Hudson

Figurative, still life pastel drawing of colorful flowers on a background of vintage book pages 'The Visioning' by Louise Laplante in 2026 pastel on collaged vintage book pages 32.75...

Academic style figurative portrait painting of a handsome young men "After the Game", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, a...

A pair of antique alabaster pendant lights with vintage bronze hardware. French, circa 1920. Fully rewired/restored. Each pendant measures 12 inches wide x 20 inches drop height....

Circa 1900, this elegant two-panel screen depicts a white peacock displaying its magnificent plumage before a white peahen, capturing a quiet moment of courtship. Executed in mineral...

Antique alabaster pendant light fixture with custom handmade silk-wrapped hanging cord and original bronze fittings. France, circa 1920. Fixture has been rewired and restored for ...

A set of 60 pieces of porcelain dinnerware in the Herend Rothschild Queen Victoria pattern with Green border. Vintage; the pieces in this set were produced between 1950 to 1980. All...

'Golden' painted by Hudson Valley artist, Jenny Nelson, in 2025 Oil on canvas 30 x 30 inches with white painted sides, unframed Excellent condition, ready to hang Signed, verso T...

Gestural abstract painting on paper with gold metallic powders and cobalt blue, pastel green, and rust colored enamel paint "New Looking Methods", made in 2022 by Hudson Valley paint...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

Oil on canvas 60 x 48 inches This large vertical painting of an expansive pastoral landscape was created by artist Leigh Palmer a few years after his move to the Hudson River Valley...

Gestural abstract painting on paper with gold metallic powders and peach, blue, green and yellow colored enamel paint "Beyond Mind and Matter", made in 2022 by Hudson Valley painter,...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

Circa 1935, this tranquil two-panel screen by Kyoto painter Oyabu Shunkō (born 1901) captures the quiet emergence of early spring through a grove of slender birch trees. Delicate blo...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Landscape with summer flowers and waterfall with a family of pheasants. Mineral pigments and gold dust on gold leaf with silk brocade boarder and black lacquer trim with bronze hardw...

Golden Sail 12, Study (Sepia Toned Oil Painting of Sailing Ship and Figure) by Robert Goldstrom 10 x 8 inches, oil on cradled panel This original, contemporary oil painting by Rober...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

A set of 8 (eight) place settings in the Spectator black pattern by Ralph Lauren Home Collection. Porcelain. Signed, circa 1995-1996. This pattern is currently out of production. ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract painting on canvas in an bright, earthy blue and green palette "Orchard", made in 2010 oil on board 33.5 x 32 inches 35 x 33 x 2 inches with a natural maple floater frame S...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Eames Molded Plywood Dining Chair Wood Base (DCW) in Red stained Ash The Eames Molded Plywood Dining Chair (1946) began as an experiment in Charles and Ray Eameses’ apartment and be...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

A snowy bamboo and flowering plum tree and pheasant flowing into a spring landscape of spring flowers and waterfowl. Mineral pigments and gold dust on gold leaf with silk brocade bor...

A set of 60 pieces in the Herend Rothschild Bird pattern porcelain dinnerware. Vintage; the pieces in this set were produced between 1950 to 1980. All marked. Hand painted and craft...

Dating to circa 1880, this Japanese two-panel screen presents an idealized mountain landscape inspired by the classical Chinese painting tradition, a style long embraced by Japanese ...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

Vintage pair of Brutalist Ilana Goor style iron and leather side chairs with beautiful patina. Red painted over black frames with each color coming through in different areas (See ph...

Olana-inspired Middle Eastern shape / Custom cream linen shade / Raw brass metal finish / Twisted gold silk cord Note : Height cannot be adjusted. Quantity : (1) Materials : Raw ...

A set of 8 (eight) place settings (40 total pieces) in the signature Casablanca pattern by Christian Dior. Features a white, gold and multicolor pattern with panther and palm tree motifs throughout, gilt accents throughout and brand stamp at undersides. Includes the following 40 pieces: 8 dinner plates...

"Assemblage" pendant comprised of various antique brass parts / Unique double milk glass shades / Hand-rubbed dark antique brass finish Quantity : (1) Materials : Milk Glass / Bras...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

36 available. Elegant grey framed school chairs with bent birch plywood seats and backs. These are vintage midcentury school chairs th...

