Etching Press Used

etching press. The images are taken from historical illustrations of birds, and some of Jewell’s own

-printed using oil-based ink and an etching press. The patterned feathers are made by printing the natural

Each feather here is hand-printed using oil-based ink and an etching press. The images are taken

wood frame. Each feather here is hand-printed using oil-based ink and an etching press. The images are

and Anthropology in Cambridge. Each feather here is hand-printed using oil-based ink and an etching

Hand printed and coloured dove, duck and chicken feathers on archival mount board. Trained first as an anthropologist, then as an artist, Rebecca Jewell has always worked out of two...

etching press. The pressure of the press forces the paper into the incised lines or grooves picking up the

etching press. The pressure of the press forces the paper into the incised lines or grooves picking up the

plate would be placed on the etching press and a piece of hand made damp paper will be placed on top of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

etching press. The pressure of the press forces the paper into the incised lines or grooves picking up the

etching press. The pressure of the press forces the paper into the incised lines or grooves picking up the

etching press. The pressure of the press forces the paper into the incised lines or grooves picking up the

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

signature curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

signature curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

curvy, organic forms. Created from numerous runs through an etching press, the patterns and pastel

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

etching press multiple times to make for a very interesting, deep and varied surface.

pulled through the etching press, under extreme pressure, the etching ink is printed onto the inkjet

sourced moulted white Dove feathers using oil-based ink and an etching press. The feathers are mounted

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

plate's surface. Once this is accomplished the plate would be placed on the etching press and a piece of

Section. He cuts these letters out of mylar, places them on a plate, inks and runs them through an etching

letters out of mylar, places them on a plate, inks and runs them through an etching press - transferring

through an etching press - transferring the information from plate to paper. By using mirrored images and

. He cuts these letters out of mylar, places them on a plate, inks and runs them through an etching

Section. He cuts these letters out of mylar, places them on a plate, inks and runs them through an etching

plate would be placed on the etching press and a piece of hand made damp paper will be placed on top of

plate would be placed on the etching press and a piece of hand made damp paper will be placed on top of

plate would be placed on the etching press and a piece of hand made damp paper will be placed on top of

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

placed on the etching press and a piece of hand made damp paper will be placed on top of it to be run

, inks and runs them through an etching press - transferring the information from plate to paper. By

, places them on a plate, inks and runs them through an etching press - transferring the information from

, inks and runs them through an etching press - transferring the information from plate to paper. By

Section. He cuts these letters out of mylar, places them on a plate, inks and runs them through an etching

, inks and runs them through an etching press - transferring the information from plate to paper. By

mylar, places them on a plate, inks and runs them through an etching press - transferring the

were trimmed and then mounted to a heavier white paper with the aid of an etching press, again using

a copper plate that was then ran through an etching press together with a piece of canvas on top

paired with a passion for handling tactile materials and the joys of working with an etching press. A

paired with a passion for handling tactile materials and the joys of working with an etching press. A

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Modern and bold abstract geometric composition of Mayan sculpture Chac Mool in sky blue by Marilyn Kruger (American, 20th Century). Numbered, titled, and signed ("1/5 Chac #2 Mar...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 40 (Plate No. 40), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 116, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...