: Cinquante Dessins Year: 1920 Edition: 539/1000 Framed Size: 21 1/8" x 18 1/8" Sheet Size:...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

This exquisite lithograph by Henri Matisse (1869–1954), titled Frontispice, Vence 1944–1948 (Frontispiece, Vence 1944–1948), from Verve, Revue Artistique et Litteraire, Vol. VI, No. ...

Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...

Urbain HUCHET Paris : Saint Germain des Pres, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excell...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Dorothy Parley (Mrs. Dorothy Parley), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions of drawings and watercolors. The artwork is accompanied by a copy of the colophon. Artist: Vincent van Gogh (After) Title: The Rhone River...

This exquisite lithograph after Henri Matisse (1869–1954), titled Portrait de l’Artiste (Portrait of the Artist), from the album Portraits par Henri Matisse (Portraits by Henri Matis...

Raoul DUFY (1877-1953) Peaches and Cherries Lithograph Signed in the plate On paper 30 x 24 cm (c. 11.8 x 9.4 in) Excellent condition

This exquisite lithograph after Andre Derain (1880–1954), titled Nature Morte (Still Life), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V),...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...

This diptych are two rare hand-painted proofs by contemporary artist Shizico Yi, created on a deluxe matte-finish giclée aluminium panels. Each proof is 90% hand-painted with Shizico...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Les Codomas (The Codomas), from Henri Matisse, Jazz, originates from the 1983 second edition published by George B...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

This exquisite lithograph after Maurice Utrillo (1883–1955), titled Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...

This poster is the 5th poster to promote the 1984 French Open tennis tournament (Roland Garros tournament), now called Roland Garros, which is one of the four Grand Slam tournaments....

This exquisite lithograph after Henri Matisse (1869–1954), titled Margueritte Matisse (Margueritte Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite lithograph after Maurice Marinot (1882–1960), titled Interieur (Interior), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates from the ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Danseuse de corde (Tightrope Dancer), originates from the 1952 album The Circus of Toulouse-Lautrec. Pub...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Pompadour (The Pompadour), from the album Portraits par Henri Matisse, originates from the 1954 edition published by...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Greta Prozor (Mrs. Greta Prozor), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle A.N. (Miss A.N.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

Paul Charlot ( French, 1906- 1985) was a French painter and printmaker influenced by the intense use of colors in Fauvism and the whimsical biomorphic abs...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame F.H. (Mrs. F.H.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...