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Takeshi Yasuda

Takeshi Yasuda b.1943 olive colour slip decorated slab dish
Takeshi Yasuda b.1943 olive colour slip decorated slab dish

Takeshi Yasuda b.1943 olive colour slip decorated slab dish

$495Sale Price|20% Off

H 1.19 in Dm 9.85 in

Takeshi Yasuda b.1943 olive colour slip decorated slab dish

Located in Sherborne, GB

Takeshi Yasuda is a Japanese potter who was born in Tokyo, Japan in 1943. Yasuda trained at the

Category

Late 20th Century English Modern Pottery

Materials

Stoneware

Takeshi Yasuda 'Japanese, b.1943' Creamware Studio Pottery Hand Thrown Bottle
Takeshi Yasuda 'Japanese, b.1943' Creamware Studio Pottery Hand Thrown Bottle

Takeshi Yasuda 'Japanese, b.1943' Creamware Studio Pottery Hand Thrown Bottle

Located in Bishop's Stortford, Hertfordshire

marked Takeshi Yasuda and numbered TY3302. In good condition and a wonderfully stylish piece to add to

Category

Vintage 1980s Japanese Modern Vases

Materials

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"Black Undulating Vessel" by Felicity Aylieff, 1999
"Black Undulating Vessel" by Felicity Aylieff, 1999

"Black Undulating Vessel" by Felicity Aylieff, 1999

Located in Hamburg, PA

Design Studio with Takeshi Yasuda, Her work shows a particular interest in hand-forming processes, large

Category

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Materials

Porcelain

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A Close Look at Modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.