Muted By Nono

Joel Escalona is one of the most prolific and multidisciplinary designers of his generation. He has worked on a set of projects ranging from product design, furniture and jewelry, to consulting, creative direction and collectible design pieces for galleries. His work has been exhibited in the most important capitals of the world — in the most relevant events in the design and art world — such as the Salone Internazionale del Mobile di Milano and DesignMiami/Basel. Escalona’s work translates to much more than an extensive portfolio: It’s the materialization of the world that surrounds him, a reflection of himself.

The design of brutalist furniture encompasses that which is crafted, hewn and worked by hand — an aesthetic rebuke (or, at least, a counterpoint) to furniture that is created using 21st-century materials and technology. Lately, the word “brutalist” has been adopted by the realms of furniture design and the decorative arts to refer to chairs, cabinets, tables and accessory pieces such as mirror frames and lighting that are made of rougher, deeply textured metals and other materials that are the visual and palpable antithesis of the sleek, smooth and suave. 

ORIGINS OF BRUTALIST FURNITURE DESIGN

• Brutalism emerged during the mid-20th century
• Term coined by architecture critic Reyner Banham
• Originated in the United Kingdom
• Brutalist architecture gained popularity in the United States beginning in the early 1960s
• Inaugural brutalist projects include Unité d'habitation and the city of Chandigarh, India, both of which owe to influential architect Charles-Édouard “Le Corbusier” Jeanneret 
• Le Corbusier’s cousin, Pierre Jeanneret, designed hundreds of chairs, tables, cabinets and lamps for Chandigarh
• Informed by the Bauhaus, constructivism, modernism and the International Style; part of mid-century modernism
• Contrasted starkly with Beaux Arts style

CHARACTERISTICS OF BRUTALIST FURNITURE DESIGN 

• Use of industrial materials — tubular steel, concrete, glass, granite
• Prioritizes functionalism, minimalism and utilization of negative space
• Spare silhouettes, pronounced geometric shapes
• Stripped-down, natural look; rugged textures, modular construction
• Interiors featuring airy visual flow and reliance on neutral palettes

BRUTALIST FURNITURE DESIGNERS TO KNOW

• Le Corbusier
• Marcel Breuer
• Paul Evans
• Oscar Niemeyer
• Paul Rudolph
• Tom Greene

VINTAGE BRUTALIST FURNITURE ON 1STDIBS

The term brutalism — which derives from the French word brut, meaning “raw” — was coined by architecture critic Reyner Banham to describe an architectural style that emerged in the 1950s featuring monumental buildings, usually made of unornamented concrete, whose design was meant to project an air of strength and solidity.

Le Corbusier essentially created the brutalist style; its best-known iterations in the United States are the Whitney Museum of American Art, which was designed by Marcel Breuer, and Paul Rudolph's Yale Art and Architecture Building. The severe style might have been the most criticized architectural movement of the 20th century, even if it was an honest attempt to celebrate the beauty of raw material. But while the brutalist government buildings in Washington, D.C., seemingly bask in their un-beauty, brutalist interior design and decor is much more lyrical, at times taking on a whimsical, romantic quality that its exterior counterparts lack.

Paul Evans is Exhibit A for brutalist furniture design. His Sculpture Front cabinets laced with high-relief patinated steel mounts have become collector's items nonpareil, while the chairs, coffee table and dining table in his later Cityscape series and Sculpted Bronze series for Directional Furniture are perhaps the most expressive, attention-grabbing pieces in American modern design. Other exemplary brutalist designers are Silas Seandel, the idiosyncratic New York furniture designer and sculptor whose works in metal — in particular his tables — have a kind of brawny lyricism, and Curtis Jere, a nom-de-trade for the California team of Curtis Freiler and Jerry Fels, the bold makers of expressive scorched and sheared copper and brass mirror frames and wall-mounted sculptures.

Brutalist furniture and sculptures remain popular with interior designers and can lend unique, eccentric, human notes to an art and design collection in any home.

Find authentic vintage brutalist chairs, coffee tables, decorative objects and other furniture on 1stDibs.

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.