Metal Abstract Sculptures

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Realized by the Artist in 3 different variants, each with a different central body. Declaration of authenticity signed by the Artist on rear of photo in 1975. Provenance: Private Col...

Jonas Noël Niedermann Modular Shapes (Noir et Opaline), 2021 Blown, carved, and etched glass 11.25h x 7.50w x 4.50d in 28.57h x 19.05w x 11.43d cm

"Urn with Flying Lilies" in white, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolo...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

"Autumn By The Shore" Meticulously handcrafted stoneware through weeks of pinching from award-winning artist Beth Anne Krah, this biomorphic ceramic sculpture is truly a one-of-a-ki...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This modern and distinctive artwork by contemporary artist and...

Artist: Hans van de Bovenkamp, Dutch (1938 - ) Title: Circles and Waves Year: 1986 Medium: Steel Sculpture Overall Size: 87 x 50 in. (220.98 x 127 cm)

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

"The Man Without a Rod №3" Sculpture 26 x 20 x 9 in Ed. 2/8 by Sergii Shaulis Limited Edition 2/8 Medium: aluminium, patina From "The man without a rod" series Approximate weight 3...

A life size, rusted mild steel sculpture on a steel footing. Edition of 7. Available in different colours or finishes on request.

This sculpture consists of two pieces. The dimensions of each piece are: 51x8x8 cm and 47x8x8 cm respectively. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born: 1978, Cape Town, South Africa. Lives and works: Edinburgh, Scotland. Jonathan Freemantle...

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

Worn like a bolo tie around the neck. This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. The Memphis...

New Sculpture Collection Vanguard: Italian Stainless Steel with Special Splashed Electrostatic Paint. This sculpture will be shipped directly from the artist's studio.

" Nimbus Ascendente ", 2015 Unique 69 x 38 cm Rafael Barrios, sculptor, and founder of the Virtualism movement. From the beginning, his work has been ...

"Draped Figure" is a beautiful example of Tazian's ability to meld the smooth texture of wood and the hard texture of bronze into an exquisite object to view, hold or caress. The piece balances perfectly on its stone base and can be easily turned to enjoy from all angles. Like architects Eliel Saarinan and Albert Kahn and sculptor Corrado Parducci, Tazian is an immigrant creative who has found a home in the city, nurtured by its energy and sheltered by its community. He developed an early ambition to become an artist, even though he had very little exposure to the arts. ““The only person [who encouraged me] was my 5th grade English teacher, Olivia Balian,” he says. “She really opened the doors of art for me. She said, ‘Those students who are interested in art can stay behind after school and I will show you how to paint and draw.’ Somehow [that] changed my life– she gave me that spark.” Tazian came to the U.S. to study at St. Francis College in Fort Wayne, Indiana. He earned a bachelor’s degree in art and a Master’s in Art Education, and then earned and MFA in sculpture from Wayne State University in Detroit. Kegham Tazian is an award-winning sculptor and painter. The Armenian-born artist has gained notoriety for the diversity of his work and the variety of media exemplified in his pieces. A blend of modernism, realism and abstraction are commonly depicted in his paintings and sculptures. His artwork has been represented in more than 40 solo exhibitions and more than 75 group exhibitions throughout the United States, Canada, Europe, and the Middle East. His work adorns the entrances and halls of major corporations, universities and municipalities, including Siemens Corporation, Huntington Bank, Wayne State University and the city halls of Farmington and Farmington Hills...

This piece is unsigned. Irving Lehman (1900-1983) was an American Jewish painter, sculptor, engraver, and designer. Born in Kiev in then Russia, Lehman studied at the Art Students League, Cooper Union and the National Academy of Art and spent much of his working life in New York City. Part of the Abstract Expressionist school, he worked in oil and watercolor as a painter and in metal and steel as a sculptor; his works have been shown in galleries in England, France, Italy, Israel and Japan, and were included in an international traveling exhibition in Europe in 1951. Like many other artists of his generation, he painted for the WPA and then adopted a more abstract style after WWII. Lehman spent much of his career in NYC. He had his first exhibition at ACA Gallery in 1934. He also exhibited at the Whitney, National Academy, PAFA, Brooklyn Museum, Chicago Art Institute, and others. This work contains Constructivist elements anticipating the more gestural abstraction of the post-WWII New York Abstract Expressionist School. Member of American Art Congress, worked near Woodstock and in Columbia County...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Original nickel plated over brass metal abstract sculpture by Oded Halahmy. Untitled. Signed and dated 1976. Condition is excellent. The sculpture is mounted on a thick mahogany bas...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Humpty Dumpty...

Tony Rosenthal, Attributed to, American (1914 - 2009) - Bicycle, Medium: Acrylic on Metal Assemblage, Size: 31 x 36 x 6 in. (78.74 x 91.44 x 15.24 cm)

Stephanie Bachiero’s sleek bronze and porcelain sculptures balance strength and fragility as they explore issues of frailty. Reflecting the influences of Finish Fetish art...

Bronze on oxidised brass base Unique variation in a series Stamped with monogram signature and uniquely numbered 898B The finely rubbed edges show the natural bronze which is lacquer...

