Soft Ground Etching

Arthur B. Davies (1862-1928), Tartessians, soft ground etching with aquatint, 1919-20, signed in

Hayter, Stanley William. EXPANSION. B&M 334. Etching and soft-ground etching, in color, 1969-70

Dine, Jim (American, born 1935). THE BROWN COAT. D'Oench/Feinberg 3 Color etching, soft-ground

collaborator. Soft-ground etching allowed him to work fluidly and spontaneously, giving his prints the

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by

Created in 2003, this color soft-ground etching is hand-signed by Ed Ruscha (Nebraska, 1937 - ) in

identity, race, and cultural history. 2023 Soft Ground Etching on Hahnemühle Copperplate on 300gsm paper

. Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground

89/100 lower left in white crayon. Edition of 100. Soft-ground etching with hand coloring on

Charlie Davies Wysteria Original botanical etching Soft ground etching on paper Image Size: 35 cm x

Artist: Robert Motherwell Title: Gray Open with White Paint Medium: Soft-Ground Etching and Pochoir

Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in

Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour

2003 Soft-ground etching on Hahnemühle paper 46.5 x 50.5 cm Edition of 300 Signed, dated and

Artist: Jim Dine Title: The Little Heart in a Landscape Medium: Soft-Ground Etching and Power Tool

Emil Orlik (1870-1932), Am Gänsehäufel in Wien, 1911, soft-ground etching, signed and dated in

Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed

with the delicate lines of soft-ground etching. Such techniques gave his art unique tonal values

-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found letterpress plates

Arthur B. Davies (1862-1928), Torment, soft ground etching with aquatint and roulette, 1919-20

(second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove

(second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove

Arthur B. Davies (1862-1928), Dawn (or, Kneeling Figure), 1918, soft ground etching and aquatint

untitled (Fishing Boats, Normandy) Soft Ground Etching, 1930 Signed and dated in pencil by the

This soft ground etching was made using natural plants. Printed with etching inks on Fabriano paper

milking. A soft ground etching signed and edition numbered 8/100 by the artist in pencil in very good

in pencil lower right Year: 1976 Medium: Original Soft-Ground Etching on German Etching paper Limited

Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on Magnani

Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on Magnani

edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on

Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on Magnani

numbered #1/10 done with hard and soft ground etching. Charles Eckart was born in Oakland, California and

Charlie Davies From the depths Original botanical etching Soft ground etching on paper Image Size

Charlie Davies Flying amongst the flowers Original botanical etching Soft ground etching on paper

Charlie Davies Shepherd’s Purse Original botanical etching Soft ground etching on paper Image Size

Charlie Davies Winter winds Original botanical etching Soft ground etching on paper Image Size: 35

This soft ground etching was made using impressions of natural plants and printed with etching inks

, private interior, somewhere between repose and ritual. Executed in aquatint and soft-ground etching

Arthur B. Davies (1862-1928), By the Sea (aka Idyll), soft ground etching and aquatint, 1919

Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching

Original, limited edition color etching, new to market. Making contact with a textured green ground

texture and energy. The most recent etchings, the Ground Cover series, are taken from direct observations

Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on Magnani

Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x

Cord (Edition A), 1976 Soft-ground etching and spitbite aquatint in one color on white, thick, slightly

edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on

Baechler piece that works well in any setting. Medium: Soft-ground etching and aquatint on Magnani

etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed

through photogravure. Each plate was worked with hard and soft ground etching, drypoint needle, mezzotint

makeup. This intimate scene is rendered in aquatint and soft-ground etching, techniques that Robbe

This artwork titled "Three Questions #XII" 2003 is an original soft ground etching on Somerset

This artwork titled "Three Questions #XI" 2003 is an original soft ground etching on Somerset paper

This artwork titled "Three Questions #VIII" 2003 is an original soft ground etching on Somerset

This artwork titled "Three Questions #II" 2003 is an original soft ground etching on Somerset paper

This artwork titled "Three Questions #IX" 2003 is an original soft ground etching on Somerset paper

This artwork titled "Three Questions #VI" 2003 is an original soft ground etching on Somerset paper