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Daniel ArshamLabyrinth Sculpture2025
2025
$6,878.78
£5,000
€5,841.76
CA$9,449.82
A$10,316.02
CHF 5,431.52
MX$123,573.99
NOK 69,467.08
SEK 63,424.60
DKK 43,639.30
About the Item
Daniel Arsham
Labyrinth sculpture, 2025
sculpture sand
34 x 29 x 41 cm
Edition of 500
released by Arsham Editions
Daniel Arsham’s Labyrinth sculpture is a limited-edition work that distills the artist’s immersive architectural imagination into a compact, collectible form. Reflecting his signature “fictional archaeology” approach, the piece presents what at first glance appears to be a classical figure, but its interior is carved into an intricate network of staircases, chambers, and silent architectural passages—suggesting the maze-like pathways of memory and thought. Cast in sand and SiO₂, the sculpture evokes both ancient ruins and surreal mental landscapes, inviting viewers to explore its hidden depths and ponder the intersections of time, history, and perception.
- Creator:Daniel Arsham (1980, American)
- Creation Year:2025
- Dimensions:Height: 9.85 in (25 cm)Width: 8.27 in (21 cm)Depth: 7.88 in (20 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154217389192
Daniel Arsham
Daniel Arsham lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams and Designer Hedi Slimane and companies such as Dior and Rimowa. Arsham is the co-founder of Snarkitecture, a New York-based collaborative design practice established in 2007 to investigate the boundaries between disciplines of art, architecture and design. A component of Arsham’s iconic and immediately recognizable practice is the conception of his works as fossilized “future” relics that distort the viewer’s perception of space and time.
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