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William Turnbulloriginal serigraph1966
1966
$150
£113.95
€131.25
CA$214.59
A$235.35
CHF 121.38
MX$2,811.44
NOK 1,539.46
SEK 1,444.18
DKK 980.55
About the Item
Medium: original silkscreen / serigraph. Printed in 1966 and issued in an edition of 2200 by the Stedelijk Museum of Amsterdam for the "Vormen van der Kleur” (New Shapes of Color) portfolio, published in 1966 by the Stedelijk Museum and now rare. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). A beautiful impression in rich color. Not signed.
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View Alloriginal serigraph
By Georg Karl Pfahler
Located in Henderson, NV
Medium: original silkscreen / serigraph. Printed in 1966 and issued in an edition of 2200 by the Stedelijk Museum of Amsterdam for the "Vormen van der Kleur” (New Shapes of Color) po...
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1960s Prints and Multiples
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original serigraph
By Angelo Bozzola
Located in Henderson, NV
Medium: original serigraph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Size: 11 1/8 x 8 3/8 inches (284 x 213 mm). Signed in t...
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original serigraph
By Pablo Palazuelo
Located in Henderson, NV
Medium: original serigraph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the M...
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1980s Prints and Multiples
Materials
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original lithograph
By Pol Bury
Located in Henderson, NV
Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 558 mm)...
Category
1980s Prints and Multiples
Materials
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"Drei-Tex Blau" serigraph
By Georg Karl Pfahler
Located in Henderson, NV
Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 1...
Category
1960s Prints and Multiples
Materials
Screen
original serigraph
By Atanasio Soldati
Located in Henderson, NV
Medium: serigraph / silkscreen. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet ...
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1950s Prints and Multiples
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This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested.
About the artist:
Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years.
Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley.
Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants.
SOLO EXHIBTIONS
2019 - Kreeger Museum, Washington, D.C.
2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York
2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York
2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL
2013 - Charles Hinman - 6 Decades, Marc Straus, New York
2012 - Marc Straus, New York
2011 - Gems. Butler Institute of American Art, Youngstown, OH
2008 - Butler Institute of American Art, Youngstown, OH
2006 - Butler Institute of American Art, Youngstown, OH
2005 - Wooster Art Space, NYC
2004 - Margot Stein Gallery, Lake Worth, FL
2004 - Boca Raton Museum of Art, Boca Raton, FL
2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL
1999 - Fairfield University Museum, Fairfield, CT
1999 - Gallery Camino Real, Boca Raton, FL
1998 - Bergen County Museum of Art, Paramus, NJ
1995 - Ewing Gallery, University of Tennessee, Knoxville, TN
1994 - Georgia Museum of Art, Athens, GA
1993 - Chassie Post Gallery, Atlanta, GA
1990 - North Carolina State University Museum, Raleigh, NC
1990 - Douglas Drake Gallery, NYC
1989 - Virginia Lust Gallery, NYC
1987 - Irving Feldman Galleries, West Bloomfield, MI
1985 - Gallery 99, Bay Harbor Island, FL
1984 - I. Irving Feldman Galleries, Southfield, MI
1983 - Galleri Bellman, NYC
1982 - Irving Feldman Galleries, Sarasota, FL
1981 - Medici-Berenson Gallery, Bay Harbor Island, FL
1981 - Laguna Gloria Art Museum, Austin, TX
1981 - Museum of Art, Fort Lauderdale, FL
1980 - Everson Museum of Art, Syracuse, NY
1979 - Grace Hokin Gallery, Chicago, IL
1979 - Donald Morris Gallery, Detroit, MI
1977 - Grace Hokin Gallery, Palm Beach, FL
1976 - Irving Galleries, Milwaukee, WI
1975 - Grace Hokin Gallery, Chicago, IL
1971 - Galerie Denise Rene', NYC
1970 - Donald Morris Gallery, Detroit, MI
1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany
1969 - Lincoln Center Retrospective, NYC
1968 - Donald Morris Gallery, Detroit, MI
1967 - Richard Feigen Gallery, NYC
1967 - Biennale, San Marino, Italy
1966 - Tokyo Gallery, Tokyo, Japan
1966 - Richard Feigen Gallery, NYC and Chicago, IL
1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan
1964 - Richard Feigen Gallery, NYC
GROUP EXHIBITIONS
2014 - Xigue-Xigue, MARC STRAUS, NYC
2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC
2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark
2013 - On Deck, Marc Straus, NYC
2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC
2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC
2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC
2011 - Armory Show, NYC
2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC
2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL
2004 - Blast from the Past, Pace Editions, NYC
2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC
2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL
2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA
2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY
2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France
2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY
2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY
2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC
1999 - Red, Mitchell Algus Gallery, NYC
1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC
1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY
1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London
1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI
1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL
1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX
1998 - Gallery Artists, Lipworth International, Boca Raton, FL
1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC
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Untitled (BY)
By Marc Vaux
Located in London, GB
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1965
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Art 1970's
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47.00 cm. x 47.00 cm. 18.5 in. x 18.5 in. (image)
Max Bill co...
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Untitled
By Billy Al Bengston
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
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