FROZEN CUSTARD and STUDY FOR FROZEN CUSTARD
By Reginald Marsh
Located in Portland, ME
Signed "R. Marsh," lower right. 6 5/8 x 4 1/4 inches. The study is of the two girls at the right edge of the work, standing under the "Surf Hotel" sign.
Ink, Engraving, Etching
"COWS - 2" Etching
Located in Soquel, CA
Titled, numbered, and signed along the bottom edge ("COWS - 2 51/60 R. MARSH") Presented in a silver colored wood frame with a white mat and red backing.
Paper, Ink
Antique Iron Clock Dial Face Industrial Bath Fully Working
Located in Belper, Derbyshire
A lovely antique painted iron clock dial signed ''H & R Marsh, Bath'' and dating from circa 1910. As reclaimed by our buyer from a derelict building, it bares the scars of a hard life.
Brass, Steel, Iron
'Locomotives Watering' — Ashcan School Social Realism
By Reginald Marsh
Located in Myrtle Beach, SC
Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155.
Etching
Erie R.R. Locos Watering
By Reginald Marsh
Located in Fairlawn, OH
Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular edition of 100 (10/100), plus ...
Etching
Erie R.R. and Factories
By Reginald Marsh
Located in Fairlawn, OH
Signed in pencil lower right; Numbered '38' lower left; Inscribed 'for Isabel Bishop' Provenance: Midtown Payson Galleries, NY (label verso) Hobe Sound Galleries North, Brunswick,...
Etching
"COWS - 1" Etching
By Robert C. Marsh, Jr
Located in Soquel, CA
Titled, numbered, and signed along the bottom edge ("COWS - 2 51/60 R. MARSH") Presented in a silver colored wood frame with a white mat and red backing.
Paper, Ink
"COWS - 3" Etching
By Robert C. Marsh, Jr
Located in Soquel, CA
Titled, numbered, and signed along the bottom edge ("COWS - 3 51/60 R. MARSH") Presented in a silver colored wood frame with a white mat and red backing.
Paper, Ink
Sold
H 15.25 in W 19.25 in D 1.5 in
1920s Social Realism “Erie R.R. Yards” Lithograph
By Reginald Marsh
Located in San Francisco, CA
While the 1920s stock market was raising some Americans to new heights of wealth, plenty of folks ground out a minimal existence through hard labor. Pointedly capturing this disparit...
Lithograph
4 Street Scene and Still Life Studies by Marsh
Located in London, GB
4 STREET SCENE AND STILL LIFE STUDIES BY R.H. MARSH From a Collection of 32 Street Scene and Still Life Studies by Marsh Who First Developed The Bromoil Transfers - 3 Signed With...
Antique English Iron Clock Dial Face Industrial Fully Working
Located in Belper, Derbyshire
A lovely antique English iron clock dial dating from circa 1880. Reclaimed from the workshop of a crumbling works by our buyer, it bears the scars of a hard life. Beautifully patinat...
Iron
$1,057
H 1.5 in Dm 16 in
Antique English IRON Clock Dial Face Industrial EDWIN GAY RICHMOND Fully Working
Located in Belper, Derbyshire
A lovely antique painted iron clock dial signed 'EDWIN GAY**, BRENTFORD and RICHMOND' and dating from circa 1890. As reclaimed by our buyer from a derelict building, it bares the sca...
Iron
Antique French Clock Dial Face by Japy Frères Industrial Fully Working
By Japy Frères
Located in Belper, Derbyshire
A lovely painted metal clock dial with original hands by Japy Frères. Recovered by our buyer from a crumbling and forgotten French industrial building, it bares the scars of a hard l...
Metal
Antique Smith 8-Day Shipboard Clock, Brass, Industrial Style, England
Located in Bridgeport, CT
A brass circular base with a central inset hinged glass panel that reveals a white metal face with black enameled Roman numerals hours and Arabic numerals seconds. The clock lacks a ...
Brass
Vintage trade s mark Japanese Tokyo wall clock
Located in Debenham, Suffolk
Vintage trade s mark Japanese tokyo wall clock circa 1920. Ww2 Japanese trade s mark wall clock. Presented in original condition, later painted which is now wearing through to the ...
Glass, Wood
$1,152
H 3.75 in Dm 20.08 in
Antique Vintage Industrial Electrique Brillie Factory Railway Wall Clock c.1930
By Brillie
Located in London, GB
A wonderful metal cased wall clock made in France by Electrique Brillie. c.1930 Metal-cased wall clock with an attractive aged finish to the painted dial and case, developed through...
Steel
Antique 1920s Public Iron Wall Clock With Hand-Painted Dial, Industrial Style
Located in Vienna, AT
An antique 14.5 inches diameter wall clock from the 1920s, manufactured by clockmaker Franz Klameth, Vienna, Austria. Clocks like these were originally used in public offices, a fact...
Metal, Iron
Flying Concellos
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Flying Concellos, etching, 1936, signed in pencil lower right and annotated “40 Proofs” lower left. Reference: Sasowsky 163, fourth state (of 4). In excel...
