Items Similar to David Loggan St Peter's College Oxford New Hall Inn - Aula Novi Hospitii 1675
Want more images or videos?
Request additional images or videos from the seller
1 of 5
David LogganDavid Loggan St Peter's College Oxford New Hall Inn - Aula Novi Hospitii 1675 1675
1675
About the Item
David Loggan (1634-1692)
St Peter's College Oxford - New Inn Hall, Aula Novi Hospitii
Engraving 1675
25x36cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker who published the series between . Probably no more than two hundred of each engraving were produced and the plates were destroyed in the blitz.
The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings again bringing Loggan’s vision up to date.
- Creator:David Loggan (1634 - 1692, British)
- Creation Year:1675
- Dimensions:Height: 12.21 in (31 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement & Style:
- Period:1670-1679
- Condition:Centre fold, as issued. Some age toning as visible in photograph; usual handling wear and marks to edges.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU79535074441
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2014
1stDibs seller since 2017
261 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Christ Church, Oxford 1675 hand-coloured engraving by David LogganBy David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...Category
1670s Realist Prints and Multiples
MaterialsEngraving
- Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper EngravingBy Johannes KipLocated in London, GBTo see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...Category
1710s Realist Landscape Prints
MaterialsEngraving
- Christ Church, Oxford 1675 engraving by David LogganBy David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...Category
1670s Realist Landscape Prints
MaterialsEngraving
- Franciscus de Neve C17 engravings: Landscape with Shepherdess/Echo & NarcissusBy Franciscus de NeveLocated in London, GBFranciscus de Neve (c.1632-1704) 'Landscape with Shepherdess Playing a Tambourine' and 'Echo & Narcissus' Engravings Both signed in the lower margin: 'Franciscus de Neue In. e fecit' and 'Si Stampano in Roma da Gio: Iacomo de Rossi alla Paca' Each 31.5 x 38.5cm (plate) Franciscus (or Frans) de Neve was a Flemish painter and engraver, born in Antwerp in 1632. His father, also an artist, was called by the same name, resulting in some confusion for art historians. The younger de Neve was working in Rome from 1660-1670, producing paintings for the Palazzo Doria-Pamphili (alongside Pietro da Cortona) and was known for his religious subjects, mythological scenes and landscapes. He was part of a network of Dutch and Flemish artists in the city, who helped to promote and support his career. Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples). After 1670 he travelled to Augsburg and Munich, then to Austria and Moravia, where he completed numerous commissions for altarpieces. Towards the end of his life he returned to his native Flanders and became Master of the Guild of Saint Luke. De Neve had a reputation as a gifted landscape painter, and these two engravings show his keen interest in the details of the natural world, as well as the influence of Claude Lorrain in the extensive vistas. The painting of ‘Narcissus and Echo...Category
17th Century Realist Landscape Prints
MaterialsEngraving
- David Loggan All Souls College, Oxford Engraving 1675By David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) All Souls College...Category
1670s Realist Landscape Prints
MaterialsEngraving
- New College, Oxford, engraving, 1690 David LogganBy David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...Category
1690s Realist Landscape Prints
MaterialsEngraving
You May Also Like
- La Tour de L’Horloge (The Clock Tower, Paris)By Charles MeryonLocated in New York, NYCharles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...Category
1850s Realist Landscape Prints
MaterialsEngraving, Etching
- Le chateau de Chillon, Switzerland by Albert Emil Kirchner - Engraving 20x27 cmLocated in Geneva, CHEngraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...Category
1850s Realist Landscape Prints
MaterialsEngraving
- View of the village and Lake Brientz by Johann Ludwig Aberli - Engraving 30x42Located in Geneva, CHWork on paperCategory
Mid-18th Century Realist Landscape Prints
MaterialsEngraving
- Animated landscape - Engraving 11x14 cmLocated in Geneva, CHWork on paper Dimension of the "passe-partout" frame 27 x 37.5 cmCategory
Mid-19th Century Realist Landscape Prints
MaterialsEngraving
- Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cmLocated in Geneva, CHWork on paper Ed: 63/75Category
Mid-20th Century Realist Animal Prints
MaterialsEngraving
- Costa Rica Beach Foam, Shoreline Seascape, Minimal Blue, Limited Edition PrintBy Kind of CyanLocated in Barcelona, ESThis is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...Category
2010s Realist Landscape Prints
MaterialsMarble
