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Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
On Lake Attersee-Edition #18-Plate signed with Dry stamp-Austria Gallery Edition
On Lake Attersee-Edition #18-Plate signed with Dry stamp-Austria Gallery Edition

On Lake Attersee-Edition #18-Plate signed with Dry stamp-Austria Gallery Edition

By Gustav Klimt

Located in London, GB

This is a Limited Austrian Edition, signed on plate, with its dry stemp seal from Official Klimt Villa, published by Austria-Klimt Villa Gallery in 2012 ( seal in the picture); Gicle...

Category

Early 1900s Post-Impressionist Prints and Multiples

Materials

Ink, Archival Paper, Giclée, Archival Ink

Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)
Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)

Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Coeur d’amour epris (Heart of Love Enamored), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 23, originate...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Place le soir" lithograph

"Place le soir" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953
Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953

Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, The Two Hangars, 1970 (after)
Andre Derain, The Two Hangars, 1970 (after)

Andre Derain, The Two Hangars, 1970 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Maternity : Mother and Child - Etching
Maternity : Mother and Child - Etching

Maternity : Mother and Child - Etching

By Mary Cassatt

Located in Paris, IDF

Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...

Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Etching, Aquatint

North Shore - colourful, impressionist, landscape, limited edition lithograph
North Shore - colourful, impressionist, landscape, limited edition lithograph

North Shore - colourful, impressionist, landscape, limited edition lithograph

By Alfred Joseph Casson

Located in Bloomfield, ON

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

Category

1990s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss D.A., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss D.A., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss D.A., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle D.A. (Miss D.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)
Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

"In the Garden of Allah" lithograph

"In the Garden of Allah" lithograph

By (after) André Derain

Located in Henderson, NV

Medium: lithograph. Printed in 1939 and published in Paris by Teriade for the art revue Verve (volume 1, number 4). Image size: 6 1/4 x 5 1/2 inches (160 x 140 mm). Sheet size: 14 x ...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Nude, Second Study, from Verve, Revue Artistique, 1953 (after)
Henri Matisse, Nude, Second Study, from Verve, Revue Artistique, 1953 (after)

Henri Matisse, Nude, Second Study, from Verve, Revue Artistique, 1953 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu, deuxieme etude (Nude, Second Study), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948
Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 21–22, originates from the 1948 issue pub...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Teeny, from XXe Siecle, 1959 (after)
Henri Matisse, Teeny, from XXe Siecle, 1959 (after)

Henri Matisse, Teeny, from XXe Siecle, 1959 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite linocut after Henri Matisse (1869–1954), titled Teeny (Teeny), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1959. Teeny reflects Matisses continuing exploration of distilled form, graphic clarity, and expressive contour during his late career. Executed as a linocut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Teeny (Teeny) Medium: Linocut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1959 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Matisse, Henri, et al. Henri Matisse: Catalogue Raisonne de Loeuvre Grave Etabli Avec La Collaboration de Francoise Garnaud. C. Duthuit, 1983, illustration 723 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1959 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1959 issue, XXIe Annee, No. 13, presented a remarkable selection of original prints that showcased the vitality of European modernism at mid century. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse linocut...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Linocut

Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite
Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite

Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite

By Henri Matisse

Located in Washington, DC

Artist: Henri Matisse Medium: Etching Title: Portrait of Mlle. Marguerite Matisse Portfolio: Cinquante Dessins Year: 1920 Edition: 539/1000 Framed Size: 21 1/8" x 18 1/8" Sheet Size:...

Category

Early 19th Century Post-Impressionist Prints and Multiples

Materials

Etching

"Reine de Joie" lithograph

"Reine de Joie" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original....

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, Still Life, 1970 (after)
Andre Derain, Still Life, 1970 (after)

Andre Derain, Still Life, 1970 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Nature Morte (Still Life), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V),...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938
Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938

Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938

By André Derain

Located in Southampton, NY

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948
Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948

Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Frontispice, Vence 1944–1948 (Frontispiece, Vence 1944–1948), from Verve, Revue Artistique et Litteraire, Vol. VI, No. ...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"La Convalescente" original etching

"La Convalescente" original etching

By Édouard Manet

Located in Henderson, NV

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches...

Category

1880s Post-Impressionist Prints and Multiples

Materials

Etching

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

The Rhone River, Post-Impressionist Lithograph after Vincent van Gogh
The Rhone River, Post-Impressionist Lithograph after Vincent van Gogh

The Rhone River, Post-Impressionist Lithograph after Vincent van Gogh

By (After) Vincent van Gogh

Located in Long Island City, NY

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions of drawings and watercolors. The artwork is accompanied by a copy of the colophon. Artist: Vincent van Gogh (After) Title: The Rhone River...

