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Hiroshige Triptych

Ando Hiroshige & Tokoyuni Kunisada Prince Genji in Exile at Suma Oban Triptych
Ando Hiroshige & Tokoyuni Kunisada Prince Genji in Exile at Suma Oban Triptych

Ando Hiroshige & Tokoyuni Kunisada Prince Genji in Exile at Suma Oban Triptych

By Utagawa Hiroshige (Ando Hiroshige)

Located in Studio City, CA

Stunning and rare, this beautiful and panoramic Japanese woodblock triptych print was produced in the 1850s in a now famed collaboration between renowned artists Utagawa (Ando) Hiros...

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Antique 1850s Japanese Edo Prints

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Utagawa Hiroshige (Ando Hiroshige) for sale on 1stDibs

Born in Edo as Tokutaro Ando, Utagawa Hiroshige (also known as Andō Hiroshige) grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. 

Though Hiroshige tried to join Utagawa Toyokuni's studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Utagawa Toyohiro. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832.

In Hiroshige's groundbreaking series of Japanese woodblock prints, The “53 Stations of the Tokaido” (1832–33), he captured the journey along the Tokaido road, the highway connecting Edo to Kyoto, the imperial capital. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic.

Original Hiroshige woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige's prints from the famous series, “100 Famous Views of Edo” in oil paint.

Find original Utagawa Hiroshige prints and other art for sale on 1stDibs.

(Biography provided by Robert Azensky Fine Art)

A Close Look at Edo Furniture

Edo furniture was created during a flourishing time for the decorative arts owing to the stability of the Tokugawa shogunate rule in Japan. Spanning from 1603 to 1867, this era of peace and economic growth supported artistic advancements in lacquer, woodblock printing, porcelain and other artisanal trades. Because the country was largely isolated, there was little outside influence, leading to centuries of exceptional attention to the design of its furnishings and the quality of its traditional arts.

Unlike during the Meiji period that followed, with an increase in domestic and international markets, furniture during the Edo period was predominately commissioned by the ruling class, although people from across social groups benefited from the burgeoning metropolitan hubs for artisanal trades. For instance, Kyoto became a major center for lacquer art. Most furniture pieces were made from wood such as cedar or ash, including the era’s sashimono cabinets, which involved fine joinery and were rooted in the Heian period.

Sashimono cabinets, which were built by master craftsmen in a range of different wood types owing to the various trees that populate Japan, occasionally featured a stack of slender drawers as well as sliding doors. They were popular with everyone from samurai to kabuki actors. Tansu storage chests crafted from wood with metal fittings were also common in Edo-period homes. Some were designed to be easily portable while others were made to double as staircases.

Painted folding screens, called byōbu, were also fashionable, with Japanese artists inspired by nature, literature and scenes of history and daily life to create vivid works. In Buddhist temples and the palatial homes of the aristocratic class, fusuma, or large sliding panels, would sometimes be adorned with gold or silver leaf. These dividers allowed interiors to change throughout the day, closing in small spaces for personal use or reflecting candlelight to illuminate communal spaces after dark.

Find a collection of Edo tables, lighting, decorative objects, wall decorations and more furniture on 1stDibs.

Finding the Right Asian Art And Furniture for You

From Japanese handmade earthenware pottery, originating circa 14,500 B.C. and adorned with elaborate corded patterns known as jōmon, to natural elm case pieces and storage cabinets built in Qing dynasty–era China to mid-century Thai rice-paper charcoal rubbings, antique and vintage Asian art and furniture make for wonderful additions to all kinds of contemporary interiors.

Eastern elements elevate any home’s decor. Introduce zen sensibility to your living room, dining room and bedroom with the neutral color palettes and the natural materials such as rattan, bamboo and elm that we typically associate with traditional Asian furniture. Decorative handwoven embroideries and textiles originating from India and elsewhere on the continent, which can be draped over a bed or sofa or used as a wall hanging, can be as practical as they are functional, just as you wouldn’t seek out Japanese room-divider screens — often decorated with paintings but constructed to be lightweight and mobile — merely for privacy.

With everything from blanket chests to lighting fixtures to sculptures and carvings, it’s easy to tastefully bring serenity to your living space by looking to the treasures for which the East has long been known.

For British-born furniture designer Andrianna Shamaris, the Japanese concept of beauty in imperfection isn’t limited to her Wabi Sabi collection. She embraces it in her New York City apartment as well. In the living area, for instance, she retained the fireplace’s original black marble while swathing its frame and the rest of the room in bright white.

“We left the fireplace very clean and wabi-sabi, so that it blended into the wall,” says Shamaris, who further appointed the space with a hand-carved antique daybed whose plush pillows are upholstered in antique textiles from the Indonesian island of Sumba.

In the growing antique and vintage Asian art and furniture collection on 1stDibs, find ceramics from China, antiquities from Cambodia and a vast range of tables, seating, dining chairs and other items from Japan, India and other countries.