Pop Art

Original exhibition poster by Roy Lichtenstein, presented in a black frame measuring 20 × 18 inches overall. The frame features a 1.25-inch face profile and 1-inch depth, finished wi...

**FALL SUPER SALE UNTIL OCTOBER 13TH** Celebrating the one and only Dolly Parton. This piece captures the glamorous life she is having and sharing with the world. An all around exc...

Jurgen Kuhl Gummi Bears (Black, Gummibärchen) Color Silk Screen Print with Glitter Year: 2000s Size: 7.4×5.3in COA provided Ref.: 924802-1182 *FRAMING OPTIONS AVAILABLE. PLEASE INQU...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

Colorful floral bubble wall sculpture composed of hundreds of hand-modeled polymer clay elements, creating a lightweight mosaic of color, texture and organic growth. Flower Bubbles ...

Swim-in-Pool, photograph from Richard Heeps Dream in Colour series. This fun original artwork really shows Richard's unique eye as a photographer, creating this slightly surreal kits...

Mid-Century Modern wrought iron sculpture a person with oversize top, shorts, and carrying a hat, signed, artist's monogram and cipher, further mounted on a plaster base. 28" H. This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast bronze. It might possibly be wrought iron.. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

Blue floral bubble clay wall relief in hand molded ceramic forming a 3D mosaic panel with layered texture and multicolor composition. This wall-mount...

This piece is a collaboration between Angel Ortiz (LAII) and Cindy Shaoul. They began collaborating in 2010 with their iconic "Street Cars" series, depicti...

Contemporary tiger painting in acrylic on Fabriano paper featuring a surreal repeating animal composition with strong decorative pattern and movement. This surreal tiger painting tra...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

Created by Ed Ruscha in 1988, Hell ½ Way Heaven is a color lithograph on Rives paper. Signed by the artist and numbered within the lithographic plate, the print is annotated 2/100 fr...

"One Cent Life" is a renowned art portfolio and artist's book that was published in 1964 by artist Walasse Ting in collaboration with artist Sam Francis. This unbound book is notable...

This vivid pink-and-mint impression of Ingrid Bergman as a nun from The Bells of St. Mary’s is one of the most visually charismatic and sought-after variants from Andy Warhol’s celeb...

Yellow Head. An excessively cropped variation on Jeff Kapfer's ongoing avian theme, this piece relies on a loud, simplistic contrast of primary colors to grab attention. The composit...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

American artist born in 1937, Peter Max is associated with the visual arts and culture of the 1960s, specifically with the psychedelic and pop art movements. Max is known for his use...

CHROMA (Rick Wolfryd) – Celebration Alteration Art Sculpture Huichol Glass Beadwork Celebration from HUICHOL ALTERATION SERIES is an ongoing collaborative body of work by Rick Wo...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's,...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian poster in perfect condition, ready to frame. This is the original first printing of the Museo Dell'Automobile Torino (Italy) Batman, Andy Warhol. 'Viaggio in Italia'. This poster features the artwork for Warhol’s unauthorised 1964 film “Batman Dracula”. Excellent condition. Certificate of Authenticity. Printed in Italy. The exhibition poster was for Nov. 30, 1996 - March 9, 1997. This BATMAN - Museo Dell'Automobile Torino is an Original Vintage Poster, not a reproduction. This poster is in excellent condition. This is an Original Lithograph Vintage Poster; it is not a reproduction. This is an Original Lithograph Vintage Poster; it is not a reproduction. Free Continental USA shipping included (saves $69 1st Dibs...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Grevy's Zebra, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 61/150 (there were also 30 AP's, 5 PP's, 5 ...

Scarce and coveted 1960s Pop Art print: Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching ...

Dollar Sign YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 29 cm Condition: Brand n...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Artist: Peter Max (1937) Title: Year 2250 II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 15.43 x 13.5 inches Condition: Excellent Inscription:...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Rare early 1980s exhibition catalogue published on the occasion of: “Expressive Painting After Picasso”- a group featuring works by: Pablo Picasso, Jean-Michel Basquiat, Francis Baco...

This piece depicts a colorful collage composition portrait of a Pin-up model from the 1950s, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 24 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

All Rights Reserved (Seafoam), a turquoise blue green artwork in the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have co...

