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OLD WESTMINSTER BRIDGE
OLD WESTMINSTER BRIDGE

OLD WESTMINSTER BRIDGE

By James Abbott McNeill Whistler

Located in Portland, ME

Whistler, James A. M. OLD WESTMINSTER BRIDGE. Etching and Drypoint, 1859. Glascow 47,Kennedy 39

Category

1850s Landscape Prints

Materials

Etching

THE RAG GATHERERS
THE RAG GATHERERS

THE RAG GATHERERS

By James Abbott McNeill Whistler

Located in Santa Monica, CA

JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23

Category

1850s Impressionist Interior Prints

Materials

Etching

SAN BIAGIO

SAN BIAGIO

By James Abbott McNeill Whistler

Located in Portland, ME

Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163

Category

1880s Landscape Prints

Materials

Drypoint, Etching

READING BY LAMPLIGHT

READING BY LAMPLIGHT

By James Abbott McNeill Whistler

Located in Portland, ME

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32

Category

1850s Portrait Prints

Materials

Drypoint, Etching

Limehouse

Limehouse

By James Abbott McNeill Whistler

Located in New York, NY

James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state

Category

1850s Realist Landscape Prints

Materials

Etching

Venus

Venus

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper

Category

1850s Impressionist Nude Prints

Materials

Drypoint, Etching

The Little Mast

The Little Mast

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in

Category

1870s Impressionist Landscape Prints

Materials

Etching

The Mill, Amsterdam, 1889

The Mill, Amsterdam, 1889

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the

Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

Bridge, Amsterdam

Bridge, Amsterdam

By James Abbott McNeill Whistler

Located in New York, NY

James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin

Category

1880s Impressionist Landscape Prints

Materials

Etching

Becquet
Becquet

Becquet

By James Abbott McNeill Whistler

Located in Plano, TX

, Print Collector's Quarterly 1 (1911): 36; Salaman, Modern Masters of Etching: Whistler; Guichard

Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Drypoint, Etching

The Traghetto
The Traghetto

The Traghetto

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly

Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

Lagoon: Noon

Lagoon: Noon

By James Abbott McNeill Whistler

Located in New York, NY

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the

Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Bridge, Santa Maria

The Bridge, Santa Maria

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in

Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

Drury Lane
Drury Lane

Drury Lane

By James Abbott McNeill Whistler

Located in New York, NY

James Abbott McNeill Whistler (1834-1903), DRURY LANE, etching, 1880-81, signed with the butterfly

Category

Late 19th Century Realist Figurative Prints

Materials

Etching

J.H. Woods’ Fruit Shop, Chelsea

J.H. Woods’ Fruit Shop, Chelsea

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed

Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Beggars

The Beggars

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), The Beggars, etching and drypoint, 1879-80, signed with the butterfly

Category

1870s Impressionist Figurative Prints

Materials

Drypoint, Etching

Barges, Dordrecht
Barges, Dordrecht

Barges, Dordrecht

By James Abbott McNeill Whistler

Located in Fairlawn, OH

Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known

Category

19th Century Impressionist Landscape Prints

Materials

Etching

J. Becquet, Sculptor
J. Becquet, Sculptor

J. Becquet, Sculptor

By James Abbott McNeill Whistler

Located in Fairlawn, OH

, Kennedy 52 James Abbott McNeill Whistler (1834-1903) Born in Lowell, Massachusetts, James Whistler

Category

19th Century Impressionist Portrait Prints

Materials

Drypoint, Etching

Old Putney Bridge

Old Putney Bridge

By James Abbott McNeill Whistler

Located in New York, NY

James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a

Category

Late 19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

The Rialto
The Rialto

The Rialto

By James Abbott McNeill Whistler

Located in New York, NY

A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on

Category

Late 19th Century American Impressionist Landscape Prints

Materials

Drypoint, Etching

The Fair
The Fair

The Fair

By James Abbott McNeill Whistler

Located in Plano, TX

The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid pa...

Category

Late 19th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Billingsgate
Billingsgate

Billingsgate

By James Abbott McNeill Whistler

Located in Middletown, NY

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm

Category

Mid-19th Century Impressionist Landscape Prints

Materials

Laid Paper, Drypoint, Etching

NOCTURNE: PALACES

NOCTURNE: PALACES

By James Abbott McNeill Whistler (circle)

Located in Portland, ME

Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with

Category

1870s Landscape Prints

Materials

Drypoint, Etching

Modernist Nude — Atelier 17
Modernist Nude — Atelier 17

Modernist Nude — Atelier 17

Located in Myrtle Beach, SC

saw James McNeill Whistler’s etchings for the first time. He left for Europe in 1928 and studied for

Category

1930s American Modern Nude Prints

Materials

Etching

Bibi Valentin

Bibi Valentin

By James Abbott McNeill Whistler

Located in Wellesley, MA

, and France. James Whistler is known for figure, landscape, and portrait painting, etching. Born

Category

19th Century Impressionist Portrait Prints

Materials

Etching

The Unsafe Tenement

The Unsafe Tenement

By James Abbott McNeill Whistler

Located in Wellesley, MA

, France. James Whistler is known for figure, landscape, and portrait painting, etching. Born in

Category

19th Century Realist More Prints

Materials

Etching

Rotherhithe
Rotherhithe

Rotherhithe

By James Abbott McNeill Whistler

Located in Oakland, CA

. Etching and drypoint on laid watermarked paper. Published in "Sixteen Etchings of Scenes on the Thames

Materials

Alpaca, Drypoint, Etching

The Lime Burner

The Lime Burner

By James Abbott McNeill Whistler

Located in Wellesley, MA

$40. Born in Lowell, Massachusetts, James McNeill Whistler became one of the most influential late

Category

Late 19th Century American Realist Portrait Prints

Materials

Etching

Billingsgate - Etching by James Whistler - 1859
Billingsgate - Etching by James Whistler - 1859

Billingsgate - Etching by James Whistler - 1859

By James Abbott McNeill Whistler

Located in Roma, IT

Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.  Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...

