Petersen Antiques Coffee and Cocktail Tables

The coffee table crafted from rosewood with a shelf underneath the tabletop is a quintessential example of Danish design from the 1960s. Combining form and function with elegant simp...

Through the introduction of the Circa coffee table, esteemed collaborator Yaniv Chen demonstrates a mastery of simplicity, presenting an exquisite o...

Coffee table. Curved walnut supports connected by a chrome bar supporting the original glass. Very good condition.

Modern organic drum coffee table made from reclaimed New Zealand ancient Swamp Kauri wood. A large modern organic coffee table made from New Zealand 40,0...

Rare danish modern 1930s round coffee table in solid deep patinated pine wood. This table is hand crafted by danish cabinet maker and has elegant geometric proportion with its diagon...

The Otto coffee table is a handsome, generously proportioned table with a timeless form. Available in walnut or oak, it features a round coupe top, substantial antique brass fitting...

Reclaimed natural teak coffee table with a four inch thick top. Solid teak logs are joined together to produce this impressive coffee table which floats on a ...

This rosewood coffee table is a beautiful example of Danish design from the 1960s. The table exudes a timeless elegance and is in nice used condition, which reflects its quality and ...

This artisan-crafted low table is a celebration of wabi-sabi style. Crafted of thick elmwood timbers reclaimed from Qing-dynasty architecture, the table has a minimalist waterfall de...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

The Palafitte collection, inspired by Venice, the floating city, takes its cue from the urban system of wooden poles submerged in water, supporting the city’s structures. This design...

Scroll down and click "view all from Seller" to see more than 400 other unique products. The low table Dekon 2 was designed by Karim Rashid, who gave it futuristic shapes suited for...