Piet Parra 1

Piet Parra "Pear On A Ledge" Eco Friendly Lamp Home Contemporary Art Street

2021

Following the release of the first “Upside Down Face Vase”, Parra presents the latest addition to the series. This female counterpart marks the conclusion of these iconic vases. Where the first edition stood out because of its boldness, this bird girl exhibits remarkable elegance and sophistication. Long red flowing hair forms the base of the hand painted ceramic sculpture, with her graceful neck embracing your bouquet of flowers. Dutch illustrator, painter, and animator Piet Parra...

Pinecone Boy: Sunset, 2021 En Iwamura Limited Edition Material: Vinyl Dimensions: 7.8 x 9.5 x 8 inches Printed signature on underside

Javier Calleja is showcasing a fresh crop of paintings and sculptures in NANZUKA’s 2G gallery and the dealer’s emerging outpost, 3110NZ by LDH Kitchen, ...

ADDITIONAL INFO AllRightsReserved has tapped Nina Chanel Abney for a vinyl figure titled Baby. The New York-based artist has been known for her use of sym...

An extraordinary bronze pear from the “Le Jardin Extraordinaire" by the collaborative French artists Jean-Claude Mazel and Yann Jalix. The large pear balances on a fruit box and has ...

The Yoomoota Universe is a projection of our bodies and minds, representing everything that exists in humanity on a global scale. Yoomoota consists of at least 23 planets, inhabited ...

This large version of The Guest is the contribution by the renowned designer Supakitch to the project which invites leading artists from around the world to personalize this special ...

Porcelain sculpture created by the Chinese artist Kzeng Jiang for The Guest collection. This version of The Guest is by Kzeng Jiang, the first Chinese artist to join the creative universe of this iconic character. The work of the Shanghai-based designer reflects the contemporary culture of Asia in vibrant, radical illustrations. Kzeng seeks to render his cultural roots through symbols of traditions like Chinese facial painting or flower painting from the Song dynasty, reinterpreting these elements in his own personal style. In this case, for instance, he is portrayed with three big eyes on his face which, according to Kzeng, “allow him to see the past, present and future as if he were a messenger travelling through time.” As regards color, Kzeng chose blue tones on the white porcelain to ensure a sense of visual harmony and balance. He then combines these colors with touches of golden luster in order to convey the sensation of prestige associated so closely with ancient Chinese porcelain...