Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
Anatomical Studies - Etching by Jacques de Sève - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate VI, page 202 Paris, Imprimerie Royale, 1771 Copperplate etching and engraving on laid paper Plate ma...
Etching
Anatomical Studies - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tome III – Pl. 9, p. 228 This finely engraved copperplate presents a comprehensive anatomical study of the head and brain, integrating muscul...
Etching
Animal Anatomy - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tom. III – Pl. XII, p. 242 This copperplate engraving presents a detailed anatomical study of the organ of hearing, with particular emphasis ...
Etching
Animal Anatomy - Etching by Jacques de Sève - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle. Tom. III – Pl. 13, p. 246 This copperplate engraving presents a comparative anatomical study of the auditory apparatus, combining sectional ...
Etching
Animal Anatomy - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tom. III Pl. XVII, p. 266 Copper engraving, 1771 edition This highly detailed copper engraving presents a complex anatomical study of the pe...
Etching
Animal Anatomy - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, 1771 Edition, Tom. III – Pl. 16, p. 266 This finely executed copperplate engraving presents a detailed anatomical study of the posterior abdo...
Etching
Anatomical Studies - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LI, p. 396 Copper engraving, 1771 edition This finely engraved anatomical plate presents a detailed study of the intestinal tr...
Etching
Animal Anatomy - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle. Pl. XXXIII, p. 280 Copper engraving, 1771 edition This elaborate copper engraving combines anatomical dissection with external zoological re...
Etching
Animal Anatomy - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LII, p. 396 Copper engraving, 1771 edition This finely executed copper engraving presents a comprehensive anatomical study of ...
Etching
Animal Anatomy - Etching by Jacques Baron - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle. Tom. VIII, Pl. XXXV, p.244. This refined copper engraving presents a detailed anatomical study of the male reproductive organs of a quadrupe...
Etching
Animal Anatomy - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Tom. VIII. Pl. XXXVII, p. 332 Copper engraving, 1771 edition This finely executed copper engraving presents a detailed anatomical study of t...
Etching
Animal Anatomy - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle. Copper engraving, 1771 edition This finely detailed copper engraving presents an anatomical study of the stomach and renal structures of a q...
Etching
Animal Anatomy - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Générale et Particulière, Tom. VIII Pl. XXXVIII, p. 332 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm ...
Etching
Bat Skeleton (Chiroptera) - Etching by Jacques de Sève - 1771
Located in Roma, IT
From: Histoire Naturelle, générale et particulière Paris, Imprimerie Royale, 1771 Tom. VIII, Plate XIII (Pl. XIII, p. 154) Copperplate engraving on laid paper with visible chain lin...
Etching
Euphorbia (Spurge) /// Antique Botanical Botany Plants Engraving Buffon Science
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Euphorbia (Spurge)" (Dodecandrie, Trigynie, Plate 411) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...
Watercolor, Laid Paper, Engraving, Intaglio
Le Mâtin - Etching by Jacques de Sève - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXV (p. 300): Le Mâtin Copper engraving depicting Le Mâtin (mastiff-type dog) in profile, set within a courtyard scene. The anima...
Etching
Animal Anatomy - Etching by Buvée d’Amérique - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. III (p. 48) Copper engraving from the 1771 edition depicting detailed anatomical studies of reproductive organs in two views. The upp...
Etching
Animal Anatomy - Etching by Jacques de Sève - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. V (p. 48) Copper engraving from the 1771 edition illustrating comparative anatomical studies of the reproductive organs. The upper fi...
Etching
Animal Anatomy - Etching by Buvée d’Amérique - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. VII (p. 48) Copper engraving from the 1771 edition illustrating the male urogenital system in detailed anatomical views. The plate pr...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXII (p. 258) Copper engraving from the 1771 edition illustrating detailed anatomical studies, including a dissected organ with label...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXXIII (p. 332) Copper engraving from the 1771 edition, depicting detailed anatomical studies of the male reproductive system, includ...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXXV (p. 342) Copper engraving from the 1771 edition depicting anatomical studies of the male genital organs and a quadruped skeleton...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXXII (p. 332) Copper engraving from the 1771 edition illustrating anatomical studies of the male genital organs, shown in multiple d...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXXVII (p. 360) Fine copper engraving from the 1771 edition, illustrating anatomical studies of the male reproductive organs, includi...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXX (p. 360) Fine copper engraving from the 1771 edition, depicting anatomical studies of the male reproductive organs, including bla...
