Maki E

opulently decorated in Maki-e and raden inlays with a more Japanese style design that includes various birds

company introduced a series of Salaam lighters featuring maki-e images of Paris landmarks - the Eiffel

Two compartments inrô in black lacquer, hira maki-e and mother-of-pearl inlay on a hirameiji

maki-e design of cherry blossom, created by layering multiple coats of lacquer to build up the design

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century

Maki-e (gold lacquered) foliate wreaths and stylized flower heads and incised brass mounts; raised on

), executed in deep black urushi lacquer and decorated with an elaborate narrative scene in gold maki-e. An

material: lacquer pain, metal frame with wood box The Kokkokai is a group of maki-e artists formed

(Urushi), decorated with gold lacquer (Maki-e) and gilt mounts. Raised on an intricate shaped apron. The

symbolic warmth and celebratory spirit of the camellia. Kobayashi combines lacquer and maki-e techniques

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th

-dimensional effect. Silver borders the intricately laid design, which features a maki-e motif of a cart before

maki-e motif of scattered cards executed in mother-of-pearl, gold and other natural materials. The deep

three-dimensional effect. Gold lacquer borders the intricately laid design, which features romantic maki

landscape with mountain on the background. Realised in maki-e on black lacquer with smaller details in

corners. There are three maki-e decorated sake cups with gradual sizes. The cups showcase on the red

, is known as maki-e. This technique is one of the most common for high-quality Japanese lacquerware

, the surface is adorned with an exquisite maki-e (蒔絵) decoration depicting large blooming poppies

over in the maki-e lacquer technique, with areas of takamaki-e (raised lacquer) and nashiji (pear skin

late Edo-period taste (circa 1820–1860). The decoration is executed in maki-e, a traditional Japanese

lacquer with maki-e lacquer painted designs of flowers and grasses. The back of plain black lacquer with

Collaborated with Japanese traditional art technique "Maki-e," MOISEIKIN® created a beautiful water

holding tea. The exterior of the koro decorated in maki-e lacquer with three bands of geometric brocade

Collaborated with Japanese traditional art technique "Maki-e," MOISEIKIN® created a beautiful water

Collaborated with Japanese traditional art technique "Maki-e," MOISEIKIN® created a beautiful water

lacquer. The grasses are depicted with great delicacy using hira maki-e gold lacquer, which time has

decorated in gold, silver and red togidashi-maki-e, showcasing intricate floral and foliate motifs. The

shimmering mother-of-pearl inlay and delicate gold maki-e work adding dimension and elegance. The birds

artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vibrant hues, it

and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed

individual Maki-e design; some with high relief takamaki-e elements in combination with low relief hiramaki-e

decorated with offset sixteen petal chrysanthemums in gold maki-e lacquer. The sixteen petal chrysanthemum

shimmering gold paint. The painting was executed using the Maki-e technique, an ancient Japanese lacquer art

and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed

stunningly decorated in faux bois maki-e lacquer expertly painted to simulate an attractive contrasting wood

. Here, the shide are crafted from silver maki-e, with the handle of the natural boxwood. The actor

, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e

Sino-Japanese icono-graphy. The textured ground, evoking Japanese gold-dusted lacquer (maki-e

Elegant gold-lacquered wooden comb and hairpin decorated in maki-e with landscapes and animals. The

bold gold maki-e style emblems. These protective covers were used to shield the wooden armor chests

with gold maki-e clan crests • Dimensions: 31.5 × 31.5 cm (12.5 × 12.5 in); Height: 15.5 cm (6 in

box, with the use of gold maki-e lacquer for the ground, and orangish red negoro lacquer for the tree

front and one to each side. The raised and gilt maki-e lacquer depicting temples and lakeside rock

Japan. The interior compartments of the case with a maki-e lacquer nashiji ground for the risers

maki-e, the artisan chose a highly understated approach, utilizing subtle black lacquer to depict

ribbon tied floral swags, centred by ‘shishiai togidashi maki-e’ lacquer panels depicting blossoming

was traditionally used in doll-making. It is a rather non-conventional material to be used with Maki-e

, rhythmic, and incredibly precise. Unlike the flat, sprinkled gold techniques of maki-e, this carved

). This technique derives from togidashi maki-e and is characterized by the creation of patterns in

or Nashi-ji is a form of Japanese maki-e that is frequently employed as a background to gold or black

masterful craftsmanship, the interior back wall features an exquisite maki-e (gilded lacquer) painted screen

wear five knots of hairdo on his head and a bellowing robe (kesa) with splendid designs in Maki-e

Designer's Note: Masculine Elegance: Unlike the delicate, smooth surface of Maki-e, Kamakura-bori

period (1603-1868). This technique derives from togidashi maki-e and is characterized by the creation of

were equally treated as part of the meticulous designs as the elaborate Maki-e and shell inlays

, and decorated in the maki-e and takamaki-e techniques with three views of Mt. Fuji. The mouth and foot

gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord