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Marino Marini, The Rite of Spring, from XXe Siecle, 1973
Marino Marini, The Rite of Spring, from XXe Siecle, 1973

Marino Marini, The Rite of Spring, from XXe Siecle, 1973

By Marino Marini

Located in Southampton, NY

Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the

Category

1970s Modern Abstract Prints

Materials

Lithograph

Max Ernst, A Song of Love, from XXe Siecle, 1958
Max Ernst, A Song of Love, from XXe Siecle, 1958

Max Ernst, A Song of Love, from XXe Siecle, 1958

By Max Ernst

Located in Southampton, NY

Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic

Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Zao Wou-Ki, Untitled, from XXe Siecle, 1971
Zao Wou-Ki, Untitled, from XXe Siecle, 1971

Zao Wou-Ki, Untitled, from XXe Siecle, 1971

By Zao Wou-Ki

Located in Southampton, NY

Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic

Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Untitled, from XXe Siecle, 1971
Alexander Calder, Untitled, from XXe Siecle, 1971

Alexander Calder, Untitled, from XXe Siecle, 1971

By Alexander Calder

Located in Southampton, NY

Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the

Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Hans Hartung, Untitled, from XXe Siecle, 1973
Hans Hartung, Untitled, from XXe Siecle, 1973

Hans Hartung, Untitled, from XXe Siecle, 1973

By Hans Hartung

Located in Southampton, NY

, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work

Category

1970s Modern Abstract Prints

Materials

Lithograph

Max Ernst, Bird, from XXe Siecle, 1958 (after)
Max Ernst, Bird, from XXe Siecle, 1958 (after)

Max Ernst, Bird, from XXe Siecle, 1958 (after)

By Max Ernst

Located in Southampton, NY

between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, no. 14, showcased Daphnis et Chloe

Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Pierre Soulages, Untitled, from XXe Siecle, 1956
Pierre Soulages, Untitled, from XXe Siecle, 1956

Pierre Soulages, Untitled, from XXe Siecle, 1956

By Pierre Soulages

Located in Southampton, NY

serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects

Category

1950s Modern Abstract Prints

Materials

Lithograph

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Daphnis Et Chloe For Sale on 1stDibs

On 1stDibs, you can find the most appropriate daphnis et chloe for your needs in our varied inventory. There are many Expressionist, Abstract and Surrealist versions of these works for sale. Finding the perfect daphnis et chloe may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 20th Century. Adding a daphnis et chloe to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, blue, brown, pink and more. A daphnis et chloe from Marc Chagall, Pierre Bonnard and André Masson — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in lithograph, aquatint and etching — can elevate any room of your home.

How Much is a Daphnis Et Chloe?

The price for a daphnis et chloe in our collection starts at $796 and tops out at $6,500 with the average selling for $1,166.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.