Etching
Animal Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXIX (p. 298) Fine copper engraving from the 1771 edition, illustrating detailed anatomical studies of the urinary bladder and adjace...
Etching
Anatomical Studies - Etching by Jacques de Sève - 1771
Located in Roma, IT
Buffon, Histoire Naturelle, 1771 – Tom. IX, Pl. XXVII (p. 298) Copper engraving depicting the male urinary and reproductive system, including bladder, prostate, urethra and testes, s...
Etching
Anatomical Studies - Etching by Jacques de Sève - 1771
Located in Roma, IT
Plate from Buffon's Histoire Naturelle, Générale et Particulière. Tome III, Plate III, page 110 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19...
Etching
Profile of Man, Old Masters Lithograph after Andrea del Sarto
By Andrea Del Sarto
Located in Long Island City, NY
Andrea del Sarto, After by Alphonse Leroy, Italian (1486 - 1530) - Profile of Man, Medium: Lithograph, Image Size: 10.25 x 7.5 inches, Size: 19.5 x 14 in. (49.53 x 35.56 cm), Fram...
Lithograph
$1,200
Portrait de Dieudonne Charles Delorme, Heliogravure by Jacques Callot
Located in Long Island City, NY
Jacques Callot, After by Amand Durand, French (1592 - 1635) - Portrait de Dieudonne Charles Delorme, Year: Printed 1878, Medium: Heliogravure, Size: 8 x 4.5 in. (20.32 x 11.43 cm)...
Etching
Heiligie Familie, Old Masters Photogravure Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Heiligie Familie, Year: 1906 Date of Original 1646, Medium: Photogravure, Size: 10 x 14 in. (25.4 x 35.56 cm), Printer:...
Etching
$9,908Sale Price|20% Off
Nativity Scene Garland Pendant - Flemish 17thC art religious floral oil painting
Located in Hagley, England
This superb trompe l'oeil painting is in the typical manner and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central ca...
Oil
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Laid Paper, Engraving, Etching
Portrait of Carlos de Colonna, Marques de la Espinar
Located in Middletown, NY
(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression. __________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...
Laid Paper, Engraving
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300) Portfolio: Histoire Nature...
Watercolor, Laid Paper, Engraving, Intaglio
Study of a Priestess holding a Caduceus
Located in Middletown, NY
Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...
Ink, Watercolor, Laid Paper
Louis-Félix de La Rue (1730-1777) Putti playing around a sculpture, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777) Putti playing around a sculpture, a mythological scene Pen and brown ink on paper 15.4 x 31 cm In good condition The ancient mount has has a smal...
Ink
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...
Watercolor, Laid Paper, Engraving, Intaglio
Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico Etching, 1743 Signed in the plate bottomleft in the caaption plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Coniditon: Excellent/Very good Image size: 14 5/8 x 9 3/4 inches Reference: Robison 17 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Etching
La Facade aux Cariatide, Heliogravure by Marcantonio Raimondi
By Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Facade aux Cariatide, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 13 x 9.5 in. (33.02 x 24.13 cm)...
Etching
Portrait de Claude Deruet, Heliogravure by Jacques Callot
Located in Long Island City, NY
Jacques Callot, After by Amand Durand, French (1592 - 1635) - Portrait de Claude Deruet, Year: Printed 1878, Medium: Heliogravure, Size: 12 x 7 in. (30.48 x 17.78 cm), Printer: Am...
Etching
Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving Buffon
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...
Watercolor, Laid Paper, Engraving, Intaglio
La Foi, Old Masters Heliogravure Etching by Marcantonio Raimondi
By Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Foi, Year: 1875, Medium: Heliogravure, Size: 9 x 4.75 in. (22.86 x 12.07 cm), Printer: Amand Durand, Descri...
Etching
The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
Engraving
Giovanni Piranesi Marble Urns and Vases and Lamps Etching C.1770
Located in San Francisco, CA
G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770 Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778) Loose translation of the text: Knight Gio. Bat...
Etching
$1,414
Le Campement - Encampment - Drawing by J. P. Verdussen - 1740 ca.
Located in Roma, IT
China ink and watercolour on paper. Not signed. Conditions: irregular margins and lightly worn on the top-right. Includes passepartout.
Ink, Watercolor
Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...
