Pop Art

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Blue still life , 70x70cm, print on canvas Edition 20 pcs.

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

8 x 10" vintage silver gelatin photograph of Rudolf Nureyev in dance class, January 20, 1965. This is a print that was published by Dance Magazine or th...

Heidler & Heeps Dice Series - Chartreuse Yellow Six (inky blue). Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

30 Cents Singapore Orchid Blue, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic, accompanied by signed and numbered certificate of authenticity. It requires professional framing. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Yayoi Kusama Skateboard Deck: This Kusama skateboard deck features Kusama's Dots Obsession imagery and makes for standout Kusama wall art that ...

MEDIUM: Limited Edition Hand-Painted Cel IMAGE SIZE: 12 x 16 inches SKU: CCV2262 Price includes framing. This limited edition (500, plus 25 artist's proofs) of hand-painted character cels (with backgrounds) from Walt Disney’s 1953 feature-length animated film, Peter Pan, is one of a series of selected limited editions of original artwork from cartoon classics issued by The Walt Disney Company. The original animation drawings were inked by a Disney artist. and this inked line was transferred to acetate plastic "cels" by a special Xerox process. The colors are Disney-created acrylic-based paints that were hand-applied by Disney painters. To protect the delicate lines and paints, each limited-edition cel in this series has been laminated on both sides with a clear plastic. The background scenes for these cels have been faithfully reproduced by a Disney background...

Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired by it. From t...

Siouxsie and the Banshees - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto vinyl and wrapped onto a hand spun aluminum butto...

KAWS - FAMILY Figures - Black version New on its original packaging. Medium: Vinyl & Cast Resin Open unknown edition Unsigned

This is a truly historic limited edition hand signed museum print from the 1960s - of the first North American building the legendary artists Christo ever wrapped: Christo Wrap In Wr...

I Wonder If... by Andy Warhol, (1928 - 1987) Medium: Poster Image Size: 30 x 30 inches Size: 33.25 x 33.25 in. (84.46 x 84.46 cm) Frame Size: 35 x 35 inches

JUST FOR KICKS: WORLD CUP CHAMPIONSHIP SERIES Huichol Beaded Sculpture by CHROMA / Rick Wolfryd “JUST FOR KICKS” transforms the universal language of football into a ceremonial obje...

An original animation cel drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this ...

Turquoise Atomic - Oversize Signed limited edition - Pop Art - Brigitte Bardot by the London based contemporary pop art image creator and artist, BATIK. Measures 30 x 30" inches ...

Title: Statue of Liberty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, a...

Daydreams by Daphne Mumford, American (1934) Date: Circa 1978 Screenprint, Signed and Numbered in Pencil Edition of 200, AP 30 Image Size: 21.5 x 26 inches Size: 22 in. x 30 in. (55....

Technique: handmade with oil paint  Dimension: 180 x 150 x 5 cm Edition: unique edition  Information: Silent Sovereign explores the quiet power and dignity of the l...

Artist Comments
A weather-beaten red barn sits amidst the farm landscape, surrounded by trees and grass. Two open bays reveal a truck and a car, perhaps broken or lost but no...

Too Many Flavors is an ice cream cone on pink, surrounded by more color than the cone can hold — that’s the name. Someone in the room said it made them feel happy; that was the inten...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

French Limoges porcelain with chromatic coating Edition 718 of 999 39.2 x 24.9 x 20.9 cm (15.4 x 9.8 x 8.2 in) Signed, numbered, titled and dated on underside of sculpture New as iss...

Artist: Peter Max (1937) Title: Heart Suite III, Four Artworks Year: 1997 Edition: 136/300, plus proofs Medium: Lithograph on Arches paper Size: 2.75 x 2.5 inches, each. Condition: E...

Hat, Edition 100/100. Lithograph [5 plates, 5 colors, 5 runs], Collage. Image: 15.5 x 22.5 cm. Sheet: 27 x 33.5 cm. Framed 37 x 45 cm. Published in 1982 on on Velin d' Arches paper b...

This print by Red Grooms is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B. Kitaj, ...

Art Card: Reichstag at Night (Berlin 1995: Der von Christo und Jeanne-Claude verhüllte Reichstag), Hand Signed by Christo and Jeanne-Claude, 1995 Offset lithograph card (Hand signed ...

