Venice Etching

20th Century print

This is a beautiful color image of a fish market in Venice, Italy. Here are the details: Softground Etching & aquatint printed in color.

Beautifully matted in off-white and set in a gilded frame. Each etching captures the artist's unique perspective of Verona, Italy and Venice Italy.

Exceptionally refined and complex 4 color etching with additional hand coloring in watercolor of three masked revelers in a boat on a canal in Venice.

Early 20th century signed dry point etching by Axel Herman Haig (1835-1921) depicting the interior of Basilica Cattedrale Patriarcale di San Marco, or St.

This beautiful image depicts the Rialto Bridge in Venice, Italy. More details: Etching & Aquatint, 1930, F. 229, edition of 140, Trial Proof V.

The Fountain of Venice Raoul Dufy French (1877–1953) Date: c 1951 Etching, signed and numbered in pencil Edition of CXIX/CCXXV Image Size: 9 x 7 inches Frame Size: 17 x 14.25 inches

Vintage Etching "Rialto Bridge, Venice, Italy" Circa 1930s Fine etching, deep plate marks, strong color - Illegible signature Plate dimensions 10.5" wide x 8" high The period fram...

Image dimensions: 19.5x25 cm. Edition of 100 prints, numbered and hand signed. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in I...

In 1963 he was awarded at the Venice Etching Biennial. In 1970 he held a solo show at the Nordness Gallery in New York and in the meantime exhibited in the most important Italian ga...

This delightful print depicts gondolas on a Venetian river with a boat selling fruit. The artist has incorporated aquatint and hand colouring into the etching to add depth and tonal ...

Etching with aquatint and carborundum in colours, with hand-colouring. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'proof', a proof aside from the edition of 60. ...

This print of the gondolas of Venice and the island city in the distance. Signed, titled and numbered in pencil.

Hand signed and numbered by the artist with pencil. Edition of 20 prints.

Sharp shadows contrast the last beams of the sun at golden hour on the Bridge of Sighs, Venice. Finished with areas of hand colouring and plate tone. Signed with monogram. On wove.

Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'AP', an artist's proof aside from the editi...

Dickins 90. Etching and drypoint with aquatint. 3 1/2 x 5 (sheet 9 3/8 x 10 1/2).

A pair of Rome views, two Neoclassical original etchings depicting Italian views of Rome, with the following titles: Colonna di M.

In 1874/1876, Dicey's name was included by James Whistler in a list which may have been a guest list for the private view of Whistler's Pall Mall exhibition of 1874, or a subscriptio...

Inconscious is an original Contemporary Artwork realized by Giuseppe Santomaso (Venice, 1907 - Venice, 1990) in 1976. Original etching and aquatint on copper plate on Fabriano Rosa...

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

Framed Salvador Dali print of "Vision of Venice (Gondola) - Sepia" etching. Numbered, with embossed signature and Embossed publisher's stamp "Levine & Levine."

A beautiful acqua forte black and white signed etching of Venice. This wonderful piece was created by the artist Laurenzio Laurenzi in 1935 and dedicated to Dott.

In Venice Whistler produced a number of pastels and etchings, including many Nocturnes (night-views).

The state before publication state as part of “26 Etchings” (the second Venice Set) in 1886.

: M.191: W.159) Etching and drypoint, from “Venice, a Series of Twelve Etchings” (the ’First Venice Set’) Trimmed to the platemark as usual with the signed tab.

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame.

The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death.

MacLaughlan, Donald Shaw. MIDNIGHT, VENICE. Etching, 1922. Signed and dated in the plate and signed in pencil. 8 1/8 x 10 1/2 inches (plate), with margins of 1/2 inch.

A striking image that reflects the influence of Whistler's Venice etchings. Ernest David Roth was born in Stuttgart, Germany in 1879 and, at the age of five, immigrated with his par...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 8 x 5 1...

Dionisio MORETTI Venice, San Simeone Piccolo Church, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Very good condition, ...

Salvador DALI Much Ado About Shakespeare : Merchant of Venice, 1968 Original etching in color Handsigned Justified EA On Japan paper 44.5 x 32 cm (c. 18 x 13 inch) REFERENCES : - ...

Dionisio MORETTI Santa Maria della Salute Church, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Very good condition, sli...

Salvador Dali original pencil signed etching “Academie des Beaux Arts” Etching created in 1975 by renowned Spanish artist Salvador Dali (1904-1989). Edition size is seen lower left...

Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson "Etchings and drypoints by Muirhead Bone", Print Collector's Quarterly, 1922, IX, ...

Jan Charles Vondrous, 'Venezia', 1914-1915, etching. Signed, dated, titled and annotated '1st state' in pencil.

Antique drypoint etching showing a European cityscape (attributed to Venice Italy) of canals and buildings.

This etching is in original frame and signed by the artist in the bottom right corner.

An original etching by French artist Edgar Chahine (1874-1947) titled "Rio ca Foscari, Venice", 1906.

This print of the gondolas of Venice and the island city in the distance. Signed, titled and numbered in pencil.

San Giorgio, Maggiore, Venice. 1930. Drypoint. 8 3/16 x 12 1/8. Signed in pencil.

Giudecca No. 2, Venice. 1913. Etching. Dickins 14. 4 3/16 x 7 9/16 (sheet 7 5/8 x 10 5/8).

The Doge's Palace. 1920. Dickins 90. Etching and drypoint. 3 1/2 x 5 (sheet 9 3/8 x 10 1/2).

A serene landscape of the Venetian skyline at twilight. Etching on watermarked W King cream wove paper, 3 7/8x 8 7/8 inches (97 x 212 mm), full margins. An excellent and well inked ...

Etching on W King cream wove paper, 3 7/8x 8 7/8 inches (97 x 212mm), full margins. Signed in the plate, upper right. An excellent and well inked impression. Horizontal watermark, lo...

Etching with aquatint on light green laid paper with a large Crown and Rampant Lion Concordia watermark, wide margins. Signed in pencil, lower right. Adhered to an archival support...

Etching with drypoint and aquatint. Dickins 66. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8).

He greatly admired the distinctive etchings of Venice made in the 1880s by the influential American expatriate artist James McNeill Whistler, but he developed a quite different graph...

Sydney Mackenzie Litten, etching, c. 1928, edition not stated. Signed in pencil.

Old Palaces on the Lagoon, Venice. 1927. Etching and drypoint. 8 1/2 x 13 1/2 (sheet 11 1/2 x 16 1/2).

The Library of St. Mark's, Venice. 1920. Etching with drypoint and aquatint.

Campiello Tagiapiera, part of the Venezia Portfolio of Views. 39 etchings, 1984, rif. 548 Original etching, signed and numbered.