Alexander CALDER Elephant and Rhinoceros, 1966 Lithograph Handsigned in pencil On Arches Vellum 38 x 28 cm (c. 15 x 11 in) Excellent condition, light text report on the lithograph ...

Takashi Murakami Sincerity to You, 2023 Offset lithograph Hand signed and numbered by Takashi Murakami. Edition of 300 71 cm diameter - Sheet size published by Kaikai Kiki Co. ...

This original 1972 poster by Alex Katz was created for an exhibition at Zabriskie Gallery, supporting the Passage of the Equal Rights Amendment (ERA). A striking example of Katz’s si...

This piece depicts famous British model Kate Moss. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its com...

First release exhibition poster by Caroil Summers published by LIST ART in 1967 for the Cultural Showcase. The silk-screen has creases throughout. Blind stamped in the lower left cor...

This green emoji portrait by Natasha Lelenco is painted with acrylic and Posca marker on a wood panel and presented in a hand-painted pink resin frame. The compact frontal face combi...

Robert Rauschenberg I Love New York, 2001 (LARGE) Plate signed on the front Offset lithograph on high quality wove paper 39.25" x 25 inches (This ships rolled in a tube measuring 37...

This David Hockney poster, titled Montcalm Interior at Seven O’Clock, is printed in Bradford, West Yorkshire, England on a high-quality coated heavy stock paper. The work captures Ho...

Offset lithograph promotional card Hand signed in black marker on the front Provenance: Estate of artist Joseph O'Sickey This elegantly scaled promotional card, which is, exceptional...

Kenny Scharf Boys and Girls, 2023 Archival pigment print on 290 gsm Entrada Rag paper Signed dated and numbered 16/100 in graphite pencil on the front 15 × 38 inches Unframed In 202...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of ...

Pastel candy mosaic wall sculpture composed of hand modeled clay forms arranged in a dense contemporary relief with playful sculptural texture. This contemporary clay relief transfo...

Takashi Murakami - KANSEI: KORIN RED STREAM Date of creation: 2010 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 39/300 Size: 71 cm Ø C...

Limited Edition Artist's Book with Offset Lithographs. Autographed and numbered by Jean-Michel Basquiat Hand signed and numbered 542/1000 by Basquiat in ink Published by Bruno Bischo...

FLOWER BALL - BURNING BLOOD Date of creation: 2018 Medium: Offset lithograph with silver and high gloss varnishing on paper Edition number: 30/300 Size: 71 cm Ø Condition: In mint co...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

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A bright harvest moon illuminates the edges of gray and blue clouds, casting its glow over a small house with an orange door. Birch trees in autumn colors sta...

Offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and highly collectible. This work reflects Warhol's fascination with the in...

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Offset lithograph from a portfolio of six prints published by the Museum of Modern Art, now long out of print. This work captures Johns' iconic Flag motif, one of the most celebrated...

Cape Cod Still Life II reflects Roy Lichtenstein's exploration of everyday objects reimagined through the bold, graphic language of Pop Art. Published in 1994 by Te Neues Publishing ...

Murakami Flowers Skate Deck A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own Leg, MC...

A bold and vibrant reproduction of Andy Warhol’s iconic 1964 Flowers series, this striking artwork is printed on heavy art paper, showcasing the enduring brilliance of Pop Art. The c...

James Rizzi Four Seasons (Illustrated Book, Pop Art, 3D Art, Urban Art, New York Artist, Contemporary Art) Handsigned and numbered illustrated book Year: 1988 Size: 12×11.6×0.6in Edition: 965 Signed, numbered by hand Publisher: John Szoke Graphics, Inc. - NYC, USA Printed by: Arnoldo Mondadori Editori, Italy COA provided Ref.: 924802-1932 *the "Four Seasons: Spring" print is missing and not included Tags: James Rizzi, Pop art, 3D art, Urban art, New York artist, Contemporary art, Colorful art, Whimsical art, Cityscape art, Silkscreen prints, 20th-century artist, Three-dimensional paintings, Graphic art, American artist, Happy Rizzi House, 3D constructions, Animated art, Street art, Manhattan art, Graphic artist, International artist, Iconic pop artist, Playful art, Pop culture art, Childlike art...