Category

1850s Modern Figurative Prints

Materials

Etching

English Etching "The Thames Police" of Thames Set by J. Whistler, Early Restrike
English Etching "The Thames Police" of Thames Set by J. Whistler, Early Restrike

English Etching "The Thames Police" of Thames Set by J. Whistler, Early Restrike

By James Abbott McNeill Whistler

Located in Big Flats, NY

Raisonne: Kennedy 44) by James McNeill Whistler (American, 1834-1903) depicts London harbor dock scene with

Category

Antique 19th Century English Drawings

Materials

Paper

Thames Warehouses

Thames Warehouses

By James Abbott McNeill Whistler

Located in Santa Monica, CA

JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow

Category

1850s Impressionist Landscape Prints

Materials

Drypoint, Etching

Rotherhithe (Thames Set)
Rotherhithe (Thames Set)

Rotherhithe (Thames Set)

By James Abbott McNeill Whistler

Located in Saint Augustine, FL

An antique etching on heavy cream wove paper after American artist James Abbott McNeill Whistler

Category

1910s Impressionist Landscape Prints

Materials

Etching

WHEELWRIGHT
WHEELWRIGHT

WHEELWRIGHT

By James Abbott McNeill Whistler

Located in Santa Monica, CA

JAMES ABBOTT McNEILL WHISTLER (1834 – 1903) WHEELWRIGHT, 1880 (G.240 vi/ix

Category

1880s Impressionist More Prints

Materials

Etching

Nocturne: Furnace
Nocturne: Furnace

Nocturne: Furnace

By James Abbott McNeill Whistler

Located in Plano, TX

. Whistler made this etching during his trip to Venice during 1879-80, but it was not published until 1886

Category

19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

Little Arthur
Little Arthur

Little Arthur

By James Abbott McNeill Whistler

Located in Myrtle Beach, SC

French Set, 1858. Reference: Kennedy 9. On one impression Whistler identified the boy as Arthur Haden

Category

1850s Impressionist Portrait Prints

Materials

Etching, Drypoint

The Riva No. 2

The Riva No. 2

By James Abbott McNeill Whistler

Located in Fairlawn, OH

Signed in pencil with the butterfly, twice (recto and verso); Signed in the plate upper left Edition: 44 known impressions per Glasgow catalog raisonne. Annotated in pencil verso: ...

Category

1870s Landscape Prints

Materials

Etching

James Abbott McNeill Whistler Etching, 1959, "Eagle Wharf"
James Abbott McNeill Whistler Etching, 1959, "Eagle Wharf"

James Abbott McNeill Whistler Etching, 1959, "Eagle Wharf"

By James Abbott McNeill Whistler

Located in Phoenix, AZ

James Abbott McNeill Whistler, (1834-1903) Etching and drypoint. Signed in the plate lower center

Category

Antique Mid-19th Century Prints

Materials

Paper

Rotherhithe (Wapping) - Drypoint Etching
Rotherhithe (Wapping) - Drypoint Etching

Rotherhithe (Wapping) - Drypoint Etching

By James Abbott McNeill Whistler

Located in Soquel, CA

Etching from James A. M. Whistler's Thames Set ("A Series of Sixteen Etchings of Scenes on the

Category

Late 19th Century Impressionist Figurative Prints

Materials

Ink, Laid Paper, Drypoint

LIMEHOUSE
LIMEHOUSE

LIMEHOUSE

By James Abbott McNeill Whistler

Located in Portland, ME

Whistler, James A. M. LIMEHOUSE. Glascow 48 vi; Kennedy 40 iii. Etching, 1859. The final state

Category

1850s Landscape Prints

Materials

Etching

ALDERNEY STREET

ALDERNEY STREET

By James Abbott McNeill Whistler

Located in Portland, ME

Whistler, James A. M. ALDERNEY STREET. Glascow, 246, K.238, M236, W.196. Etching, 1881. The second

Category

1880s Landscape Prints

Materials

Etching

RAG GATHERERS
RAG GATHERERS

RAG GATHERERS

By James Abbott McNeill Whistler

Located in Santa Monica, CA

JAMES Abbott McNeill WHISTLER (1834-1903) THE RAG GATHERERS 1858 (K.23 v/v) Etching on laid

Category

1850s Impressionist Figurative Prints

Materials

Etching

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James Whistler Etching For Sale on 1stDibs

Surely you’ll find the exact james whistler etching you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Find Modern versions now, or shop for Modern creations for a more modern example of these cherished works. Finding the perfect james whistler etching may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 21st Century. When looking for the right james whistler etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige, gray, brown and black. These artworks were handmade with extraordinary care, with artists most often working in etching, drypoint and engraving.

How Much is a James Whistler Etching?

A james whistler etching can differ in price owing to various characteristics — the average selling price for items in our inventory is $4,667, while the lowest priced sells for $300 and the highest can go for as much as $125,000.

James Abbott McNeill Whistler for sale on 1stDibs

James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. Whistler was born on July 11, 1834, in Lowell. During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his French Set brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially, under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the etching revival, he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. In his Thames Set etchings, Whistler often introduced the figures of workmen, boatmen or loungers in the foregrounds. Whistler died on July 17, 1903, in London.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.