Stephen Lack Landscape Prints

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Canoe. Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

KARL YENS (1868 – 1945) (FLOWERS) 1919 Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½” Monotypes are unique works of art that fall between printmaking a...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...

A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...

Adolph Dehn "Golden Gate" Lithograph c.1940 Fine pencil signed lithograph issued by Associated American Artists, New York Edition size 200. Dimensions 1...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

By J. Torrents Llado 35" x 24" Serigraph, Edition 65/75 Hand signed in pencil, bottom right. Hand numbered in pencil, bottom left. This Impressionist-style serigraph by National Tr...

Davis Francis Schwartz "Historic First Theater, Monterey County" Original PRINT C.1950 PRINT dimensions 20" wide x 16" high The distressed per...

Harry Shoulberg (1903-1995) Expressionist mid modern serigraph "The Bridge" c.1944 Pencil signed and titled by the artist. This fine serigraph retains all of it's vibrant color after 76 years! Dimensions 12" x 15". Frame dimensions 23" x 19". Very good condition. Please note: The linen rabbet lining of the frame does show some discoloration. This is a rare and exceptional work by Shoulberg. His serigraphs can be found in the permanent collections of some of the finest museums, and institutions in the country. Harry Shoulberg was born in Philadelphia, 25 October 1903 of Russian/Jewish heritage. His father, Max Shoulberg, was the fourth of twenty children and the first to be born in America. His mother was Tessie Derfler, a New Yorker of German descent. Harry grew-up in New York, married Sylvia Hendler in 1931, and had one child, Ted. Shoulberg attended City College of New York where he studied biochemical engineering for three years before switching to fine arts in his last year. He continued his art education at the John Reed School, 1934-1935, the American Artist School, 1935-1937, and then privately at the studios of artists Sol Wilson (1894-1974) and Carl Holty (1900-1973). In 1938, he worked for the WPA and produced two oil paintings for the organization. He maintained studios in New York City and Bridgehampton on Long Island until 1983. He was a late bloomer...