Beth Lipman Photography

signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An act...

Detail From: Four Regents of the Groot-Kramergild ​DETAIL FROM: FOUR REGENTS OF THE GROOT-KRAMERGILD, 2008 WERNER J. VAN DEN VALCKERT, 1622, PAINTING GALLERY BERLIN ​ Timeless autho...

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984 Experience the timeless allure of the Amalfi Coast with Slim Aarons' captivating photograph, "Pool on the Amalfi Coast...

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984 Slim Aarons Pool on the Amalfi Coast Slim Aarons Estate E...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Fleurice M5 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm)

Fleurice M7 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Fleurice M8 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Fleurice M2 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Fleurice M6 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Fleurice M1 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Helianthus Tuberose Butterflies X-Ray Photography on Dibond Lambda Print Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...