Soft Ground Etching

soft ground etching technique. Employing multiple copper etching plates, these images were printed on

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25

) Media: aquatint and soft ground etching on BFK Rives rag paper Paper size: 10 1/2 x 18 inches Edition

additions), 9 soft ground etchings (8 with aquatint, lift ground aquatint, and/or collagraph), 3 lift ground

traditional hard and soft ground etching technique. Employing multiple copper etching plates, these images

and turned up corners. Etchings were executed by use of traditional hard and soft ground etching

with folds, fringes and turned up corners. Etchings were executed by use of traditional hard and soft

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground

small soft-ground etchings after his painting, “The Rustic Ball,” followed by an etching of Venus for

Médecine Expérimentale (Experimental medicine), is an original etching, soft ground, on Japanese

create depth and interest to this genre landscape. Medium: Dry Point etching on soft ground on paper

larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as

Cheryl Warrick (American, b. 1956), "Peace Makes Plenty" Color etching, soft ground, white ground

occasionally he combined drypoint or soft ground etching with aquatint. Müller's principal publisher was

, fringes and turned up corners. Etchings were executed by use of traditional hard and soft ground etching

plate and working with the soft-ground etching process until the desired result was achieved. Finally

ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style

ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style

larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as

remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was

ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style

numerous techniques, creating woodblock and silkscreen prints, spray-painted stencils, soft-ground etchings

ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style

ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style

printmaking technique of soft ground etching, also called "vernis mou", rediscovered by Félicien Rops in the

woodblock and silkscreen prints, spray-painted stencils, soft-ground etchings, and elaborate three

Jennifer Bartlett Earth, 1992 Etching, soft ground and aquatint 33 1/4 x 33 inches Edition of 80

hard-ground (line etching) and that's done with soft-ground (pencil on tissue paper) etching, so the

Lasansky, Mauricio (American, 1914-2012. EL MOZO. Lasansky 188. Engraving, etching, soft ground

Mere Etching and soft ground, 1970 Signed, dated, titled and numbered in pencil Printed in colors

Emil Orlik (1870-1932), Die Loge im Gaite Montparnasse (Paris), drypoint, etching and soft ground

Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8

copperplate by the artist using etching, aquatint, soft-ground and engraving. Within the ‘American Indian

La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by

Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint

illustrative of his characteristic use of etching and soft ground intaglio. Enchantment was exhibited at the

artist has so beautifully achieved through his use of soft ground and line etching. These tonalities

processed.’ (Reynolds, p.112) Media: soft ground, aquatint, and line etching on BFK Rives rag paper Paper

made from hand-colored etching with soft ground on Rives BFK. This piece is a unique edition of 1

. 50 Signed Prints Imp. soft ground and line etching on BFK Rives rag paper Bibliography

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60

ground, and line etching on BFK Rives rag paper Paper size: 24 1/2 x 30 inches Edition: 5 Artists Proofs

characteristic use of etching and soft ground intaglio. Enchantment was exhibited at the Brooklyn Museum of Art

characteristic use of etching and soft ground intaglio. Enchantment was exhibited at the Brooklyn Museum of Art

characteristic use of etching and soft ground intaglio. Enchantment was exhibited at the Brooklyn Museum of Art

etching and soft ground intaglio. Enchantment was exhibited at the Brooklyn Museum of Art in 1960 and

remains particularly illustrative of his characteristic use of etching and soft ground intaglio

etching and soft ground intaglio. Enchantment was exhibited at the Brooklyn Museum of Art in 1960 and

illustrative of his characteristic use of etching and soft ground intaglio. Enchantment was exhibited at the

Soft Ground Etching signed and dated in pencil: RD 65 numbered from the edition of 25

Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in

2 color etching Edition of 50

2 color etching Edition of 50

2 color etchings Edition of 50

2 color etching Edition of 50

2 color etching Edition of 50

2 color etching Edition of 50