Vintage Etching Press

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and

From the Author's Press is an original etching realized by Leo Guida in the 1970s. Good condition

first etching press. He was drawn to the harmony and balance of the natural world, and this was (and

etching technique. He owned two etching presses and pulled his own prints. Publishers include Associated

definitive guide to building an etching press which is referenced by printmakers world wide. His press design

on paper, made directly or through the intermediation of etching plate and printing press. In both

, Dartmouth Portraits 1975 A suite of nine etchings, each from one 20.3 x 15.2 cm / 8 x 6 inch copper plate

tongue-in-cheek black and white Dieter Roth etching. Dieter Roth has long represented food in his work

impression of two etching plates evokes a pair of snapshots – incorporating the viewer into the role of

feeling and observation. Through his extensive collaborations with Petersburg Press, Hodgkin began to use

Press, London. Dieter Roth’s interest in geometry, transformation, and iteration is on display in this

Made Tone-Weave paper Edition 25 + 5 Artist's Proofs Published by Petersburg Press, New York; printed

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and

Image 19.75 x 26.3 in. / 50 x 67 cm Paper 27.25 x 36 in./ 69.2 x 91.4 cm Etching in one color on

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked

a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice

, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and

, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and

and hand press to his farmhouse near Cannes. Complete sets of the 347 etchings are held by only a

etchings produced by the artist. The shape of Dominie’s wide sunhat and its patterned band sets off the

in Yosemite Valley. He is a painter who started etching with his own press in 1966. The etching has

created during the printing of the lithograph due to a handling error in the press. Etching, aquatint and

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary

man known by a single name. Dine was a frequent collaborator at Petersburg Press, where he created

. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by

etching from one of his most important artist’s books – completely designed and illustrated by Dine

etching with his own press in 1966. The etching has always paralleled the various phases of his painting

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in

Softground etching and aquatint (from two plates) with hand coloring in watercolor (green and orange

directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The

on paper, made directly or through the intermediation of etching plate and printing press. In both

. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on

” crease lower right corner. Dieter Roth was a printmaker from childhood: his first etching at the age of

These erotic etchings depict mythological and fantasy creatures as striking nudes. A host of

was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print

on paper, made directly or through the intermediation of etching plate and printing press. In both

were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely

directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4

the water in which a cloudy sky is reflected. This etching is from Mark Tobey’s 1971 portfolio

etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in

This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently

etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2

Cord (Edition A), 1976 Soft-ground etching and spitbite aquatint in one color on white, thick, slightly

-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in

etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new

Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100

introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time

classes at Graydon's School of Art and taught himself etching, building his own press at the age of

-ground etching and aquatint with hand-coloring in gouache, on buff Velin Arches mould-made paper, the

: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK

Containers 1972 (published 1973) Portfolio of 33 signed and numbered prints: nine etchings (eight

finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of