Owen Dalziel Art

PHILIPPE NOYER – UNTITLED ⚜ Watercolor on Paper ⚜ Hand Signed Upper Right ⚜ Conservation Frame PORTRAIT STUDY IN WATERCOLOR Created circa 1965, this delicate watercolor by Philippe ...

Pink Flamingo Venus, 2020, watercolor, ink, and salt on Arches paper. Venus of Willendorf, fertility goddess, pink, black, and white.

Biography from Battledore Ltd Gallery: Paul Muller (Russian/American) was born in Estonia. At the age of 16 he joined the Russian Army where he was a musician with the "Labe Guard", ...

A finely tuned oval drawing by the Finnish artist Ester Helenius depicting a young woman in profile seated on a chair. The room is suggested only by a diffuse background. Signed and ...

Wonderful Early Victorian English watercolor of a little girl. The piece is full of quality and precise brushwork giving the painting a great feeling. I think the frame is later poss...

Bernard Boutet de Monvel was a French painter, sculptor, engraver, fashion illustrator and interior decorator. Although first known for his etchings, he earned notability for his pai...

Auguste Gardanne (circa 1840- circa 1890) Carriages and horses during the franco-prussian war of 1870 Pencil and watercolor on paper On the reverse Studies of horses Pencil and water...

Louis Gallait (1810-1887) Portrait of a Gentleman, Watercolor and gouache on paper, square white lines, 24 x 16 cm Stamp of the Louis Gallait Estate on the mount on the lower righ...

Deep Blue Venus, 2020, watercolor, ink, mirror paint, and salt on Arches paper. Venus of Willendorf, fertility goddess, blue, cobalt blue, and whit...

Paul Gavarni (1804-1866) La Soubrette (The handmaid), pencil, watercolor and heightenings of gouache on paper Signed lower right (faded) 20 x 15 cm In quite good condition, lightly sunstroke and yellowed Framed 28.5 x 23 cm Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (13 January 1804 – 24 November 1866), a French illustrator, born in Paris. The story is told that he took his name from Gavarnie in Luz-Saint-Sauveur where he had taken a journey into the Pyrenees. He was a very famous illustrator, friend of Felix Nadar...

"Portrait of Woman II" Watercolor Painting 24" x 18" inch by Kawkab Youssef Signed and dated 1959 A short history of Kawkab Youssef El-Assal: With a...

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...