Antique Etching Signed

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx

allegorical compositions. He has auction results over $21,500. this is a rare pencil signed etching as even

Jacques Villon (1875-1963), La Parisienne, (tournee a gauche, petite planche), 1904, etching

Emil Orlik (1870-1932), Market in Grodek, etching and aquatint, 1898, signed in pencil lower right

Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left

Soirée d'été (Summer Evening) Etching & drypoint, 1881 Signed and dated in the plate lower left

Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and

Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed

Alphonse Legros (1837-1921), Les Moissonneurs (The Reapers), etching, c. 1890, signed in pencil

William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c

A superb, richly-inked impression of this etching. Edition of 150. Signed in pencil, lower left.

James Abbott McNeill Whistler (1834-1903), DRURY LANE, etching, 1880-81, signed with the butterfly

Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil

Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in

Jerome Myers (1867-1940), Children in Mulberry Street, c. 1910, soft ground etching and plate tone

Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab

Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known

Camille Pissarro (1831-1903), etching, 1889, signed, titled and inscribed “No. 6 Epreuve de

Hermine David (1886-1970), Marechal Ferrant (The Blacksmith), etching and drypoint, signed in

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed

7th Avenue Canyon Etching, 1927 Signed and titled in pencil by the artist (see photo) Depicts what

Femme assise Etching with drypoint, c. 1920 Signed in pencil lower left publisher stamp lower right

This original etching is hand signed in pencil by the artist "G Braque" at the lower right margin

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs

Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed

Alphonse Legros (1837-1911), Un Charron (The Wheelwright), etching, c. 1890, signed in pencil lower

; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x

Phrosine and Mélidore Etching, 1879 Signed in the polate lower left of image This etching is after

7.8 in. Additional Information: This etching is hand signed in by the artist in pencil "Jacques

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the

Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and

roulette and etching, 1924, signed in pencil lower left, numbered and inscribed “imp” lower right, titled

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil

Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the

Au bord de la mer (At the Sea Side) Etching and drypoint, 1880 Signed in the plate middle left edge

Max Beckmann, Spring (Fruling) (also known as Street in Frankfort), etching and drypoint, 1918

The Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25

Arthur B. Davies (1862-1928), Tartessians, soft ground etching with aquatint, 1919-20, signed in

Berthe Etching with drypoint, 1883 Signed in the plate (see photo) This etching was inspired by an

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1

John Sloan (1871-1954) etching, James B. Moore, Esq., signed in pencil lower right and inscribed

, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the plate, lower left

James Whistler (1834-1903), The Beggars, etching and drypoint, 1879-80, signed with the butterfly

Original etching by Giorgio Morandi. Hand signed lower right and hand numbered lower left. Edition

Eastman School of Art. He worked in New York State and in Texas. The etching Harlem River is signed and

J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and