Richard Prince Prints and Multiples
American, b. 1949
Richard Prince (American, b.1949) is a painter and photographer, best known as a pioneer of Appropriation Art. Born in the Panama Canal Zone, Prince grew up in Massachusetts and moved to New York in 1977, where he prepared magazine clippings for Time-Life, spurring his interest in advertising and consumer imagery. He began creating works based on various pop culture images taken from magazines and newspapers, often re-photographing and manipulating the images in his own works. Considered by many the father of Appropriation Art, the majority of his works includes scandalous subject matter and has provoked controversy around issues of copyright in the art world. His famous Cowboys series of 1980s photographs, for example, was taken from Marlboro ad campaigns. In the mid-1980s, Prince shifted his interest from images to text, evident in his Jokes series, displaying appropriated jokes in ironic works. From his home in Upstate New York, Prince created his late Nurse Paintings series, inspired by pulp romance novels, as well as his own photographs of everyday rural and suburban life. He acquired an abandoned farmhouse near his home in 2001, which he turned into an installation site he called Second House, installing the interior with his sculptures, paintings, and his own books; the structure has been purchased by the Guggenheim Museum in New York, but was struck by lightning and destroyed in 2007. In the fall of that year, Prince’s work was the subject of a major retrospective at the Guggenheim Museum. Prince currently lives and works in Upstate New York.to
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Artist: Richard Prince
Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008
By Richard Prince
Located in Dubai, Dubai
Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008
Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil
F...
Category
21st Century and Contemporary Contemporary Richard Prince Prints and Multiples
Materials
Lithograph, Offset
Untitled (de Kooning)
By Richard Prince
Located in New York, NY
Collage with color offset lithograph, hand-cutting, hand-painting and assemblage on inset board. It is signed in pencil, with numbering on the original label. Published by Two Palms ...
Category
Early 2000s Contemporary Richard Prince Prints and Multiples
Materials
Color, Board, Lithograph, Offset
Richard Prince, Untitled (Black Bra) - Signed Print, Pop Art
By Richard Prince
Located in Hamburg, DE
Richard Prince (American, b. 1949)
Untitled (Black Bra), 2024
Medium: Digital pigment print on Hahnemühle Photo Rag paper
Dimensions: 38 × 38.2 cm (15 × 15 in)
Edition of 100: Hand-s...
Category
21st Century and Contemporary Pop Art Richard Prince Prints and Multiples
Materials
Digital Pigment
Angie Dickinson, hand Signed/N, Barbara Gladsone, Sothebys & Estate of Vera List
By Richard Prince
Located in New York, NY
Richard Prince
Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986
Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels)
Signed and ...
Category
1980s Contemporary Richard Prince Prints and Multiples
Materials
Permanent Marker, Polaroid
It's a Free Concert European offset print (Hand Signed by Richard Prince)
By Richard Prince
Located in New York, NY
Richard Prince
It's a Free Concert (Hand Signed by Richard Prince), 2014
Offset Lithograph (hand signed by Richard Prince)
Hand signed by the artist on the front
Unnumbered
33 × 23 3...
Category
2010s Contemporary Richard Prince Prints and Multiples
Materials
Lithograph, Offset
Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011
By Richard Prince
Located in Dubai, Dubai
Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011
Foil-stamped print, on heavy wove paper, folded.
As new condition, never f...
Category
21st Century and Contemporary Contemporary Richard Prince Prints and Multiples
Materials
Paper
Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011
By Richard Prince
Located in Dubai, Dubai
Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011
As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK).
Signed and numbered by artist in ink on interior of card.
From a limited edition of 100.
Edition 91/100
6.25 x 8.5 in (15.9 x 21.6 cm)
Notes:
Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas.
Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
Category
21st Century and Contemporary Contemporary Richard Prince Prints and Multiples
Materials
Archival Paper
Untitled
By Richard Prince
Located in Washington , DC, DC
numbered from an edition of 150
Category
21st Century and Contemporary Contemporary Richard Prince Prints and Multiples
Materials
Lithograph
$1,000 Sale Price
20% Off
Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
By Richard Prince
Located in Dubai, Dubai
Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
Foil-stamped print, on heavy wove paper, folded.
As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK).
From a limited edition of 100.
Edition 91/100
6.25 x 8.5 in (15.9 x 21.6 cm)
Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card.
Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
Category
21st Century and Contemporary Contemporary Richard Prince Prints and Multiples
Materials
Archival Paper
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It's a Free Concert Now Artist Edition signed 10/25 mixed media 2-track LP Frame
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Located in New York, NY
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It's a Free Concert Now (Artist Edition), 2015
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Richard Prince (b. 1949) is one of the most innovative and polemic American artists. Whether you associate him with The Pictures Generation, Post-Modernism, or appropriation art, his contribution is undeniable.
Prince has worked in a variety of formats over the course of his career, yet each of his series shares a similar approach: extract an element from America's visual culture and elevate it similar to Duchamp's urinal.
Prince's key ingredients come through mass media. Whether it's nurses from the covers of pulp fiction novels, macho cowboys in Marlboro ads, or supermodel selfies, Prince reflects and subverts the gauntlet of American imagery.
Prince is an avid book collector and bibliophile, owning a massive collection of American postwar literature. He began appropriating pulp fiction paperback covers with his "Nurse" series first exhibited in 2003. Prince would scan the cover of pulp paperbacks, transfer them to canvas and paint, collage, and/or otherwise modify the covers. "Nurses" enhanced and subverted female nurses as a rampant source of fetishized sexual objectification in American adult pulp fiction.
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Richard Prince "Greeting Cards #3, Canada Dry"
By Richard Prince
Located in Toronto, Ontario
Richard Prince (b. 1949) is one of the most innovative, influential and polemic American artists. Whether you associate him with The Pictures Generation, post-modernism or Appropriation Art, his contribution is undeniable.
Prince has worked in a variety of formats over the course of his career, yet each of his iconic and provocative series shares a similar approach. Extract an element from the American vernacular culture and position it in a way similar to Duchamp's urinal.
Prince started to work with jokes in 1986. These works were a defiant contradiction to the reigning hierarchies in the art world perpetuated by Minimalism or Neo-Expressionist painting. Prince's works from this series forced the viewer to become a reader...often having to read "jokes" that were corny or not particularly funny and seemed highly out-of place in a gallery setting.
The earliest of Prince's jokes were similar to this print - they appeared to be simple handwritten notes. Their simple, or anti, aesthetic seemed to be simultaneously parodying tropes established by Conceptual and Minimalist artists of the previous decade (Yoko Ono comes to mind)
Questions about this piece? Contact us.
"Greetings Cards...
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Misty Two
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Prince, Richard. UNTITLED (QUE LA TORTILLA SE VUELVA).
Lobel, page 62, checklist, top of column 3.
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By Richard Prince
Located in London, GB
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Edition 2/2, signed on verso.
Size: 34 1/4 x 46 x 2 inches each (87x117x5 cm)
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Richard Prince prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Richard Prince prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Richard Prince in paper, lithograph, archival paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Richard Prince prints and multiples, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of John Buck, Don Ed Hardy, and Brian Buckley. Richard Prince prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,054 and tops out at $75,000, while the average work can sell for $6,000.