Andrew Hayes

Crossing

2017

An installation work of photos on aluminum, these hexagonal elements inference the hexagon of the Pentagon. The artist is telling a story of what ma...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Volatility Screen Acrylic and oil on walnut veneered plywood in 4 parts, with aluminum and steel fittings. 4 panels each 16.25 x 72", overall 65 x 72" 2019 This substantial work b...

John Wolfe's Mixed Media Abstract Sculpture, "Untitled Assemblage #S 3-23" brings together wood, steel, ceramic elements, and acrylic paint. The warm colors of the wood and painted ceramic elements soften the feel of the rectilinear arrangement. The shallow depth of the work gives the sculpture a kind of "drawing" quality while the shadows it casts lend a more expansive feel. The heavy, dark wood base anchors all aspects of the work in place. This work is the perfect tabletop piece. It's large enough to command attention, but also subtle in its open framework arrangement. John Wolfe was born in Vernon...

Recycled textiles, thread, batting, welded steel, found objects, polymer clay, rope, snap hook 48 x 32 x 20 inches Artist Statement I hand-sew compound sculptural forms that are con...

The coloration and construction of the artwork projects this disk toward the viewer and floats the work off the wall both visually and psychologically. Doak was an aviation visionary...

Referencing industrial space detritus and the allure of artifacts, this disc floats free from the constraints of the wall and mesmerizes with a hypnotically beautiful jeweled center....

Do Not Touch (color) Cast resin multiple in colors with steel, string, acrylic on canvas, with its original box Signed Javier Calleja in black ink and numbered 52/250 (on the revers...