Sculptures

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

The aluminum and polyurethane painted outdoor sculpture undulates and flows with three red bands each in a different shade of red. From the artist's Levitation series, this sculptu...

The contemporary blue glass tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its form, color and texture is often ins...

Diosa. Original bronze multiple. Esculpture Modernist Julien Caussé (also given as Cadet-Julien Caussé, Cadet Julien Caussé and Julien Cadet Caussé) (1869–1914) was a prolific French...

Vaclav's work reflects what is stored somewhere in the depths of the soul. He does not seek inspiration on the surface of things but in what is hidden under the surface, inside the s...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

tabletop sculpture, indoor sculpture, metal sculpture, wood sculpture, rusted steel; My series of "Gathering" sculptures are table-top pieces made from laminated plywood and rusted s...

gymnast Original Steel Sculpture He has exhibited individually since 1970, having performed more than a hundred, being the main ones in: L'Hospitalet; Ibiza; Seville; Terrace; Rome...

"IMPLEMENT (stout handle II)" by John Van Alstine Bronze and slate The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explor...

Created in 1965, this terre de faïence sculpture with white slip is inscribed on the sculptural base with the atelier stamps ‘EDITION PICASSO’ and ‘MADOURA...

This sculpture is edition 2/20

Through Shot and Shell by James Nathan Muir is a powerful and emotionally charged bronze sculpture that immerses the viewer in the chaos of a Civil War battlefield. Muir, celebrated ...

"Bubble Bliss" Abstract Sculpture 52" x 15" x 15" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our...

This piece titled "S&S&S&S 28 Pink on Pink" is an original piece by Matt Shlian and is made from hand-folded archival paper. This piece measures 11”h x 26”w unframed. As a paper eng...

Polychrome Wood Sculpture of the Christ Child, Catalan School, 18th Century A finely carved and expressive figure from the late Baroque period. Crafted in wood with traces of its ori...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

Italian stainless steel with a special high-temperature patina. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvar...

Alberto Piccini is an Italian artist from Seravezza in Tuscany. His work primarily comprises of bronze and marble sculptures, which have simultaneously an appeal of bold modernity an...

Mathias Goeritz (German Mexican, 1915-1990) Geometric Torch-cut Steel or Iron Sculpture with gold leaf gilding. Welded signature, MG. This came from an estate and is signed with his ...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

Contemporary Glass Sculpture, Abstract Form, Optical Effect, Canework, Aya Oki Born in Osaka, Japan, Aya Oki is a glass art artist now working in San Bernardino, California. The artist is best known for her blown glass “bouquets:” collections of fused blown forms, layered with strands of polychromatic glass canework. The artist assembles her work organically, often improvising in conversation with the material. Her practice prioritizes the pleasure and levity of the act of making in addition to the final result Oki incorporates teaching, residencies, and community building into her practice, as well as maintaining role as Studio Assistant to Katherine Gray...

Isidore Romain Boitel (French, 1812 - 1861) "Jeune fille aux colombes et à la corbeille de fleurs". Young girl with doves and basket of flowers Bronze ...

"I am a true Roman Emperor; I am of the best race of the Caesars—those who are founders." –Napoleon Bonaparte, 1812 Among the most iconic and celebrated figures in history, Napoleon...

• An authenticated work This unique circular plaque in wax crayon on terracotta was created by Pablo Picasso and authenticated by Claude Ruiz Picasso on September 26, 2022. • A pres...

Copper repousse hand hammered iconic image, Judaica, Israeli art.Shlomo Goren (Hebrew: שלמה גורן; February 3, 1917 – October 29, 1994), was a Polish-born Israeli Orthodox Religious Z...

