Antique Print Etching

Medium: etching (after the painting). Etched by French artist Henri Lefort after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Est...

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting).

Printed on laid paper and published in Boston in 1880 by Estes & Lauriat.

Medium: original etching and drypoint. This impression on on cream wove paper was printed in 1889.

Medium: etching. Etched by Adrien Didier after the figure by Michelangelo in the Sistine Chapel known as The Libyan Sibyl.

Medium: original etching. Catalogue reference: Klipstein 10. A very rich impression on cream wove paper of this Kollwitz etching, with plate tone.

Medium: original etching. Printed on laid paper by Cadart and published in Paris by Gazette des Beaux Arts in 1876.

Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. ...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers".

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers".

SOLD UNFRAMED Les pêcheurs de Concarneau by Georges Manzana Pissarro (1871 - 1961) Etching 22.5 x 17.7 cm (8 ⁷/₈ x 7 inches) Inscribed and dated lower left, and signed lower right...

Medium: original etching. François Nicolas Augustin Feyen was known as Auguste Feyen-Perrin.

Medium: original etching. This impression on cream laid paper was printed in 1880 and published by the American Art Review.

Medium: original etching. Catalogue reference: Schneider 113. Executed in 1885; this is a fine, dark impression with full original margins on watermarked laid paper from "The Portfol...

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting).

Dutch optical print with illumination, Amsterdam 18th century Illumination optics prints etching, hand-coloured by Jan de Beijer (1703-1780).

A good impression printed by Charles Wittmann on chine-collé paper, with a platemark (not shown here in this photo); the image measures 6 1/2 x 5 3/8 inches (165 x 138 mm).

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst.

The frame size is H 8.6 × W 10.8 in / H 22 × W 27.5 cm. The print is set in an early 20th-century gilded frame, which complements the age and character of the etching beautifully.

Medium: etching. Etched by E. Bolvin after Jean-Francois Millet and published in 1890 in an edition of 200.

Medium: original etching. Printed on laid paper and published in 1881 by the American Art Review.

Medium: etching (after the painting). Etched by a French engraver after the Millet painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gr...

Medium: etching (after the painting). Etched by Charles Courtry after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Grave...

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers.

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, w...

Medium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts.

Medium: etching (after the painting). Etched by Charles Albert Waltner after Van Dyck.

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200.

Medium: original etching. Signed in pencil by Rudolf Grossmann and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Maree...

Medium: original etching and drypoint. Printed 1921 at the Munich atelier of Franz Hanfstaengle for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published ...

Image Dimensions : 22 x 16 cm. Hand signed. Passepartout included : 49 x 34 cm Edgar Chahine was a French painter, engraver and illustrator.

Medium: original etching. This is a rich, dark impression on laid paper with full original margins, printed by A.

Medium: etching (etched by Felix Bracquemond after Ingres).

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P.

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: original etching. Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in Wien" portfolio.

Medium: original etching. This impression was printed on laid paper and published in 1887 by the New York Etching Club.

Jan Gillisz van Vliet (1605–1668) was a Dutch Golden Age artist and student of Rembrandt. He worked with Rembrandt between 1628 and 1637, inspired by his master's work. Like Rembrand...

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts. A lovely impression in brown ink on laid paper. Plate size: 4 x 5 7/8...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200.

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris for the Revue de l'art ancien et moderne.

Medium: etching (after the painting). Etched by Charles Courtry after Carolus Duran.

Medium: original etching. This impression was published in 1880 by the American Art Review.

Medium: original etching. Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525.

Medium: original etching and aquatint. Catalogue reference: Sanchez and Seydoux 1904-19.

Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: etching. Etched by Paul Edme Le Rat after Mino da Fiesole.

Medium: original etching. This impression on laid paper was printed in 1909 and published in Paris for the Revue de l'art ancien et moderne.

Medium: etching (etched by Theophile Narcisse Chauvel after the Wilhelm von Gegerfelt painting).

Medium: original etching. This impression on laid paper was printed in 1910 and published in Paris by the Revue de l'Art ancien et moderne.

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting).

Medium: original etching. This original Max Liebermann etching was published in Paris in 1901 by Gazette des Beaux-Arts (reference number Sanchez & Seydoux 1901-13). A good impre...

This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R.

Medium: original etching. Catalogue reference Delteil 126. This impression on cream laid paper is from the edition printed in 1884 for the "French Etchers" portfolio and published in...