Tent Rug

Afshari tent rug. It is hand-knotted with 100% hand-spun and naturally dyed high-mountain wool. Afhsari

This antique rug woven by the Turkomen in Afghanistan has a geometric motif that is designed to

This is an antique hand-woven tent band, made by the Yomut (Yomoud) tribe in Turkmenistan, circa

walls as insulation in tents. This particular rug is exceptionally tightly woven and densely packed with

atmosphere. In long, cold winter months nomads used to optically heat their tents with warm-colored rugs.

long, cold winter months nomads used to optically heat their tents with warm-colored rugs.

optically heat their tents with warm-colored rugs.

Woven by Moroccan nomads to sleep on by night, these thick rugs decorated their tents by day

on the floors and walls in Berber tents. This stunning rug is an explosion of color woven in a

purposes, including tent rugs, door hangings and bags of various sizes. This particular piece seems to have

. They are used for various purposes, including tent rugs, door hangings and bags of various sizes.

Large tribal flatweave, made of goat hair, that was once part of a nomadic tent in SE Turkey. A

Very large kilim made of black-brown goat hair. Nomads use this type of kilim as their tent. Very

Very large kilim that was once used as a nomads' tent. Undyed, natural goat hair has a very organic

Very large kilim that was once used as a nomads' tent. Undyed, natural goat hair has a very organic

purposes, including tent rugs, door hangings and bags of various sizes. A few centuries back, almost all

Large tribal flatweave, made of goat hair, that was once part of a nomadic tent in SE Turkey. A

Very large kilim that was once used as a nomads' tent. Undyed, natural goat hair has a very organic

tent, judging by its size and structure. It consists of four panels, woven with a mixture of goat hair

Very large kilim that was once used as a nomads' tent. Undyed, natural goat hair has a very organic

Red & Blue hand Woven wool prayer rug. Features a diamond geometric field with framed in

the entrance to the nomad tent. Kilims woven in narrow strips that are sewn together matching the

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry clean only.

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry clean only.

It does not come with an insert but a bag made to the size to accommodate insert materials. Linenin the back. Zipper closure.

foundation, leathery texture. Good condition. The Qashghai employ Gabbehs and kilims in their tents, but

geometrical Modernist designs. This Moroccan rug was used for room separation in the Berber tents, those rugs

for room separation in the Berber tents, those rugs are light for easy folding and travel for the

", " Hatchli "or " Hatchlou ", both defining a rug that is traditionally used as a blanket door of a Jurte tent

everyday floor covers in Central Asian nomads' tents. This rug is unusual in having different colors and

The tribal weaving of the Baktiari consist not only of large and ornate saddle-bags and other tent

term 'main carpet' differentiates these tent floor rugs from their other smaller weavings created for

tent panel and Turkish wool rug.

purposes, including tent rugs, door hangings and bags of various sizes. Tue due the age it is partially

71983, vintage Afghan Karabin Enssi tent door, Turkoman Prayer rug. This hand knotted wool and silk

A fantastic boldly patterned vintage Tuareg tent mat woven of thin reeds and leather strips, and

Ancient nomadic strips for tents - for collection but also for use: edges for carpets or pillows

Vintage above door nomad tent, named Kapunnuk. It has never been used, therefore its long fringes

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry clean only.

Fine antique Anatolian Turkish rug, hand knotted, circa 1900 Design: Center Medalion

It has never been used, therefore its long fringes are still tied together: it had probably been woved (together the other one) to be a wedding gift, or it had been woven by the brid...

North African tent fragments found and bought in an oasis during a travel that I made in desert

71971 vintage Afghan Turkoman Tribal Ersari Engsi, Hatchli tent door Hanging Ensi, wool rug. This

Extremely rare and highly collectable early 20th century Turkmen Ersari Tent Hanging hand woven rug

rug was used for room separation in the Berber tents, those rugs are light for easy folding and travel

The tribal weaving of the Baktiari consists not only of large and ornate saddle-bags and other tent

that tradition and spread lion rugs in their tents as a sign of power. Many weavers of lion rugs drew

medium-high pile as they were meant as bedding rugs for the tent. Woven in the Karapinar area in central

-high pile as they were meant as bedding rugs for the tent. Woven in the Karapinar area in central

tents, those rugs are light for easy folding and travel for the Nomadic people in the Sahara Desert of

reflect the art, Craft, and culture of Anatolian pastoral and nomadic life. Turkmen tent rugs were used

, for various purposes, including tent rugs, door hangings and bags. They were made entirely from wool

This is a little gem from the mountains of Caucasus. This small and very fine collector's rug

This is a genuine nomadic Qashqai tent rug featuring the classic three serrated medallions and a

A rare Tekke Tshowal (Kizil – red Tshowal) Tent Bag, about 1870/80, flat woven on unison red

Pair of multicolored applied glass sconces by A. Lankhorst for RAAK, Amsterdam. Interesting pair of large Mid-Century Modern multicolored applied glass sconces on metal frames by A....

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18th century Louis XVI mirror with a beautiful carved wooden crown.

Large 18th century Biot jar with light yellow glaze at rim of opening and inside. These were used to transport olives by ship to the French colonies throughout the world. Opening dia...

Period French / Italian deco mirrored coffee table. Manner of Serge Roche This is a "distressed" original example with applied mirror over wood table. Mirrored Glass was specially c...

19th century Gustavian sofa bench with original paint. Exquisite carving on the front and side panels and along the perimeter of the upholstered areas. Four carved finials flank each...

Moroccan handcrafted brown camel leather ottoman, with embroideries.Could be used a foot stool, or side table or ottoman.The Moroccan leather poufs are hand-tooled and embroidered wi...

Donald Deskey andirons, brass, signed Bennett. Newly refinished by Empire Metal of Astoria, NY. Completely disassembled and built back better. Brass elements were refinished in "Butl...

19th century English Georgian oak tilt top table with original iron hardware on tripod pad feet. Centre column in the simple shape of a urn with several turned rings details. Beautif...

19th century two-piece Swedish painted Folk Art cupboard from Northern Sweden. Beautiful hand channelled detail on doors on the facade. Original paint. Wonderful proportions.

Large Svend Åge Madsen Danish teak credenza For Falster Møbelfabrik Denmark, ca. 1960s. A beautifully made teak sideboard or credenza designed by Svend Åge Madsen for Falster Mø...

Large rectangular overmantel gilt mirror with etching and rope detail around etched perimeter. In the interior perimeter there is the pearl detail frequently seen in French mirrors o...

This walnut dining table is fully collapsible in four parts, no tools required. The top is 2" thick, legs are 3" thick, all in hand selected, beautifully matched solid black walnut b...

17th century and later oak refectory dining table, the cleated plank top on four baluster turned supports united by perimeter stretcher. Some gaps between top boards.

A beautiful Cancer figurine, made of brass, designed by Walter Bosse, executed by Hertha Baller, Austria, in the 1950s. In very good condition. We offer more Water Bosse brass objec...

Model 548 Design by Gino Sarfatti The table lamp designed in 1951 is a study in balance and light reflection through a screen, a recurring theme in Gino Sarfatti’s work. Model 548 ...