Category

1910s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

The Fall of Icarus, from Verve, Revue Artistique, 1945
The Fall of Icarus, from Verve, Revue Artistique, 1945

The Fall of Icarus, from Verve, Revue Artistique, 1945

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)
Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)

Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Les Codomas (The Codomas), from Henri Matisse, Jazz, originates from the 1983 second edition published by George B...

Category

1980s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Dorothy Parley (Mrs. Dorothy Parley), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Le Lac du Bois de Boulogne" Large original color lithograph
"Le Lac du Bois de Boulogne" Large original color lithograph

"Le Lac du Bois de Boulogne" Large original color lithograph

By Jean-Pierre Cassigneul

Located in San Francisco, CA

This art work titled "Le Lac du Bois de Boulogne" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 7/200 in pencil by the artist. The image size is 34 x 23.5 inches, sheet size is 39 x 27.75 inches. It is in excellent condition, has never been framed. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss A.N. Annelies, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss A.N. Annelies, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss A.N. Annelies, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle A.N. (Miss A.N.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)

By Raoul Dufy

Located in Laguna Beach, CA

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Lagoon, from Jazz, Special Edition for MoMA, 1983 (after)
Henri Matisse, The Lagoon, from Jazz, Special Edition for MoMA, 1983 (after)

Henri Matisse, The Lagoon, from Jazz, Special Edition for MoMA, 1983 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

Category

1980s Post-Impressionist Prints and Multiples

Materials

Lithograph

'Hostellerie des Chiens du Guet' — British Impressionism
'Hostellerie des Chiens du Guet' — British Impressionism

'Hostellerie des Chiens du Guet' — British Impressionism

By Sybil Andrews

Located in Myrtle Beach, SC

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Category

1920s Post-Impressionist Prints and Multiples

Materials

Monotype

Henri Matisse, Mrs. Matisse, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. Matisse, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. Matisse, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Sevillanas
Sevillanas

Sevillanas

Located in Fairlawn, OH

Sevillanas Etching and color aquatint on laid watermarked paper, c. 1900 Signed by the artist in pencil lower right (see photo) Editioned in pencil lower left corner of sheet Publish...

Category

Early 1900s Post-Impressionist Prints and Multiples

Materials

Aquatint

Gauguin, The Long Night (Te Po), Gauguin (after)
Gauguin, The Long Night (Te Po), Gauguin (after)

Gauguin, The Long Night (Te Po), Gauguin (after)

By Paul Gauguin

Located in Southampton, NY

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

Henri Matisse, Mrs. F.H., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. F.H., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. F.H., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame F.H. (Mrs. F.H.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Margueritte Matisse (Margueritte Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Place Clichy" lithograph

"Place Clichy" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Fete Champetre
Fete Champetre

Fete Champetre

By Jean Dufy

Located in San Francisco, CA

This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...

Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Maurice Utrillo, Toward Franconville, 1956 (after)
Maurice Utrillo, Toward Franconville, 1956 (after)

Maurice Utrillo, Toward Franconville, 1956 (after)

By Maurice Utrillo

Located in Southampton, NY

This exquisite lithograph after Maurice Utrillo (1883–1955), titled Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Sunset - Ardgour
Sunset - Ardgour

Sunset - Ardgour

By Percival Gaskell

Located in Myrtle Beach, SC

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

Category

1920s Post-Impressionist Prints and Multiples

Materials

Aquatint

Le Vin est Necessaire aux Artistes

Le Vin est Necessaire aux Artistes

By Raoul Dufy

Located in Laguna Beach, CA

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Nature morte aux Poissons" lithograph

"Nature morte aux Poissons" lithograph

By (after) André Derain

Located in Henderson, NV

Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Matisse, Mille et une Nuit, Derrière le miroir (after)
Matisse, Mille et une Nuit, Derrière le miroir (after)

Matisse, Mille et une Nuit, Derrière le miroir (after)

By Henri Matisse

Located in Southampton, NY

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Portrait of the Artist, Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Portrait of the Artist, Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Portrait of the Artist, Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Portrait de l’Artiste (Portrait of the Artist), from the album Portraits par Henri Matisse (Portraits by Henri Matis...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Francoise Rabelais, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Francoise Rabelais, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Francoise Rabelais, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Francoise Rabelais (Francois Rabelais), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), o...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.