Etching
Tatoo-Shave-Haircut
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two ...
Etching
TWO GIRLS IN SUBWAY
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of the third state recorded ...
Etching
$2,175Sale Price|34% Off
H 9.85 in Dm 25.99 in
Antique 1920s Train Station Wall Clock, Brillie, Industrial Style
By Brillie
Located in Wrocław, Poland
This antique 66cm diameter wall clock comes from France and was made around 1920s, it was manufactured by Brillie. Clocks like these were originally used in public offices, factories...
Metal
Irving Place Burlesque, lithograph, 1928
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesque, lithograph, 1928, signed in pencil lower right and inscribed 25 proofs lower left margin [also signed and dated in the plate upper...
Lithograph
19th Century Antique Industrial Wall Clock Face with Zinc Trim
Located in Bridgeport, CT
Epic industrial wall clock face with zinc trim and surround, enamel face with Roman numerals. Non-working, architectural element for unique decor. Dimensions: 57" diameter by 3.5" D...
Enamel
Irving Place Burlesk
By Reginald Marsh
Located in Fairlawn, OH
Irving Place Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh...
Etching
Irving Place Burlesk
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and numbered (18) lower left. Reference: Sasowsky 75, third state (of 3). In very good c...
Etching
$917
H 3.5 in Dm 11.5 in
Antique French TOLE Clock Dial Face by Japy Freres, Industrial, Fully Working
By Japy Frères
Located in Belper, Derbyshire
Evoking the quiet poetry of abandonment, this early 20th century wall clock blends timeworn elegance with raw industrial character. Made from painted steel to mimic wood grain, the t...
Steel
$1,800
H 6.38 in W 4.32 in
'The Workers (No. 2)' — 1930s WPA Signed Modernist Woodcut
By Charles Turzak
Located in Myrtle Beach, SC
Charles Turzak, 'The Workers (No. 2)', woodcut, edition 50, c. 1935. Signed and numbered 2/50 in pencil. A fine, richly-inked impression, on cream wove Japan paper, with full margin...
Woodcut
$16,000
H 27 in W 23 in
"Industrial Cityscape, Chicago" WPA Modernism Mid-Century Cityscape 20th Century
By Aaron Bohrod
Located in New York, NY
"Industrial Cityscape, Chicago" WPA Modernism Mid-Century Cityscape 20th Century Aaron Bohrod (American 1907 – 1992) Industrial Cityscape 20 x 16 inches Oil on board Signed lower ri...
Oil, Board
Ann Nooney, (Loading the Lumber Barge, NYC)
By Ann Nooney
Located in New York, NY
The dimensions are for the image. There are large margins. Signed in pencil. A native New Yorker, Ann Nooney (1900-1970), recorded the urban scene while on the Works Progress Admini...
Lithograph
$1,975
H 11.38 in W 16.82 in
'Brooklyn Bridge' — Signed Color Etching, New York City, 1927
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Etching, Aquatint
'Loop Alley' — Modernist Chicago Cityscape, WPA
By Charles Turzak
Located in Myrtle Beach, SC
Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...
Woodcut
$22,000
H 12.82 in W 8.88 in
'Mural Study: Lower Manhattan' — WPA Era Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...
Lithograph
$12,000
H 13.32 in W 10.38 in
'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 in...
Lithograph
$33,000
H 56 in W 47 in
Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism
Located in New York, NY
Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1" 46 x 37 inches Oil on canvas Sign...
Canvas, Oil
$25,000
H 30 in W 38 in
NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative
By Cecil Crosley Bell
Located in New York, NY
NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...
Canvas, Oil
$5,500
H 16 in W 15 in
NYC Subway Mid 20th Century American Scene Social Realism WPA Modern 1930s
By Daniel Ralph Celentano
Located in New York, NY
NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...
Paper, Ink, Gouache
$55,000
H 26 in W 20 in D 2 in
"Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed lower right. Housed in a stu...
Paper, Watercolor, Pencil
Gaiety Burlesk
By Reginald Marsh
Located in Fairlawn, OH
Gaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...
Etching
The Barker
By Reginald Marsh
Located in Fairlawn, OH
The Barker Etching, 1931 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh, Thirty Etc...
Etching
SUBWAY - THREE PEOPLE
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. SUBWAY - THREE PEOPLE. S. 149. Etching, 1934. 9 x 7 inches; 228 x 178 mm. Numbered "10b," and signed in pencil "Reginald Marsh (F.M.)" by the artist's widow, Felici...
Etching
$2,550
H 9.44 in W 11.88 in
'Plowing It Under' — WPA Era American Regionalism, Signed Lithograph
By Thomas Hart Benton
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
Lithograph
Marsh, Reginald. TWO MODELS ON A BED
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. TWO MODELS ON A BED. Lithograph, 1928 (Sasowsky 9). 9 1/16" x 10 5/8." Signed in pencil and annotated "15 proofs." Only state. Excellent condition. Marsh's early lit...
Lithograph
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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