Porcelain sculpture with metallic finish. Printed with Jeff Koons' signature, title, date and edition number (2275/2300) on applied label to verso. Published by Museum of Contempor...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

John Stango, American (1958 - ) - Mona Lisa, Year: circa 1995, Medium: Acrylic, Marker over Screenprint on Canvas, signed upper right, Size: 31.5 x 26.5 in. (80.01 x 67.31 cm), F...

SOLD WITH separate FRAME (Rolled canvas) Alexandre Schaller is a Swiss artist from Geneva, known for his contributions to the Pop Art movement. His artwork exemplifies his distincti...

Futura Break Train Art Toy circa 2020: A 20" long replica of Futura's seminal 1980 subway car. Vinyl art toy featuring hanging materials. New in original packaging. 5 x 20 inches. U...

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Fr...

Roseville Bouquet by Peter Max, German/American (1937) Date: 1991 Screenprint on Paper, signed and numbered in color pencil Edition of 33/300 Size: 40 x 30 in. (101.6 x 76.2 cm) Fram...

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signe...

Josef Levi, American (1938 - ) - Still Life with Pisanello, Year: 1979, Medium: Screenprint on Arches, signed, titled, dated and numbered in pencil, Edition: AP 4/16, Image Size: 1...

A large pop piece depicting an abstract composition with the artist signature style. He creates an illusion that the parts are in motion and almost floating. With impasto painting, a...

Artist: Jozza Title: "Cool Ride" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on the ve...

Invitation for Martin Luther King Day celebration 1988, designed by Keith Haring In 1988, 20 years after the death of Martin Luther King Jr., Keith Haring illustrated this rare invi...

Artist: Peter Max (1937) Title: Liberty Head II Year: 2001 Edition: 458/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscripti...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

Sound Recording, from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

It's In The Eyes Gold - Kate Moss Pop Art Print 2023 by BATIK paper size 40x30" inches / 101 x 76 cm signed and numbered by artist on front Limite...

Title: Better World Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Plain Jane By BATIK Archival pigment pop art print of pop culture, fashion icon British born Jane Birkin, who famously emigrated to France and formed the iconic French It Couple wit...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Agent X Title : April Kennedy Year: 2019 Medium: Digital Print Signed Edition: 125 70 x 70 inches Agent X, cultural explorer and agent of the unknown, i...

Portrait of Ingrid Bergman from "Casablanca" rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed Ber...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" i...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

The Drugs Don't Work II - Oversize limited edition - Pop Art - Twiggy by the London based contemporary pop art image creator and artist, BATIK. Measures 30 x 20" inches / 76 x 41 ...

Alexandre Schaller is a Swiss artist from Geneva, known for his contributions to the Pop Art movement. His artwork exemplifies his distinctive style, characterized by vibrant colors...

Title: Statue of Liberty II Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes: Published and printed by Via Max, Inc., New York, 2000. Policy: We officially represent the Peter Max Studio (ALP, Inc., New York), and this artwork will be shipped directly from the Studio to the buyer. Per the requirements of the Peter Max family and the Studio (ALP, Inc., New York), this artwork will be dedicated by the Peter Max Studio to the buyer or a person of the buyer’s choosing (first and last name). Excerpted from the Peter Max Archives, As the new millennium dawned, Peter Max created a series of uplifting artwork expressing his hopes and bright optimism for the era ahead. As part of this series, this stunning artwork brilliantly reproduces one of Max's eight-foot-tall paintings of the Statue of Liberty that he created at the invitation of President and Mrs. Reagan on the White House lawn on July 4th, 1981. Lady Liberty is rendered in fluid, expressionistic brushwork in soft, sublime colors with punctuations of bold color and the artist's signature 'zoople' accents throughout the piece. This beautiful and patriotic artwork also features a Peter Max Statue of Liberty...

Leonardo da Vinci 400% & 100% Bearbrick: A unique, timeless Leonardo da Vinci collectible trademarked & licensed by the Louvre Museum Paris (Musee du Louvre). The partnered collectib...

Jean-Michel Basquiat Spray Paint Cans 2017: Limited Edition Jean-Michel Basquiat spray paint cans (set of 2), published circa 2017 featuring the Estate trademark of Jean-Michel Basq...

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...