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Fellow Commoner, University of Oxford 1814 engraving by John Agar
Fellow Commoner, University of Oxford 1814 engraving by John Agar

Fellow Commoner, University of Oxford 1814 engraving by John Agar

By Rudolph Ackermann

Located in London, GB

John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Fellow Commoner, Cambridge (1814) Aquatint 30 x 24 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a ...

Category

1810s Realist Prints and Multiples

Materials

Aquatint

Clare College, Cambridge (aerial view) by David Loggan
Clare College, Cambridge (aerial view) by David Loggan

Clare College, Cambridge (aerial view) by David Loggan

By Pieter Van Der Aa

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

Early 18th Century Realist Prints and Multiples

Materials

Engraving

David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis
David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis

David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens

Christ Church Cathedral, Oxford, 1816, from the Dean's gardens

Located in London, GB

John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...

Category

Early 19th Century Landscape Prints

Materials

Engraving

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Wadham College, Oxford etching by Richard Beer

Wadham College, Oxford etching by Richard Beer

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

Merton College, Oxford etching by Richard Beer
Merton College, Oxford etching by Richard Beer

Merton College, Oxford etching by Richard Beer

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

20th Century Realist Landscape Prints

Materials

Etching, Aquatint

Oriel College, Oxford etching by Richard Beer 1980s

Oriel College, Oxford etching by Richard Beer 1980s

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1980s Realist Landscape Prints

Materials

Etching

Christ Church, Oxford 1965 etching by Richard Beer

Christ Church, Oxford 1965 etching by Richard Beer

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

St John's College, Oxford etching by Richard Beer
St John's College, Oxford etching by Richard Beer

St John's College, Oxford etching by Richard Beer

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

Brasenose College, Oxford etching by Richard Beer 1960s
Brasenose College, Oxford etching by Richard Beer 1960s

Brasenose College, Oxford etching by Richard Beer 1960s

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

Magdalen Tower and Bridge, Oxford etching by Richard Beer

Magdalen Tower and Bridge, Oxford etching by Richard Beer

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

Trinity College, Oxford etching by Richard Beer Modern British Art

Trinity College, Oxford etching by Richard Beer Modern British Art

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1980s Realist Landscape Prints

Materials

Etching

Pieter van der Aa: Map of Cambridge, after David Loggan
Pieter van der Aa: Map of Cambridge, after David Loggan

Pieter van der Aa: Map of Cambridge, after David Loggan

By Pieter Van Der Aa

Located in London, GB

He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.

Category

Early 18th Century Realist Prints and Multiples

Materials

Engraving

Estate Cartier 18K Yellow Gold Intaglio Crest Cufflinks, 25.4 g
Estate Cartier 18K Yellow Gold Intaglio Crest Cufflinks, 25.4 g

Estate Cartier 18K Yellow Gold Intaglio Crest Cufflinks, 25.4 g

By Cartier

Located in New York, NY

There is also an association with the City of Oxford. Excellent details to the engraving, classic Georgian style with stylized monogramed details.

Category

20th Century French Georgian Cufflinks

Materials

18k Gold, Yellow Gold

Richard Beer Hôtel de la Gare etching and aquatint

Richard Beer Hôtel de la Gare etching and aquatint

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

Late 20th Century Modern Prints and Multiples

Materials

Etching, Aquatint

'Noto II' Sicily etching by Richard Beer 1960s Modern British Art

'Noto II' Sicily etching by Richard Beer 1960s Modern British Art

By Richard Beer

Located in London, GB

That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...

Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

David Loggan Winchester College 1675 engraving Wykehamist

David Loggan Winchester College 1675 engraving Wykehamist

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan King's College Cambridge engraving 1690

David Loggan King's College Cambridge engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1690s Realist Prints and Multiples

Materials

Engraving

David Loggan Clare College Cambridge engraving 1690

David Loggan Clare College Cambridge engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan: Great St Mary's Church Cambridge University engraving 1690
David Loggan: Great St Mary's Church Cambridge University engraving 1690

David Loggan: Great St Mary's Church Cambridge University engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1690s Realist Prints and Multiples

Materials

Engraving

David Loggan St Catharine's College Cambridge engraving 1690

David Loggan St Catharine's College Cambridge engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan Trinity College Cambridge Bishop's Hostel engraving 1690

David Loggan Trinity College Cambridge Bishop's Hostel engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1690s Realist Prints and Multiples

Materials

Engraving

David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715

David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1710s Realist Prints and Multiples

Materials

Engraving

David Loggan King's College Cambridge Chapel South Front engraving 1690

David Loggan King's College Cambridge Chapel South Front engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis

David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690

David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1670s Realist Prints and Multiples

Materials

Engraving

David Loggan Cambridge portrait Charles Duke of Somerset 1690

David Loggan Cambridge portrait Charles Duke of Somerset 1690

By David Loggan

Located in London, GB

Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...

Category

1690s Realist Prints and Multiples

Materials

Mezzotint

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Oxford Engraving For Sale on 1stDibs

Find the exact oxford engraving you’re shopping for in the variety available on 1stDibs. You’re likely to find the perfect oxford engraving among the distinctive items we have available, which includes versions made as long ago as the 18th Century as well as those made as recently as the 19th Century. When looking for the right oxford engraving for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray and beige. There have been many interesting oxford engraving examples over the years, but those made by David Loggan and William Williams (painter) are often thought to be among the most thought-provoking. Frequently made by artists working in engraving, abs and plastic, these artworks are unique and have attracted attention over the years.

How Much is an Oxford Engraving?

An oxford engraving can differ in price owing to various characteristics — the average selling price for items in our inventory is $566, while the lowest priced sells for $85 and the highest can go for as much as $2,693.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.