James Whistler Etching

, and France. James Whistler is known for figure, landscape, and portrait painting, etching. Born

, France. James Whistler is known for figure, landscape, and portrait painting, etching. Born in

. Etching and drypoint on laid watermarked paper. Published in "Sixteen Etchings of Scenes on the Thames

$40. Born in Lowell, Massachusetts, James McNeill Whistler became one of the most influential late

Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.  Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...

Raisonne: Kennedy 44) by James McNeill Whistler (American, 1834-1903) depicts London harbor dock scene with

James Abbott McNeil Whistler (American, 1834-1903), "Portrait of Drouet", Etching, 1859, signed and

JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow

An antique etching on heavy cream wove paper after American artist James Abbott McNeill Whistler

JAMES ABBOTT McNEILL WHISTLER (1834 – 1903) WHEELWRIGHT, 1880 (G.240 vi/ix

. Whistler made this etching during his trip to Venice during 1879-80, but it was not published until 1886

JAMES ABBOTT McNEILL WHISTLER (1834 – 1903) THE BEGGARS 1879-80 (Glasgow 190 x/xvii: K.194 ii

French Set, 1858. Reference: Kennedy 9. On one impression Whistler identified the boy as Arthur Haden

Signed in pencil with the butterfly, twice (recto and verso); Signed in the plate upper left Edition: 44 known impressions per Glasgow catalog raisonne. Annotated in pencil verso: ...

, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a Catalogue Raisonné, University of

James Abbott McNeill Whistler, (1834-1903) Etching and drypoint. Signed in the plate lower center

Signed on plate. The American artist James Abbott McNeill Whistler can be considered a forerunner

Etching from James A. M. Whistler's Thames Set ("A Series of Sixteen Etchings of Scenes on the

Whistler, James A. M. LIMEHOUSE. Glascow 48 vi; Kennedy 40 iii. Etching, 1859. The final state

Whistler, James A. M. ALDERNEY STREET. Glascow, 246, K.238, M236, W.196. Etching, 1881. The second

JAMES Abbott McNeill WHISTLER (1834-1903) THE RAG GATHERERS 1858 (K.23 v/v) Etching on laid

JAMES McNEILL WHISTLER (American 1834-1903 London) FULHAM 1879 (K 182 ii/ii; Glasgow 181 iii/iv

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32

Signed “Whistler” in the plate and dated “1861” Published in: Passages from Modern English Poets

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32

JAMES ABBOTT McNEILL WHISTLER (1834-1903) Little Arthur Signed in the plate Etching Framed Plate

James Abbott McNeill Whistler, etching, edition 61, 4th state of 4, 1858, Kennedy 9. Signed in the

The Music Room. 1859. Etching and drypoint. Kennedy catalog 33 state ii; Glasgow catalog 39 state

, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers

Annie Seated. 1858-59. Etching and drypoint. Kennedy 30.ii; Glasgow 32.iii. 5 3/4 x 3 3/4

James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres

: Print Collector's Quarterly 1 (1911): 36; Salaman's book, Modern Masters of Etching: Whistler

Artist: James Abbott McNeill Whistler Date: 1879. “The Tiny Pool” Medium: Etching and drypoint

An original etching and drypoint on watermarked laid paper by American artist James Abbott McNeill

Bibi Lalouette. 1859. Etching and drypoint. Kennedy catalog 51. state i; Glasgow catalog 33 state

archival mat, suitable for framing. The etching was exhibited at the Royal Academy in 1860. Whistler

The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1

Whistler's largest and most celebrated etchings of Venice. Catalogue reference: Kennedy 191; Glasgow 233

Newspaper Stall, Rue de Seine. 1893. Etching and drypoint. Kennedy catalog 432 state .ii; Glasgow

Not signed. The American artist James Abbott McNeill Whistler can be considered a forerunner of the

1858-59, Whistler lived with the model, Héloise, in Rue Saint-Sulpice, Paris. Although Whistler had

La Marchande de Moutarde Etching printed in dark brownish black on heavy cream wove paper, 6 1/4x3

A very good impression of this etching on antique cream laid paper. MacDonald's third state (of 3).

Glasgow catalog records 32 known impressions. A scarce early etching -- there was no published edition. A

Etching and drypoint printed in black ink on cream laid Japan paper, 6 x 8 7/8 inches (152 x 225 mm

Charming original etching by American born, British based artist James Abbott McNeil Whistler (1834

Original etching and drypoint printed in dark umber ink on laid paper. Hand-signed with the

Venice, Whistler. Twelve Etchings, commonly referred to as the "First Venice Set." Catalog: Kennedy 193

Artist: James Abbott McNeill Whistler (1834-1903) Title: Alderney Street Medium: Etching (second

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good. Mild toning consistent w...

James Abbott McNeill Whistler Beach Scene at Dieppe, 1885-86 Watercolor on paper, mounted on board 8 1/2 x 5 inches Signed on the reverse Provenance: Miss Annie Burr Jennings Mrs. ...

Pablo Picasso Maternité, (1924) Etching on Arches paper Hand signed and numbered 15/50 from the edition of 50 Published by Galerie Louise Leiris, Paris, 1955 Paper: 22 5/8 x 28 inche...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...

Portrait of the Artist Joseph Pennell a lithograph by James Abbott McNeill Whistler (American, 1834 - 1903). This portrait, one of 3 Whistler did of Joseph Pennell, was done in 1896 ...

JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...

Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published by Ambrose Vollard in the seco...