Watercolor, Laid Paper, Engraving, Intaglio
Closure Giclée Print on Photographic Paper, Old Masters Style, 2018
By Ugne Pouwell
Located in London, GB
'Closure' London, United Kingdom 2018 Limited edition of 20. John Gibson 'Hylas Surprised by the Naiades' According to Greek mythology, Hylas was the beautiful son of King Thiodom...
Photographic Paper, Giclée
The Guildmasters, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - The Guildmasters, Year: of Original: 1661 (printed 1906), Medium: Photogravure, Size: 10 x 14 in. (25.4 x 35.56 cm), P...
Etching
$4,949Sale Price|40% Off
Henry Raeburn, (circle) 19th Century portrait of Sir Charles Forbes Edinglassie
By Henry Raeburn (circle)
Located in York, GB
Portrait of Sir Charles Forbes of Edinglassie, Oil on canvas. The size of the portrait is 75 cm x 59.5 cm whilst overall the size is 106 cm x 91 cm In very good condition.There has been some restoration/overpainting etc.There is some minor craquelure. Housed in a period gilt frame decorated with acorns and leaves Overall a good portrait, circle of a fine scottish artist (unsigned) , with an interesting sitter, his details below. sir Charles Forbes of Edinglassie Sir Charles Forbes, 1st Baronet (1774–1849) was a Scottish politician, of Newe and Edinglassie, Aberdeenshire. Forbes was the son of the Rev. George Forbes of Lochell. He was a descendant of Alexander Forbes of Kinaldie and Pitsligo, and was in 1833 served heir male in general to Alexander Forbes, 3rd lord Forbes of Pitsligo, father of Alexander Forbes, 4th Lord Forbes of Pitsligo, attainted in 1745. Forbes was of a bluff but kindly nature, diffident as to his own merits, of a straightforward and manly character. On the death of his uncle in 1821 Forbes succeeded to the entailed estates of the Forbeses of Newe, and was created a baronet by patent in 1823.[1] He married in 1811. His daughter, Elizabeth, married General, Lord James Hay, second son of the seventh Marquess of Tweeddale. Sir Henry Raeburn FRSE, RA, RSA (1756-1823) Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting...
Oil
Les Cavaliers Autour d'Une Chapelle, Old Masters Etching after Alaert du Hamel
Located in Long Island City, NY
Alaert du Hamel, After by Amand Durand, Dutch (1450 - 1506) - Les Cavaliers Autour d'Une Chapelle (Emperor Heraclius entering Jerusalem...), Year: circa 1878, Medium: Heliogravure on...
Etching
Sacrifice a Priape, Heliogravure by Jacopo de' Barbari
Located in Long Island City, NY
Jacopo de' Barbari, After by Amand Durand, Italian/Belgian (1450 - 1516) - Sacrifice a Priape, Medium: Heliogravure, Size: 9.25 x 6.75 in. (23.5 x 17.15 cm), Printer: Amand Durand...
Etching
Scene II, Le Nozze Degli Dei
Located in Fairlawn, OH
Scene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...
Etching
La Vierge Allaitant l'Enfant, Heliogravure by Albrecht Dürer
By Albrecht Dürer
Located in Long Island City, NY
Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge Allaitant l'Enfant, Year: 1873, Medium: Heliogravure, Size: 5.5 x 3 in. (13.97 x 7.62 cm), Printer: Amand ...
Etching
Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...
Watercolor, Laid Paper, Engraving, Intaglio
Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686) Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order" Portfolio: Monasticon Anglicanum: A History of the Abbie...
Engraving
Portrait du Cardinal Guido, Heliogravure by Jean Morin
By Jean Morin
Located in Long Island City, NY
Jean Morin, After by Amand Durand, French (1590 - 1650) - Portrait du Cardinal Guido, Medium: Heliogravure, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Printer: Amand Durand, Descripti...
Etching
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
Laid Paper, Engraving, Etching, Intaglio
$9,908Sale Price|20% Off
Annunciation Garland Pendant - Flemish 17thC art religious floral oil painting
Located in Hagley, England
This superb trompe l'oeil painting is in the circle and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central cartouche,...
Oil
La Vierge au Poisson (d'apres Raphael), Old Masters Heliogravure by Marco Dente
By Marco Dente
Located in Long Island City, NY
Marco Dente, After by Amand Durand, Italian (1493 - 1527) - La Vierge au Poisson (d'apres Raphael), Year: circa 1878, Medium: Heliogravure, Image Size: 10...
Etching