Neil Tetkowski

Ceramic Texture Square Sculpture Abstract Wall Earth

2018

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

'Saturn's Moon' 2025 by Contemporary American artist, Sheryl Zacharia. Ceramic, 21.5 x 19.5 x 5 in. This sculpture incorporates a rich palette of colors in green, pink, white, grey, ...

'Wild Thing' 2023 by Contemporary American artist, Sheryl Zacharia. Ceramic, 23 x 23 x 6 in. This sculpture incorporates a rich palette of colors in bronze, red, black, and white. ...

MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings and Sculptures abstracted figures, made from cut twigs, are impressed into wet clay. As I investigated, the figures kept running, fleeing, tumbling, searching, moving away from and towards something else. They moved across landscapes, towards glowing buildings/edifices, systemized structures/societies, which both beckoned them and somehow dominated them. The figures were present, yet also in spirit form, floating and dissolving in diaphanous light and shimmering waters. Twigs became, fathers, mothers and children. They became surrogates, rather like a small child’s dolls, playing out a deeply psychological fiction of desperately moving toward “something”. Something hopeful, yet presently out of reach. Something eternally becoming …” Tony Moore is an English-American sculptor and painter represented in international museum collections including the Guggenheim Museum, Brooklyn Museum, Greenville Museum, San Angelo Museum of Fine Arts, Woodstock Artists Association & Museum, Art Museum of the U. of Memphis and ASU Art Museum, US and the Yorkshire Museum and Derby Museum, UK. He received a MFA in Sculpture from Yale University and is the recipient of prestigious awards, including a Louis Comfort Tiffany Award...