1939 Etching

Irwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camara...

Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed

Heidelberg. It is an original color etching by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It

Fleet Street, London Soft ground etching & aquatint, c. 1936 Signed in pencil by the artist (see

print has it all: sleeping field workers (a couple?), a distant vista, a skilled etching technique, and

and that of Palestine to which he also traveled frequently. This etching is 11 3/4 x 9 1/4 inches

"Le Pacte", Paris: Editions Forcade, 1930. In Gold Leaf Frame. Original etching printed in black

East River View of N.Y. Etching, 1934 Signed, dated and titled in pencil by the artist From a very

Hand-signed and numbered in pencil, 14/30. Engraved at Marcoussus' studio and printed by Lacouriere, Paris. Co-published by Pierre Loeb, Paris and Pierre Matisse, New York. Literatu...

A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition

Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published

Sloan was so fond of this composition that he made a painting after the etching ten years after its

James Allen, 'Spiderboy', 1937, etching, edition 40, Ryan 86. Signed in pencil. A superb, richly

Year: 1933 Medium: Original Etching on Montval laid paper Limited edition: 260, (there was also an

highly valued during the later stages of the etching revival in the early 20th century. He was awarded an

Reclining Nudes / Deux Nus Allonges, 1930 Technique: Original Hand Signed and Numbered Etching with

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark

James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169

' circles. Daniel in the Lions' Den is an etching, signed and titled in pencil.

a gentler, more empathetic manner. And of course the medium of etching makes that connection too

Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint

Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower

Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed

John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a

In The Garden by Feld is a rare 1938 original signed art nouveau etching published in France on

Leon Bibel, 'Food Not Cannon', etching, 1937, edition 12 (an early state, probably unique). Signed

ROI GEORGE PARTRIDGE (1888 - 1984) ALAMANDA. 1937-42 (White 242), Etching edition 27, Signed In

untitled (Fishing Boats, Normandy) Soft Ground Etching, 1930 Signed and dated in pencil by the

Hand Signed. Edition of 42 prints.Original Prints. Catalogue Prouté 1975 n.265. Image Dimensions : 19.5x27 cm This artwork is shipped from Italy. Under existing legislation, any art...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a

texte etchings and 17 in texte. Very Good conditions. "La Maison Tellier" is a story written by Guy

General Washington Saying Farewell to His Officers in Fraunces Tavern, New York This etching

The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125

The Great Church, Nashville Etching & aquatint, c. 1936 Signed in pencil lower right A very rare

Triste Os (Sad Bones) Color etching and aquatint on Montval laid paper, 1934 Monogrammed and dated

A rare etching, extensively hand-coloured in red ink by the artist, 1934, on wide margin Montval

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14

the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inches (181 x 303 mm

London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. ...

, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He

Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle

Flipping through a few pages of " Il Selvaggio, no.3-4- 1936 ", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and sciences", we find, in the...

Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full

printmaking, experimenting with multiple processes including etching, aquatint, engraving and drypoint. A

This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students League in 1934. With Harry Sternbe...

Stanley William Hayter Torero (de-accessioned from the Denver Art Museum), 1929-1933 Engraving on laid paper, third (final) state, on heavy BFK Rives off-white wove paper Signed, tit...

Hand colored, Copperplate Etching on Paper Image size: 9.5 x 9 in Frame size: 23.25 x 22.25 in

This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority. It is signed, dated, and annotated 'Etch.' in pencil.

in the plate; printed by Peter Platt and/or Henry E. Carling; etching on laid paper with eagle

Black and white original artist proof etching by the well known Russian/American artist Nahum