Leticia Felgueroso Photography

Kurt Markus, American (1947) Batwings, Oro Ranch, Prescott, Arizona Archival Pigment Print, Edition of 300, # 149, Signed and numbered. Framed. Measurements: Frame: H 57.15 cm/22.5 in x W 45.72 cm/18.5 in - Sight H 33.02 cm/13.5 in x W 25.4 cm/10.5 in Kurt Markus, self-taught American photographer, was born in rural Montana. Markus is a nationally and internationally published photographer. Markus’s work began with a focus on American West Cowboys...

Edition of 25 Signed, titled, dated and numbered. Series: Ghostland Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure...

In Fidel Santos's photographic exploration, he presents an evocative image capturing the poignant beauty of a weathered Spanish polychromed wood statue of...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

This photograph captures an 18th-century statue head representing Pope Alexander VI, showcasing the aged surface that preserves the controversial legacy of this historical figure. The weathered patina tells a story of the enduring nature of his reputation, marked by accusations of corruption and political intrigue. Through this image, viewers are invited to reflect on the lasting impact of Alexander VI on the perception of the papacy, encapsulating the intersection of history and art across the ages. Fidel Santos...

This captivating photograph features an aging statue of the beautiful and slumbering Aglaea, one of the three graces, sculpted from polychromed wood. Despite the passage of time and ...

Edition of 25 Signed, titled, dated and numbered. Series: Ghostland Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure...

This captivating photograph portrays an aging statue of the enchanting and slumbering Euphrosyne, one of the three graces. Despite the inexorable passage of time and the gentle touch...

Sunflowers by Jan Van Leeuwen presents two sunflowers, slightly dried and wilted, bathed in a deep saturated blue. Sunflowers by Jan Van Leeuwen is a 16 x 12 inch cyanotype print. ...

In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...

Cyanotype print, 16 x 12 in. Signed, dated, print type and numbered in pencil on print verso.

David Levinthal is a central figure in American postmodern photography. Since the early 1970’s, he has photographed dolls and toys in settings that explore the fantasies, myths and e...