Contemporary landscape oil painting reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Highly romantic (yet modern) Hudson River oil landsca...

Large, brightly colored abstract geometric painting in various shades of red, pink, and with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #9" made by Hud...

We have approximately 35 of these available. They are priced per chair. Clean and elegant stool made of flexing steel to offer surprising comfort. Shaped se...

THIS LISTING IS FOR A SET OF 4 Knoll Brno chair designed by Mies Van der Rohe. These chairs are upholstered in Knoll's Cato upholstery. Color is 'natural'- which reads as a pale oat...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

A 12 piece dinnerware set in the Farmstead blue and white pattern by Ralph Lauren Home collection. Signed. Ironstone. Made in England; cir...

A vintage milk glass and brass hanging light fixture. Features a vintage glass shade suspended from a custom brass rod frame. Shade is vintage; circa 1940. Brass hanging frame may ...

Tulip coffee table by Saarinen for Knoll. USA, cira 1960 to 1970. Signed with early Knoll red/white label. Features a 36 inch round top in matte white laminate with matte white...

A set of 4 (four) place settings in the academy platinum pattern by Ralph Lauren Home collection. Bone china. Signed. Imported, production period 1995-2002. Features a platinum/silv...

Exceptional pair of solid wood dressers designed by Michael Taylor for the very collectable "Far East Collection" by Baker Furniture. This pair has been expertly refinished by Columbia County's premier woodworker Michael Gregorio. This finish shows the action or the original wood which appears to be elm. The double ring door pulls which are the Michael Taylor signature complete the look. The design of these dressers are the definition of style meets function.Although elegantly styled- the pieces are solid and very usable. We are offering the pair in this listing as well as a second pair which you can find in our other listings. We also have available the companion "vanity" piece which can be added between any of the pieces as shown in the last few photographs. All dressers...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

Tiffany Pond Lily Table Lamp No.23T $5,200.00 Tiffany Pond Lily stained glass shade / Combination of finely detailed antique brass lighting parts / Antique gilded wood base / Brown s...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Sunsets on the Hudson (Abstract Painting in Blue, Pink and Metallic Gold), 2019 by Bruce Murphy 38 x 42 inches, unframed, enamel paint on archival paper Signed, verso This gestural ...

The Monopoly game set designed by Michael Graves (b. 1934 Indianapolis, IN - 2015 Princeton, NJ) for Parker Brothers. Circa 2002. Signed with Graves' signature incised in small metal disk on underside. Features a cherry-finished wood box that opens up to a game board, with a built-in, pull-out drawer contaning original game pieces and accessories including 6 polished metal game tokens, 2 dice, classic Monopoly money, Chance and Community card sets, and also two velour drawstring bags to hold houses and hotels. Dimensions of board: ??Closed: 16 inches L x 8 inches D x 3.5 inches H / Open: 16 inches L x 16 inches D x 3 inches H Notes from the Archive: ?American architect, Michael Graves' legacy includes designing over 350 buildings, and 2000 products. The Michael Graves Design brand at Target was the first example of an architect/designer having his own consumer brand of products. This collection transformed the retailer from a discount store to a design destination. It was Graves' own idea to design new versions of classic games beginning with a chess set in 2000 with inspiration from the famous Bauhaus Chess Set...

Set of 6 1940's French oak dining chairs with "X" form back and woven seat and back detail. Classic rustic style with solid wooden frames and decorative carved details on legs and ap...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...

"Workstation 16", 2023 (Gestural, Abstract Expressionist Painting on Canvas Paper with energetic line and vivid color) by Jenny Nelson 24 x 18 inches Unframed Oil on canvas paper T...

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

Barn with Birds, 2018 pigment print on watercolor paper, signed dated and numbered on face 13" X 16 1/4" edition #4/25 $1,500.00 21 x 27 inches framed - $1650 This Black and White ...

Yorik (Skull and Orb Vanitas Still Life Oil Painting in Cool Colors) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATU...

Chrome and black canvas stool / ottoman by Jerry Johnson, USA, circa 1970. This ottoman goes with the matching Jerry Johnson armchair (not included).