Old Master Prints Etchings

Etching and engraving, circa 1770. Coat-of-arms with an eagle watermark. The sheet overall in

, Beham, and other various Old Masters from the 15th, 16th, and 17th centuries. The task started when the

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet

and Bega. Dr. Herweg bought most of his old master prints from CG Boerner in Dusseldorf, where he was

References: Blum 38 II/IV Robert-Dumesnil 17 I/III Russell 49 II/IV Mannocci 42 IIb/III

mounting. A fine set of these small etchings, printed on 5 plates/sheets of laid paper, with margins, 3 of

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge avec l'Enfant Jesus Emmaillotte, Year: 1873, Medium: Heliogravure on laid paper, Size: 6 x 4 in. (15.24 x ...

Les Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by

Cornelis Bega (1631/2-1664), The Mother Seated in an Inn, etching, circa 1660-64. Reference

This original etching is titled and dated on plate. Monogram of the artist "MC" on higher right

18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite

the 18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite

the 18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite

Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate

Artist's proof, printed on antique watermarked paper, wide margins, representing an “antique vase

Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good

created more than 1400 etchings. Phalsbourg, in north-eastern France, lies high on the west slopes of the

urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins

Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621

Etching and drypoint, circa 1630s. Cream laid paper. Narrow margins.

techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a

Ruine di Sepolcro antico Etching, 1743 Signed in the plate bottomleft in the caaption plate From

Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second

Etching 195 x 295 mm.; 7 3/4 x 11 3/4 inches Exhibited: Old Master Prints & Drawings: 1450

Etching, 1773. From the Vedute di Roma. Framed dimensions 25.5 x 34.5 inches.

virtuous old master's touch. Rembrandt known simply as Rembrandt (Leiden, 15 July 1606 - Amsterdam, 4

Etching. Signed in the plate lower right. From the fourth state, of six, a late 18th / early 19th

Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Organ Grinder Year: 1647 Medium: Etching

hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Image size: 3 3/16 x 3 3

) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate mark

after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish

Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3

Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light

Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique

Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: 4 x 3.5 inches

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the

in exact detail the engraved plates of Rembrandt & other old Masters. His work was recognized as

Etching on cream wove paper, 6 x 8 1/4 inches (152 x 210 mm); sheet 11 3/4 x 15 1/2 inches (298 x

Charles Meryon (1821-1868), Pierre Nivelle, Bishop of Lucon (1584-1660), 1861, etching on tin

the etchings he made himself after his compositions. In particular a series of prints published in

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

The Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches

: Gazette des Beaux-Arts Year: 1883 Medium: Original Etching on chine appliqué on wove paper Limited edition

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From

(Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plat...

Rome in 1821. This old master’s original print shows a beautiful piece of the Borghese's collection: a

"Perseus and Andromeda" is an etching by Scottish artist Alexander Runciman, signed in plate to the

Cloaca Maxima], from Vedute di Roma (Roman Views), part II Etching, c. 1750-1778 Signed: Cav. Piranesi F

Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins

: Piranesi del. sculp. Etching, 1760 Image/Plate size: 16 1/8 x 21 5/8 inches Reference: Hind 56 iv/VI, the

Satyr from the series "Antiquities of Herculaneum" , is an etching on paper realized by Various

116; Wilton-Ely I.484.432) Etching, from “Le Antichita Romane, tome 3. Plate 15 7/8 x 23 ¾ sheet 20 7

1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-Ely I.480.428) Etching, plate, 14 ¼” x 23

Le Repos Pendant la Fuitre en Egypte is an original Etching realized by an unknown French artist in

Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed