Gentleman Commoner, University of Oxford 1814 engraving by John Agar
By Rudolph Ackermann
Located in London, GB
An engraving of a gentleman student from Ackermann's 'History of Oxford'.
1810s Realist Prints and Multiples
Aquatint
Gentleman Commoner, University of Oxford 1814 engraving by John Agar
By Rudolph Ackermann
Located in London, GB
An engraving of a gentleman student from Ackermann's 'History of Oxford'.
Aquatint
Fellow Commoner, University of Oxford 1814 engraving by John Agar
By Rudolph Ackermann
Located in London, GB
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Fellow Commoner, Cambridge (1814) Aquatint 30 x 24 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a ...
Aquatint
Doctor in Physic, University of Oxford 1813 engraving by John Agar
By Rudolph Ackermann
Located in London, GB
An engraving of an Oxford Doctor in his academic dress.
Aquatint
$309
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
By Rudolph Ackermann
Located in London, GB
Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman.
Aquatint
Magdalen College, Oxford Old Gate engraving by Bluck after Pugin for Ackermann
By Rudolph Ackermann
Located in London, GB
John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) Old Gate of Magdalen College (1814) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph ...
Aquatint
Clare College, Cambridge (aerial view) by David Loggan
By Pieter Van Der Aa
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens Engraving 23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Engraving
$536
Oxford High Street with Queen's & University College, by Stadler after Farington
Located in London, GB
The hand colouring lends a unique charm to this engraving, where the light colours and calm streets suggest the sereneness of the start of an Oxford summer day.
Engraving
$384
University of Oxford Botanic Garden by Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.
Engraving
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
By Samuel Ireland
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Engraving, Etching, Aquatint
Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
He produced various engravings of Oxford and Cambridge colleges. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman.
Engraving
All Souls College, University of Oxford by Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.
Engraving
Wadham College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
Merton College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
Oriel College, Oxford etching by Richard Beer 1980s
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching
Christ Church, Oxford 1965 etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
St John's College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
Brasenose College, Oxford etching by Richard Beer 1960s
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
Magdalen Tower and Bridge, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
Trinity College, Oxford etching by Richard Beer Modern British Art
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching
$1,031
Oxford Spires All Souls College Radcliffe Camera etching by Richard Beer
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching
Pieter van der Aa: Cambridge from the East, after David Loggan
By Pieter Van Der Aa
Located in London, GB
He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.
Engraving
Pieter van der Aa: Map of Cambridge, after David Loggan
By Pieter Van Der Aa
Located in London, GB
He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.
Engraving
Estate Cartier 18K Yellow Gold Intaglio Crest Cufflinks, 25.4 g
By Cartier
Located in New York, NY
There is also an association with the City of Oxford. Excellent details to the engraving, classic Georgian style with stylized monogramed details.
18k Gold, Yellow Gold
Richard Beer Hôtel de la Gare etching and aquatint
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
'Noto II' Sicily etching by Richard Beer 1960s Modern British Art
By Richard Beer
Located in London, GB
That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Edit...
Etching, Aquatint
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
David Loggan (1634-1692) Bodelian Library Oxford (aerial view) Engraving 1675 40x30cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634.
Engraving
David Loggan St Edmund Hall Oxford - Aula St Edmundi - 1675 engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692) St Edmund Hall Oxford - Aula St Edmundi Engraving 1675 31x41cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish.
Engraving
David Loggan Winchester College 1675 engraving Wykehamist
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan King's College Cambridge engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan Clare College Cambridge engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan: Great St Mary's Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan St Peter's College Oxford New Hall Inn - Aula Novi Hospitii 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692) St Peter's College Oxford - New Inn Hall, Aula Novi Hospitii Engraving 1675 25x36cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish.
Engraving
David Loggan St Catharine's College Cambridge engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan Trinity College Cambridge Bishop's Hostel engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan King's College Cambridge Chapel South Front engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
$2,681
David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Engraving
David Loggan Cambridge portrait Charles Duke of Somerset 1690
By David Loggan
Located in London, GB
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ra...
Mezzotint
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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