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Thomas McKnightAgra1995
1995
$1,875
£1,426.44
€1,667.95
CA$2,622.27
A$2,945.82
CHF 1,567.73
MX$36,426.24
NOK 19,103.01
SEK 18,469.87
DKK 12,441.35
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About the Item
Agra is a serigraph on paper measuring 27 x 30 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered 176/200 from the edition of 510 (there were also 60 AP, 200 Roman, and 50 HC).
Here, McKnight gives us an inviting view of the one of the 'Wonders of the World' - the Taj Mahal complex of Agra, India. The best-known example of Mughal architecture, the Taj Mahal has fascinated the world for centuries, since its completion in 1643.
Martin Lawrence Galleries is an affiliate of Chalk & Vermilion Fine Arts, the original publisher of this print. This print is as new, with no prior ownership.
- Creator:Thomas McKnight (1941, American)
- Creation Year:1995
- Dimensions:Height: 39.75 in (100.97 cm)Width: 42.5 in (107.95 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent, as-new condition, no prior ownership.
- Gallery Location:Greenwich, CT
- Reference Number:Seller: 4071stDibs: LU2664213651042
Thomas McKnight
Thomas McKnight's imaginary images can be described as delightful visions. No matter the passage of fashion or the seasons, there are places of transcendent timelessness in his work where peace and beauty only exists. Besides the incredible beauty of this work, it is probably his creation of places that gives us a sense of home that is responsible for his rapport with such a large public audience.
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Dragons (Sacred Places)
Located in Greenwich, CT
Dragons is a serigraph on paper with an image size 13 x 13 inches, signed 'Ricker' lower right and annotated lower left. Framed in a contemporary gold-tone frame. Numbered 29/200, from the edition of 500 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 Roman on canvas). Framed in a contemporary silver-tone moulding.
Ricker created four stunning images for a suite titled ‘Sacred Places’ – all powerful images of earthly splendor. The vistas he paints, almost desolate in a primeval way, are a chorus of voices that sing of the glory of nature. In a style which he calls ‘Epic Visionary,’ he presents a view that is at once new and fresh and yet as deep-rooted and enduring as the pristine landscapes themselves.
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“…these places…are sacred places – they are sacred because their beauty is so deep and mysterious that we are stopped in our tracks…for the moment, we can’t imagine anything better on earth or in heaven.” – Bruce...
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