Bronze on a slate composite base Unique variation Stamped with monogram signature and uniquely numbered 921B The natural bronze edges are finely rubbed before lacquering for protecti...

Bronze on an oxidised brass base Unique variation Stamped with monogram signature and uniquely numbered 888 The natural bronze exposures are finely rubbed before lacquering for prote...

Bronze / brass strip / composite Unique variation Stamped with monogram signature and uniquely numbered 759A Natural bronze remains on the sun but is treated with a translucent golde...

Bronze on an oxidised brass base. Unique variation Stamped with monogram signature and numbered 913A Natural bronze edges are lacquered. Weight 7.8kgs Philip Hearsey, born in 1946, ...

"Grace" is a boxwood sculpture by Lutfi Romhein. It consists of two parts, a fiminine silhouette as the vertical part, and a horizontal part. These two parts are connected through a ...

Bronze on an oxidised brass base Unique variation Signed with monogram signature on underside of base and numbered 889 Exposed natural bronze is lacquered. Weight 8.5kgs Philip Hear...

Pulverised metal leaf on a wooden sphere on a stained ash base. Unique. Signed on underside of base and numbered 906 Weight 12.6kgs Philip Hearsey, born in 1946, is a renowned Bri...

A limited edition, powder coated mild steel sculpture, capable of bouncing (see video). Edition 2/5. Available in different colours on request.

“Resonance” references Greek classical sculpture and modernist traditions. The female from is depicted as a fragment, introspective and animated. The surface of the sculpture is rich...

A smaller maquette/model for a larger piece titled "Gateways" wood and aluminum sculpture by Doris Ann Warner (American, 1925-2010). Signed "Warner" on bottom. Estate of Doris Warner...

MATT DEVINE "Anemones #3 (Teal)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. *Can be installed on wall or placed on table* Matt Devine is a self-taught sculptor working wi...

Michael Todd Welded Brushed Steel Sculpture - geometric abstraction, 1968 Welded Brushed Steel Hand signed and dated 1968 in marker on surface....

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

The graphic metal sculpture 'Abstract Love' by ArmanH is an experience to turn the artist's drawing into a 2D sculpture using metal. The intricately woven lines of metal create dram...

This modern, minimalist and elegant glass artwork is a hand-crafted piece of colored glass using the fusion process. This piece features a mesmerizing spiral with black accents. The...

Orange Skyline is an abstract sculpture by Joe Sorge, made from stainless steel with an orange dye and clear coat. The white pedestal pictured beneath the sculpture base is not included. Connecticut sculptor Joe Sorge says about his work, "The works express fluidity and the resulting tension inherent in the material is balanced by the ensuing harmony of the sculptural object. The result is an expression that comes from a comprehensive understanding of the material and method. The work draws from the modernist vocabulary to create abstract, sometimes whimsical objects...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 3 1/3" Amaury Maillet is a self-taught artist who explored art in Provence and Sai...

"White Box" by Jane Manus Welded and painted aluminum Jane Manus makes large sculptures of painted or brushed welded aluminum that are both geometric and suggestively figurative sim...

Bronze / slate composite / pulverized metal leaf. Individual variation. Stamped with monogram signature and uniquely numbered 914D The natural bronze is finely rubbed and lacquered f...

Bronze on Cornish sea-washed slate on Herefordshire yew. Stamped with monogram signature on base. The bronze hemisphere is polished and will dull down over time unless it is cleaned....

Bronze on a slate composite base, Unique variation Stamped with monogram signature and uniquely numbered 907C The natural bronze exposures of this sculpture are bright polished and ...

Bronze on a stone base, Stamped with monogram signature and uniquely numbered 442B. Philip Hearsey, born in 1946, is a renowned British sculptor living and working in Longtown, Her...

Renowned Israeli sculptor Menashe Kadishman (1932-2015), CONTINUUM, 1979, revolving metal sculpture, Dimensions 16.5 x 10 x 9.25 inches. Hand signed and numbered on dedication pla...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

Armadura Terrestre Amadeo Gabino, Spanish (1922–2004) Date: circa 1974 Oxidized Steel and polished aluminum sculpture Size: 19.75 x 19.75 x 2.25 in. (50.17 x 50.17 x 5.72 cm)

Verlangen no. 5 Desire Longing Bronze Sculpture Figurative Modern In Stock About Jits Bakker (1937-2014) Sculptor, painter, watercolorist, drawer, glass artist, silversmith, graphic...

Virus Lamp Tripod small Our Virus luminaire is a spherical luminaire on pedestals with a color filter attachment for indoor use. The tubular sectional steel has been arranged here a...

"Pages" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstra...

Hand-crafted Glassfusing Glass Artwork Glass Sculpture This unique glass artwork, titled "Floating yet Connected," is a hand-crafted piece using the fusion glass process. Featuring ...

"On the Wings of an Eagle by Chester Fields is one of his most popular sculptures. This is number 26 of 75 made. It is made with the following: Bronze Casting Deluxe Patina Gold Beak...

Stainless steel sculpture