1939 Etching

Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching

The Barker Etching, 1931 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left

Gerald Leslie Brockhurst (1890-1978), James McBey, etching, 1931, signed in pencil lower right

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

blindstamped, l.l.; Initialed in plate, l.r. Etching (Edition of 35) 18 x 14.5 inches, sheet

Landeck, Armin (American 1905-1984). YORK AVENUE TENEMENTS. Kraeft 74. Etching, 1938. Ed. 100

ARTIST: Salvador Dali TITLE: La Femme Visible MEDIUM: original Heliogravure - Etching in the

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and

Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition

Soyer, Raphael. FURNISHED ROOM. Etching, 1937 (Cole 48). Edition of 25 or fewer, signed and titled

Etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in Lausanne, in 1930. On

GEORGES ROUAULT (1871 – 1958) La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932

Etching, 1937. Signed by the artist and dated in pencil lower right margin. A scarce etching by

John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100

untitled (Shoeing the Mule, Charleston, South Carolina) Etching, c. 1930 Signed by the artist in

Rustic Beauford S.C. Etching and drypoint on Vidalon paper, c. 1930's Created during the artist's

Soyer, Raphael. PASSER-BY. Etching, 1935 (Cole 40,). 9 5/16 x 6 7/8 inches; 237 x 175 mm. Edition

Marsh, Reginald. SUBWAY - THREE PEOPLE. S. 149. Etching, 1934. 9 x 7 inches; 228 x 178 mm

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

- etching on Montval laid - with Vollard watermark paper - Number 34 from the Suite Vollard

-Colours (ARWS 1932, RWS 1939). His etchings are represented in numerous public collections, including the

Classic etching of Provence by French artist E. Roux-Fabre, circa 1930. Original artwork on paper

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Martin Lewis Which Way?, 1932 Signed lower right Aquatint etching on pale blue paper Plate 10 1/4 x

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed

but the image leaves about an inch inches between the edge of the etching and the plate. The plate is

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and

Potin. Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) Very good condition

first edition of "Mimes des Courtisanes de Lucien" by Pierre Louys, 1934/35. Etching and aquatint On

Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed

This etching is signed and numbered by the artist and was printed in an edition of 50. The

John Sloan (1871-1951), Nude on Stairs, etching, 1930, signed in pencil lower right margin, titled

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A

Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and

Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Eaux-fortes Pour Alcools de Guillame Apollinaire: Nuit Rhenane," 1934. Original etching signed in

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Reginald Marsh (1898-1954), Merry-Go-Round, etching, 1930, signed in pencil lower right and

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition