Items Similar to W. Jones, Lime-Burner, Thames Street-Etching (Reproduction)
Want more images or videos?
Request additional images or videos from the seller
1 of 6
James Abbott McNeill WhistlerW. Jones, Lime-Burner, Thames Street-Etching (Reproduction)
About the Item
20 in x 16 in - image size
Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.
- Creator:James Abbott McNeill Whistler (1834-1903, American)
- Dimensions:Height: 18 in (45.72 cm)Width: 14 in (35.56 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Clinton Township, MI
- Reference Number:1stDibs: LU1263113086672
About the Seller
4.8
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2013
1stDibs seller since 2019
248 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Clinton Township, MI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- W. Jones, Lime-Burner, Thames Street-Etching (Reproduction)By James Abbott McNeill WhistlerLocated in Clinton Township, MI20 in x 16 in - image size Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.Category
20th Century Landscape Prints
MaterialsEtching
- Three Couples II-Limited Edition Etching, EA, Signed by ArtistBy Harold AltmanLocated in Clinton Township, MILimited Edition Etching, EA. Signed by Artist. Image-17.75 x 27 in/Image with border-22.25 x 30 in. Good/Fair Condition-shows signs of age and handling.Category
Late 20th Century Landscape Prints
MaterialsEtching
- This Is My Island-Limited Edition Etching, Signed by ArtistLocated in Clinton Township, MILimited Edition Etching (2/100). Signed by Artist. Measures 30 x 22 inches and is unframed. The piece is in Good Condition-wrinkling/creasing/discoloration consistent with age and ha...Category
Late 20th Century Landscape Prints
MaterialsEtching
- View of Canton in China-Framed Etching, originally published in 1785Located in Clinton Township, MIEtching, image originally published in 1785. Measures 9.25 x 11.25 inches with framing. The piece is in Very Good Condition. Wired and ready to hang.Category
Late 20th Century Landscape Prints
MaterialsEtching
- Cart-Limited Edition Etching, EA, Signed by ArtistBy Harold AltmanLocated in Clinton Township, MILimited Edition Etching, EA. Measures 14 x 15 inches with border. Signed by Artist. Good/Fair Condition-shows signs of wear due to age and handling.Category
Late 20th Century Landscape Prints
MaterialsEtching
- Women Parc Morceau-Limited Edition Etching, EA, Signed by ArtistBy Harold AltmanLocated in Clinton Township, MILimited Edition Etching, EA. Signed by Artist. Image-17.75 x 23.75 in, Image with border-22.25 x 29.25 in. Good/Fair Condition-shows signs of wear due to age and handling.Category
Late 20th Century Landscape Prints
MaterialsEtching
You May Also Like
- Wild RosesBy Joan SnyderLocated in Brooklyn, NYWild Roses, 2010 Lithograph/etching/woodcut 28 3/8 × 38 3/8 in 72.1 × 97.5 cm This print combines etching, lithography, and woodcut to create a great variet...Category
2010s Contemporary Landscape Prints
MaterialsEtching, Lithograph, Woodcut
- Folio of 6 etchings and engravingsLocated in Llanbrynmair, GB’Folio of 6 etchings and engravings'. A portfolio of six etchings (Originally 7 but etching Number 1, Sef Portrait, is missing from this folio) and engravings produced by Merivale ...Category
Early 20th Century Other Art Style Landscape Prints
MaterialsEtching
- Tree & HandkerchiefBy K.B. (Kyu-Baik ) HwangLocated in Ljubljana, SITree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...Category
1970s Post-Modern Landscape Prints
MaterialsEtching, Aquatint
- AverauLocated in Ljubljana, SIOriginal color drypoint and etching, 1975. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Zoran Mušič is one of the most celebrated Slovenian artis...Category
1970s Contemporary Landscape Prints
MaterialsEtching, Drypoint
- My VillageBy Ivan RabuzinLocated in Ljubljana, SIMy Village. Original aquatint, 1981. Ivan Rabuzin was a Croatian naive painter and one of the most eminent lyric painters of the 20th century in Croatia. For many years he worked as ...Category
1980s Landscape Prints
MaterialsAquatint
- Memory and Present - The flowing space of memory -Located in Berlin, DEKarl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Memory and Present, 1983. Color etching, copy 41/50, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogrammed and dated with pencil. Framed behind glass. - in very good condition - The flowing space of memory - About the artwork On an implied horizon line, a dog-like animal has risen on its hind legs and is about to jump over some kind of hurdle. To the left, a small flag is waving in the wind. The animal and the flag point forward, toward the reader, into the future. The flagpole, however, bends backwards in the opposite direction, corresponding to the impulse of movement of the sign-like formations in the "sky". The title of this work by Mordstein is also revealing. It reads "Memory and Presence" and thematizes the system of signs above the animal as memory. It is therefore not so much a sky as the space of remembering consciousness. Memory moves into the past, but comes from the future and begins where the animal first moves. Here, Mordstein develops a subtle pictorial philosophy about the character of time and the structure of memory, in which the system of signs representing the content of consciousness is inspired by the pictorial language of Paul Klee, whom Mordstein continues to think about in his own way. About the artist After graduating from the Werkkunstschule in Augsburg, Karl Mordstein worked as a commercial artist in Munich before becoming a freelance artist and concentrating entirely on his own creations. In 1970 Mordstein married the sculptor Sinen Thalheimer and the artist couple moved to Starnberg. In 1972, Mordstein had his first solo exhibition in Munich, which marked the beginning of an active international exhibition career that lasted for decades. From 1987 the couple lived on the Hollerberg in Wilzhofen. "It is certainly not wrong to recognize in the impression of his calmly floating color drawings the expression of a state of mind that owes itself precisely to this conscious turning away from the hectic art market: concentrated serenity. It is not a changing state of mind, but an empathy with the supra-individual rhythms of creation, the perpetual genesis in the natural cycle of becoming and passing, which is expressed in them." - Stefan Tolksdorf Selected Bibliography Karl Mordstein. Aquarelle, Gouachen 1972 – 1975, Galerie Angst und Orny, München 1975. Juliane Roh: Karl Mordstein. Bilder, Paintings 1976 – 79, Frankfurt a. M. 1979. Siegfried Salzmann (Text): Karl Mordstein. Arbeiten auf Papier, Galerie Dorothea van der Koelen, Mainz 1982. Galerie Heimeshoff (Hrsg.): Karl Mordstein. "Seelen-Notate"; Bilder, Arbeiten auf Papier, Bildkästen; 1985 – 1988, Essen 1988. Stefan Tolksdorf (Text): Lebenszeichen. Mordstein, Karl und Sinen Thalheimer, Essen 2009. GERMAN VERSION Karl Ludwig Mordstein (1937 Füssen – 2006 Wilszhofen), Erinnerung und Gegenwart, 1983. Farbradierung, Exemplar 41/50, 22,5 x 28 cm (Darstellung), 40 x 45 cm (Blattgröße), 43 x 48 cm (Rahmen), in Blei betitelt, nummeriert, monogrammiert und datiert. Hinter Glas gerahmt. - in sehr gutem Erhaltungszustand - Der fließende Raum der Erinnerung - zum Kunstwerk Auf einer angedeuteten Horizontlinie hat sich ein hundeartiges Tier auf die Hinterläufe erhoben und setzt zum Sprung an, um eine Art Hürde zu überwinden. Links daneben weht eine kleine Fahne im Wind. Das Tier und die Fahne weisen in Leserichtung nach vorne, in die Zukunft hinein. Die Fahnenstange biegt sich allerdings in die gegenteilige Richtung nach hinten und entspricht damit dem Bewegungsimpuls der zeichenhaften Gebilde am ‚Himmel‘. Auch bei diesem Werk Mordsteins ist der Titel aufschlussreich. Er lautet „Erinnerung u. Gegenwart“ und thematisiert das Zeichensystem über dem Tier als Erinnerung. Daher handelt es sich weniger um einen Himmel als um den Raum des erinnernden Bewusstseins. Die Erinnerung zieht in die Vergangenheit, kommt aber von der Zukunft her und beginnt dort, wohin sich das Tier erst bewegt. Mordstein entwickelt hier eine subtile Bildphilosophie über den Charakter der Zeit und die Struktur der Erinnerung, wobei das für den Bewusstseinsinhalt stehende Zeichensystem von der Bildsprache Plau Klees inspiriert ist, den Mordstein hier auf seine Art...Category
1980s Abstract Abstract Prints
MaterialsEtching