This artwork is a multiples limited not numbered specimens created by the Italian artist Ugo La Pietra, a well known Internationally artist. Ugo La Pietra was born in Bussi Sul Tiri...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

This ceramic head sculpture from the Testas series, titled Testa Nº12, is an expressionist exploration of the human face in refractory stoneware fired in reduction. The sculpture pre...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

MEL RAMOS (1935-2018) Dita 2017 Cast and polished stainless steel 58 x 33 x 26 cm 22.83 x 12.99 x 10.24 inches Number 29 of 60, Edition of 60 + 6 A.P. Cast signature and number on b...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

"Elena, Atelier, Platinum" captures the timeless elegance of the ballerina through Richard MacDonald’s masterful eye for form, emotion, and movement. In this special edition, the coo...

Dan Murphy Metal Sculpture Mid Century Modern Modernist Silver 29 Inches. In good condition

signed 'Ary Bitter' and marked 'Susse F Paris' in the cast along the front edge of the base, and with a round foundry mark at the back of the base Provenance Property from the Coll...

Splendor Fiberglass / Composites Filled Resin Base Gold Metallic Shiny Finish 50" x 15" x 11" "I am an artist, a sculptor not by choice but by destiny as each step in the path I fol...

This beautiful large corroded steel sculpture can be used for indoor or outdoors. It makes for an elegant statement in any garden, lobby or private home. Please specify if you want ...

Bronze Numbered 2/10 44cm × 9cm × 33cm (incl. base) The young prince Troilus goes to water his horse at the spring unaware of the ambush, which Achilles has prepared for him. A mome...

Three dimensional abstract sky blue, indigo, mauve, purple, and violet wooden wall sculpture Dyed and painted wood on panel with paper collage detail 36 x 24 x 2 inches Can be orie...

Smooth-surfaced, black granite has been engineered into an elegant figure eight shape by sculptor Jeremy Guy. The sculpture connects to the plinth via a steel pin, allowing Duo to ...

Talented Japanese artist Yoshitomo Nara has a powerful impact when it comes to peace, human rights, and freedom. Even now, almost 60 years later, the lyrics of “Blowin’ in the Wind” ...

Hand made wall sculpture He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class ...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

"Sled" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but is...

Yaacov Agam, Midnight Light, polymorph, Kinetic art, Colored work, International artist, Israeli artist, Israeli art. Yaacov Agam’s polymorph is a unique example of geometric and kin...

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

Daniel Grantham (American, 20th Century) Jellyfish, 2017 Cedar wood on maple Engraved signature on bottom of base 20 x 6.5 x 6 inches Daniel Grantham was born and raised in Clevela...

Large black U porcelain sculptural vase with black satin glaze by Mary Jaffe. Size: 6 x 8 x 3 inches Porcelain, ceramic, ceramic sculpture, functional sculpture, functional vessel, ...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Steven Wolfe (American, 1955-2016) Untitled (Book Bookends), 1990 Bronze 6 1/4 x 7 x 4 inches Stamped: SW 1990 2/3 For more than two decades, Steve Wolfe (1955–2016) created sculptures and drawings of astounding craft and visual presence. Wolfe re-created worn books and used records, primarily from the 1960s and 1970s, that influenced his own personal and artistic sensibilities. Working in the tradition of trompe l’oeil, Wolfe created pieces that quite literally “fool the eye” on first inspection. Using a variety of materials and processes, including oil, acrylic, screen printing, lithography, modeling paste, canvas, wood and aluminum, Wolfe sculpted and painted precise and exacting three-dimensional replicas of books and records that possess a personal significance. Iconic titles include Oscar Wilde’s The Picture of Dorian Gray, Dostoyevsky’s Notes From Underground, Alfred Barr’s Cubism and Abstract Art and The Beatles’ Revolver...

Artist: Kuno Vollet Title: Brass Gingko with 5 leaves art sculpture Materials: Bronze, black granite base Polished bronze to gold adds highlights to the leaves. Art Deco Mid-centu...

Medium: Mahogany, pigment As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

Omaggio To Picasso Woman in Hat Murano Glass Sculpture Artist signed and titled. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

The extraordinary polygon sculpture "Eagle" with burner insert on a pedestal of oxidised oak for our garden, is available in 3 different sizes, in the overall sizes 105 cm, 125 cm an...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...